reichrichter (17 resultados)

Hardback. Condición: New. The term 'anachoresis' is derived from the Greek verb 'anachorein' ('to withdraw'). The practice of retreat has a long tradition in art and cultural history: from the historical social 'retreat' of East Asian artist-scholars into a state of contemplation to the staging of self-isolation in modern and contemporary artworks by Joseph Beuys or Tehching Hsieh. Often, this process is associated with a surge of creativity and self-reflection. But what happens when the retreat is carried out collectively? What kind of interaction takes place when a group temporarily withdraws from society in order to create a space for communication and interaction? The artist persona REICHRICHTER explored these and other questions in their three-year transcultural project anachoresis - participation through fragments.From 2020-2023, artists from Germany and Taiwan were brought together in the form of a collective laboratory. These gatherings were not only shaped by the practice of the individual artists, but also reflected the broader transcultural dialogue between Germany and Taiwan. This book continues the dialogue-based approach of the project and through a series of theoretical essays discusses the role that participatory art can play in today's world.Text in English, German and Chinese.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Hardcover. Condición: new. Hardcover. The term 'anachoresis' is derived from the Greek verb 'anachorein' ('to withdraw'). The practice of retreat has a long tradition in art and cultural history: from the historical social 'retreat' of East Asian artist-scholars into a state of contemplation to the staging of self-isolation in modern and contemporary artworks by Joseph Beuys or Tehching Hsieh. Often, this process is associated with a surge of creativity and self-reflection. But what happens when the retreat is carried out collectively? What kind of interaction takes place when a group temporarily withdraws from society in order to create a space for communication and interaction? The artist persona REICHRICHTER explored these and other questions in their three-year transcultural project anachoresis participation through fragments. From 2020-2023, artists from Germany and Taiwan were brought together in the form of a collective laboratory. These gatherings were not only shaped by the practice of the individual artists, but also reflected the broader transcultural dialogue between Germany and Taiwan. This book continues the dialogue-based approach of the project and through a series of theoretical essays discusses the role that participatory art can play in today's world. Text in English, German and Chinese. AUTHORS: REICHRICHTER is an artist persona consisting of a man and a woman, based in Germany and Spain. Her/his transnational and post-conceptual works emerge from his/her background in architecture, dance, media theory and film, within the distributed unity of the work of art as installation, video, audio, drawing, text, print, art book, photography, and lecture. Inspired by experiences of longer working stays abroad, he/she uses her/his projects to test the various forms of dialogue, both between the individual components of the work of art, such as between art and society, and now also between artists themselves. Through her academic and curatorial work between the University of London, the Paul Mellon Centre and Tate in London, and Haus der Kunst in Munich, Dr. Eva Bentcheva was able to explore histories of performance and conceptual art, archives and participation across the national border of South and Southeast Asia, and Europe. In her current role as Associate Lecturer in Art History at Heidelberg University, she is deeply interested not only in how artists act as 'agents' of transfer, but also how artworks 'speak' in performative and embodied ways across national and cultural divides. SELLING POINTS: . Theoretical essays discuss the role of participatory art today . Documenting the three-year transcultural project with artists from Germany and Taiwan As part of a three-year transcultural project artists from Germany and Taiwan were brought together in a collective laboratory. This book continues the project and discusses the role that participatory art can play in todays world. Text in English, German and Chinese. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

paperback. Condición: New.

Paperback. Condición: Brand New. 144 pages. German language. 9.25x0.79x8.07 inches. In Stock.

Condición: New.

Taschenbuch. Condición: Neu. Neuware -Der Begriff Anachoresis leitet sich vom griechischen Verb anachorein ('sich zurückziehen') ab. In der Kunstgeschichte hat die Praxis des Rückzugs eine lange Tradition: Vom sozialen 'Rückzug' der ostasiatischen Künstler-Gelehrten in einen Zustand der Kontemplation bis zu Inszenierungen der Selbstisolation wie bei Joseph Beuys oder Tehching Hsieh. Oftmals wird dieser Vorgang mit einem Schub an Kreativität und Selbstreflexion in Verbindung gebracht. Doch was passiert, wenn der Rückzug kollektiv vollzogen wird und sich eine Gruppe vorübergehend aus der Gesellschaft zurückzieht, um einen Raum für Kommunikation und Austausch zu schaffen Diesen und anderen Fragen ist die Künstlerpersona REICHRICHTER in ihrem dreijährigen Projekt anachoresis - participation through fragments nachgegangen, für das Künstler\*innen aus Deutschland und Taiwan in Form eines kollektiven Labors zusammengekommen sind. Das Buch führt den dialogischen Charakter des Projekts fort und erörtert in einer Reihe theoretischer Essays, welche Rolle partizipative Kunst in der heutigen Welt einnehmen kann. 144 pp. Englisch, Deutsch.

