Reich willy (9 resultados)

Couverture souple. Condición: Très bon. K6. Pages non coupées. Exemplaire en très bon état. Envoi rapide et soigné sous papier bulle.

Couverture souple. Condición: Bon état. Traduit de l'allemand par Harry Halbreich - In-8, broché, non-coupé, 95pp. Bon état d'occasion. Couverture tachée et légèrement passée. in-8°.

19 x 24, 95 pp., quelques notations musicales, broché, bon état. Traduit de l'allemand par Harry Halbreich.

Rayon : Musique Editeur : La Revue Musicale Richard-Masse Editeurs Date de parution : 1962 Description : In-8, 93 pages, broché, occasion, bon état. IMPORTANT : Pour les envois internationaux, merci de vous renseigner avant de passer commande. Les envois se font uniquement en point relais MONDIAL RELAY ou INPOST pour les pays suivants : Belgique, Espagne, Italie, Luxembourg, Pays-Bas, Pologne, et Portugal. Merci de nous indiquer en retour le point relais choisi ainsi que votre numéro de téléphone mobile pour assurer le suivi du colis. ATTENTION : Les expéditions nationales de plus de 2 kilos et les expéditions internationales de plus de 1 kilo se voient appliquer un supplément de port. Envois quotidiens du mardi au samedi. Les livres sont envoyés sous enveloppe bulles. Les frais de ports comprennent les frais d'affranchissements et d'emballage. Librairie Le Piano-Livre. Merci. Référence catalogue vendeur: 11741.…

Klosterberg, Basel Schwabe 1947. Format 12x20 cm, cartonnage editeur, 83 pages. Ouvrage en langue allemande. Bon etat, petites traces d'usage sur un livre d'occasion.

Condición: Sehr gut. 347 S. Mit altersbedingten Lager- und Gebrauchssopuren. U-W-Ga-191 Sprache: Deutsch.

95, (1) Seiten. Mit Notenbeispielen. Breitrandiges Exemplar. Zweifarbig bedruckte Originalbroschur mit mont. Porträtbild. (Etwas gebräunt). 24x19 cm * Alexander Nikolayevich Tcherepnin (21 January 1899 29 September 1977) was a Russian-born composer and pianist. His father, Nikolai Tcherepnin (pupil of Nikolai Rimsky-Korsakov), was also a composer, as were his sons, Serge Tcherepnin and Ivan Tcherepnin, and two of his grandsons (sons of Ivan), Sergei and Stefan. His son Serge was involved in the roots of electronic music and instruments. His mother was a member of the artistic Benois family, a niece of Alexandre Benois. He was born in Saint Petersburg, Russia, and played the piano and composed prolifically from a very early age. He was stimulated in this activity by the atmosphere at home, whichthanks to his family's Benois-Diaghilev connectionwas a meeting place for many well-known musicians and artists of the day. By the time he began formal theory and composition studies in his late teens, he had already composed hundreds of pieces, including more than a dozen piano sonatas. Among his teachers in Russia were composer Victor Belyayev (pupil of Anatoly Lyadov and Alexander Glazunov), who prepared Tcherepnin for St. Petersburg Conservatory; Leocadia Kashperova (renowned pianist, protégée of Anton Rubinstein); and his professor at the Conservatory Nikolay Sokolov (pupil of Nikolai Rimsky-Korsakov). Notably at that time Tcherepnin's mentor was famous musicologist Alexander Ossovsky, who also was a friend of his father. His works were influenced by composer Alexander Spendiarov. After the 1917 Russian Revolution, the family fled St. Petersburg and settled for some time in Tbilisi, Georgia. In young Tcherepnin's luggage were some two hundred short piano pieces, quite a number of which eventually reached print (notably in his Bagatelles, Op. 5). In Tbilisi he continued his studies at the conservatory, gave concerts as both pianist and conductor and wrote music for the Kamerny Theater (Palmer 1980, 18:637; Korabelnikova 2008, pp. 1640). Because of the political environment in Tbilisi after Georgia was sovietized, the Tcherepnins chose to leave Russia permanently in 1921. They settled in Paris, where Alexander completed his studies with Vidal and Isidor Philipp, who was the head of the piano department at the Paris Conservatory, and became associated with a group of composers that included Bohuslav Martinu, Marcel Mihalovici and Conrad Beck. Philipp secured the publication of several groups of short piano pieces that Tcherepnin had composed in Russia. From Paris Tcherepnin launched an international career as a pianist and composer. In 1925 he won the Schott Prize with his Concerto da Camera, Op. 33. He began yearly visits to the United States in 1926 and later went to the Far East, making several extended visits to China and Japan between 1934 and 1937. He promoted composers in Japan (Akira Ifukube, Fumio Hayasaka, Bunya Koh, and others) and China (He Lüting and others), even founding his own publishing house in Tokyo for the purpose. While in China, he met the young Chinese pianist Lee Hsien Ming (1915-1991), and the two later married in Europe. They had three sons together: Peter, Serge and Ivan. During World War II, he lived in France. The war virtually stopped his musical activities. The immediate postwar period, however, brought a resurgence of creative energies; the result was a number of important works, beginning with Symphony No. 2 (composed 1947, not orchestrated until 1951). In 1948, he went to the United States, settling in Chicago in 1950 and in 1958 acquiring United States citizenship. He and his wife taught at DePaul University in Chicago. His students there included Phillip Ramey, Robert Muczynski, Gloria Coates, and John Downey. Tcherepnin's Symphony No. 3 was written while in Chicago during this time, commissioned in 1951 by Patricia and M. Martin Gordon who were the founders of Princess Pat, a Chicago-based cosmetic.…

Couverture souple. Condición: Comme neuf. Edition originale. Paris 1962. 1 volume/1. -- Parfait état , non coupé . Broché cousu. Format 24 x 19 cm ( 252 gr ) ------ 95 pages avec quelques notes + 16 planches photos N&B.***************** réf 140.

Traduit de l'allemand par Harry Halbreich. Paris : La Revue Musicale & Richard-Masse éditeurs, 1962. 95 pages (musique notée) + 16 planches de photographies hors texte. Broché (photographie contrecollée sur la couverture avant, exemplaire non coupé). Très bon état. Format 24 x 19 cm. Collection Musiciens du vingtième siècle. Willy Reich ayant écrit ce livre en 1960, la biographie et le catalogue ont été prolongés jusqu'à cette année 1962.…