Taschenbuch. Condición: Neu. Neuware -Der Begriff Anachoresis leitet sich vom griechischen Verb anachorein ('sich zurückziehen') ab. In der Kunstgeschichte hat die Praxis des Rückzugs eine lange Tradition: Vom sozialen 'Rückzug' der ostasiatischen Künstler-Gelehrten in einen Zustand der Kontemplation bis zu Inszenierungen der Selbstisolation wie bei Joseph Beuys oder Tehching Hsieh. Oftmals wird dieser Vorgang mit einem Schub an Kreativität und Selbstreflexion in Verbindung gebracht. Doch was passiert, wenn der Rückzug kollektiv vollzogen wird und sich eine Gruppe vorübergehend aus der Gesellschaft zurückzieht, um einen Raum für Kommunikation und Austausch zu schaffen Diesen und anderen Fragen ist die Künstlerpersona REICHRICHTER in ihrem dreijährigen Projekt anachoresis - participation through fragments nachgegangen, für das Künstler\*innen aus Deutschland und Taiwan in Form eines kollektiven Labors zusammengekommen sind. Das Buch führt den dialogischen Charakter des Projekts fort und erörtert in einer Reihe theoretischer Essays, welche Rolle partizipative Kunst in der heutigen Welt einnehmen kann. 144 pp. Englisch, Deutsch.

Condición: New.

Buch. Condición: Neu. Neuware -Der Begriff Anachoresis leitet sich vom griechischen Verb anachorein ('sich zurückziehen') ab. In der Kunstgeschichte hat die Praxis des Rückzugs eine lange Tradition: Vom sozialen 'Rückzug' der ostasiatischen Künstler-Gelehrten in einen Zustand der Kontemplation bis zu Inszenierungen der Selbstisolation wie bei Joseph Beuys oder Tehching Hsieh. Oftmals wird dieser Vorgang mit einem Schub an Kreativität und Selbstreflexion in Verbindung gebracht. Doch was passiert, wenn der Rückzug kollektiv vollzogen wird und sich eine Gruppe vorübergehend aus der Gesellschaft zurückzieht, um einen Raum für Kommunikation und Austausch zu schaffen Diesen und anderen Fragen ist die Künstlerpersona REICHRICHTER in ihrem dreijährigen Projekt anachoresis - participation through fragments nachgegangen, für das Künstler\*innen aus Deutschland und Taiwan in Form eines kollektiven Labors zusammengekommen sind. Das Buch führt den dialogischen Charakter des Projekts fort und erörtert in einer Reihe theoretischer Essays, welche Rolle partizipative Kunst in der heutigen Welt einnehmen kann.

Taschenbuch. Condición: Neu. Neuware -Der Begriff Anachoresis leitet sich vom griechischen Verb anachorein ('sich zurückziehen') ab. In der Kunstgeschichte hat die Praxis des Rückzugs eine lange Tradition: Vom sozialen 'Rückzug' der ostasiatischen Künstler-Gelehrten in einen Zustand der Kontemplation bis zu Inszenierungen der Selbstisolation wie bei Joseph Beuys oder Tehching Hsieh. Oftmals wird dieser Vorgang mit einem Schub an Kreativität und Selbstreflexion in Verbindung gebracht. Doch was passiert, wenn der Rückzug kollektiv vollzogen wird und sich eine Gruppe vorübergehend aus der Gesellschaft zurückzieht, um einen Raum für Kommunikation und Austausch zu schaffen Diesen und anderen Fragen ist die Künstlerpersona REICHRICHTER in ihrem dreijährigen Projekt anachoresis - participation through fragments nachgegangen, für das Künstler\*innen aus Deutschland und Taiwan in Form eines kollektiven Labors zusammengekommen sind. Das Buch führt den dialogischen Charakter des Projekts fort und erörtert in einer Reihe theoretischer Essays, welche Rolle partizipative Kunst in der heutigen Welt einnehmen kann.Kerber Christof Verlag, Windelsbleicher Str. 166, 33659 Bielefeld 144 pp. Englisch, Deutsch.

Hardcover. Condición: new. Hardcover. The term 'anachoresis' is derived from the Greek verb 'anachorein' ('to withdraw'). The practice of retreat has a long tradition in art and cultural history: from the historical social 'retreat' of East Asian artist-scholars into a state of contemplation to the staging of self-isolation in modern and contemporary artworks by Joseph Beuys or Tehching Hsieh. Often, this process is associated with a surge of creativity and self-reflection. But what happens when the retreat is carried out collectively? What kind of interaction takes place when a group temporarily withdraws from society in order to create a space for communication and interaction? The artist persona REICHRICHTER explored these and other questions in their three-year transcultural project anachoresis participation through fragments. From 2020-2023, artists from Germany and Taiwan were brought together in the form of a collective laboratory. These gatherings were not only shaped by the practice of the individual artists, but also reflected the broader transcultural dialogue between Germany and Taiwan. This book continues the dialogue-based approach of the project and through a series of theoretical essays discusses the role that participatory art can play in today's world. Text in English, German and Chinese. AUTHORS: REICHRICHTER is an artist persona consisting of a man and a woman, based in Germany and Spain. Her/his transnational and post-conceptual works emerge from his/her background in architecture, dance, media theory and film, within the distributed unity of the work of art as installation, video, audio, drawing, text, print, art book, photography, and lecture. Inspired by experiences of longer working stays abroad, he/she uses her/his projects to test the various forms of dialogue, both between the individual components of the work of art, such as between art and society, and now also between artists themselves. Through her academic and curatorial work between the University of London, the Paul Mellon Centre and Tate in London, and Haus der Kunst in Munich, Dr. Eva Bentcheva was able to explore histories of performance and conceptual art, archives and participation across the national border of South and Southeast Asia, and Europe. In her current role as Associate Lecturer in Art History at Heidelberg University, she is deeply interested not only in how artists act as 'agents' of transfer, but also how artworks 'speak' in performative and embodied ways across national and cultural divides. SELLING POINTS: . Theoretical essays discuss the role of participatory art today . Documenting the three-year transcultural project with artists from Germany and Taiwan As part of a three-year transcultural project artists from Germany and Taiwan were brought together in a collective laboratory. This book continues the project and discusses the role that participatory art can play in todays world. Text in English, German and Chinese. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Buch. Condición: Neu. Neuware - The term anachoresis is derived from the Greek verb anachorein ('to withdraw'). The practice of retreat has a long tradition in art history: from the social 'retreat' of East Asian artist-scholars into a state of contemplation to the staging of self-isolation by Joseph Beuys or Tehching Hsieh. Often, this process is associated with a surge of creativity and self-reflection. But what happens when the retreat is carried out collectively and a group temporarily withdraws from society in order to create a space for communication andinteraction The artist persona REICHRICHTER explored these and other questions in her three-year project anachoresis: participation through fragments, which brought together artists from Germany and Taiwan in the form of a collective laboratory. This book continues the dialogue-based approach of the project and, through a series of theoretical essays, discusses the role that participatory art can play in today's world.; Der Begriff Anachoresis leitet sich vom griechischen Verb anachorein ('sich zurückziehen') ab. In der Kunstgeschichte hat die Praxis des Rückzugs eine lange Tradition: Vom sozialen 'Rückzug' der ostasiatischen Künstler-Gelehrten in einen Zustand der Kontemplation bis zu Inszenierungen der Selbstisolation wie bei Joseph Beuys oder Tehching Hsieh. Oftmals wird dieser Vorgang mit einem Schub an Kreativität und Selbstreflexion in Verbindung gebracht. Doch was passiert, wenn der Rückzug kollektiv vollzogen wird und sich eine Gruppe vorübergehend aus der Gesellschaft zurückzieht, um einen Raum für Kommunikation und Austausch zu schaffen Diesen und anderen Fragen ist die Künstlerpersona REICHRICHTER in ihrem dreijährigen Projekt anachoresis - participation through fragments nachgegangen, für das Künstler\*innen aus Deutschland und Taiwan in Form eines kollektiven Labors zusammengekommen sind. Das Buch führt den dialogischen Charakter des Projekts fort und erörtert in einer Reihe theoretischer Essays, welche Rolle partizipative Kunst in der heutigen Welt einnehmen kann.

Buch. Condición: Neu. anachoresis | participation through fragments | Reichrichter (u. a.) | Buch | 144 S. | Deutsch | 2025 | Kerber Christof Verlag | EAN 9783735610157 | Verantwortliche Person für die EU: Kerber Verlag GmbH & Co. KG, Rudi-Dutschke-Str. 26, 10969 Berlin, info[at]kerberverlag[dot]com | Anbieter: preigu.

Hardback. Condición: New. The term 'anachoresis' is derived from the Greek verb 'anachorein' ('to withdraw'). The practice of retreat has a long tradition in art and cultural history: from the historical social 'retreat' of East Asian artist-scholars into a state of contemplation to the staging of self-isolation in modern and contemporary artworks by Joseph Beuys or Tehching Hsieh. Often, this process is associated with a surge of creativity and self-reflection. But what happens when the retreat is carried out collectively? What kind of interaction takes place when a group temporarily withdraws from society in order to create a space for communication and interaction? The artist persona REICHRICHTER explored these and other questions in their three-year transcultural project anachoresis - participation through fragments.From 2020-2023, artists from Germany and Taiwan were brought together in the form of a collective laboratory. These gatherings were not only shaped by the practice of the individual artists, but also reflected the broader transcultural dialogue between Germany and Taiwan. This book continues the dialogue-based approach of the project and through a series of theoretical essays discusses the role that participatory art can play in today's world.Text in English, German and Chinese.

Buch. Condición: Neu. Neuware -Der Begriff Anachoresis leitet sich vom griechischen Verb anachorein ('sich zurückziehen') ab. In der Kunstgeschichte hat die Praxis des Rückzugs eine lange Tradition: Vom sozialen 'Rückzug' der ostasiatischen Künstler-Gelehrten in einen Zustand der Kontemplation bis zu Inszenierungen der Selbstisolation wie bei Joseph Beuys oder Tehching Hsieh. Oftmals wird dieser Vorgang mit einem Schub an Kreativität und Selbstreflexion in Verbindung gebracht. Doch was passiert, wenn der Rückzug kollektiv vollzogen wird und sich eine Gruppe vorübergehend aus der Gesellschaft zurückzieht, um einen Raum für Kommunikation und Austausch zu schaffen Diesen und anderen Fragen ist die Künstlerpersona REICHRICHTER in ihrem dreijährigen Projekt anachoresis - participation through fragments nachgegangen, für das Künstler\*innen aus Deutschland und Taiwan in Form eines kollektiven Labors zusammengekommen sind. Das Buch führt den dialogischen Charakter des Projekts fort und erörtert in einer Reihe theoretischer Essays, welche Rolle partizipative Kunst in der heutigen Welt einnehmen kann. 144 pp. Englisch, Deutsch.

Hardcover. Condición: new. Hardcover. The term 'anachoresis' is derived from the Greek verb 'anachorein' ('to withdraw'). The practice of retreat has a long tradition in art and cultural history: from the historical social 'retreat' of East Asian artist-scholars into a state of contemplation to the staging of self-isolation in modern and contemporary artworks by Joseph Beuys or Tehching Hsieh. Often, this process is associated with a surge of creativity and self-reflection. But what happens when the retreat is carried out collectively? What kind of interaction takes place when a group temporarily withdraws from society in order to create a space for communication and interaction? The artist persona REICHRICHTER explored these and other questions in their three-year transcultural project anachoresis participation through fragments. From 2020-2023, artists from Germany and Taiwan were brought together in the form of a collective laboratory. These gatherings were not only shaped by the practice of the individual artists, but also reflected the broader transcultural dialogue between Germany and Taiwan. This book continues the dialogue-based approach of the project and through a series of theoretical essays discusses the role that participatory art can play in today's world. Text in English, German and Chinese. AUTHORS: REICHRICHTER is an artist persona consisting of a man and a woman, based in Germany and Spain. Her/his transnational and post-conceptual works emerge from his/her background in architecture, dance, media theory and film, within the distributed unity of the work of art as installation, video, audio, drawing, text, print, art book, photography, and lecture. Inspired by experiences of longer working stays abroad, he/she uses her/his projects to test the various forms of dialogue, both between the individual components of the work of art, such as between art and society, and now also between artists themselves. Through her academic and curatorial work between the University of London, the Paul Mellon Centre and Tate in London, and Haus der Kunst in Munich, Dr. Eva Bentcheva was able to explore histories of performance and conceptual art, archives and participation across the national border of South and Southeast Asia, and Europe. In her current role as Associate Lecturer in Art History at Heidelberg University, she is deeply interested not only in how artists act as 'agents' of transfer, but also how artworks 'speak' in performative and embodied ways across national and cultural divides. SELLING POINTS: . Theoretical essays discuss the role of participatory art today . Documenting the three-year transcultural project with artists from Germany and Taiwan As part of a three-year transcultural project artists from Germany and Taiwan were brought together in a collective laboratory. This book continues the project and discusses the role that participatory art can play in todays world. Text in English, German and Chinese. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.