redlake press (24 resultados)

Copy number '49' of an edition limited to 100 numbered copies, set by hand and printed on an Arab treadle platen press. White printed card wrappers, sewn with white thread. Octavo, 210 x 150 mm, pp. 12. Dedicated to the memory of those who lost their lives in the Falklands war. Includes the text of a telegram dated 10th May 1982 to Margaret Thatcher from Clun Quakers, a poem by Caroline Giourlay entitled 'Fiasco' (dated 4th May 1982) and a poem by Ursula Freeman entitled 'Peace Studies at Woodbrooke' (dated 2nd May 1982). A booklet in Fine condition.

Copy number '43' of an edition limited to 150 numbered copies, printed by The Unidentified Flying Printer (Ursula Freeman) and contained within a printed envelope (as called for). Green card wrappers with a gilt celtic cross on the upper panel, sewn with green thread. 108 x 105 mm, pp. [20]. A booklet in Fine condition in a Very Good envelope.

First Edition. Publisher's yellow cloth over boards, black lettering to the upper board, blue endpapers. Octavo, 204 x 140 mm, pp. [1-4] 5-24. A collection of twenty-five poems. A book in Fine condition.

300 copies, 8vo, (190x132mm), [4]p. Stiff paper bifolium. A keepsake produced for the Oxford Fine Press Fair.

First Edition. Publisher's illustrated card covers with glued page block. Octavo, pp. viii, 80, with fourteen line illustrations and a cover painting by Peter Upton "whose knowledge of horses and fine drawings are much admired by modern Gypsies." A book in Fine condition, now in a clear, archival quality, protective pocket. Jeremy Sandford was the author of the acclaimed 'Cathy Come Home '; 'Edna, the Inebriate Woman'; 'Gypsies'; 'Raggle Taggle'; etc.

Copy number '66' of an edition limited to 100 copies, signed by the author on the colophon. Printed at The Redlake Press, the private press of Ursula Freeman, on Zerkall mouldmade paper using an Arab treadle platen press. Blue card wrappers with flaps, and a printed paper label to the upper cover panel, brown endpapers. Octavo, 225 x 185 mm, pp. [16] with a photograph frontispiece of Dungeness Beach by Ursula Freeman. A book in Fine condition. Derek Jarman (1942-1994) was a legendary English artist and filmmaker, best known for his avant-garde art films and also renowned as a set designer, gardener, author and gay rights activist.

Copy number '140' of an edition limited to 250 numbered copies. Quarter black cloth over illustrated paper covered boards, black lettering to the upper board. Octavo, 218 x 150 mm, pp. [10] 13 [blank], with four illustrations. Poems by Bob Davies, Dave McKane, Alf Welton, Bejay Wearn, Victor Keely and Ronnie O'Brien. A book in Fine condition.

Copy number '56' of an edition limited to 210 copies, signed by David Constantine and Mark Mawer on the colophon. Printed on Zerkall mould made paper using an Arab treadle platen press at The Redlake Press, with the multi-media by Mark Mawer being reproduced by Livesey Ltd. Quarter black cloth over patterned paper covered boards, printed paper label to the spine, brick-red endpapers. Quarto, 268 x 190 mm, pp. [28]. A book in Near Fine condition.

Copy number '194' of an edition limited to 250 copies, signed by the author on the colophon. Text set by hand and printed on Zerkall mould made paper using an Arab treadle platen press. Quarter white cloth over green paper covered boards, printed and decorated label to the upper board, cream endpapers. Small Quarto, 245 x 190 mm, pp. [32] with ten line-drawings. A book in Fine condition.

Handset in Italian Old Style. Number 27 of 250 copies, signed by the artist, printed on Kawasaki and Zerkall papers. Quarter bound in black cloth with the title-page vignette repeated on the front. A fine copy.

One of an edition of 300 copies of a Keepsake printed to celebrate the collaboration of The Redlake Press and The Delos Press at the Oxford Fine Press Book Fair on 22nd October 1994. A single sheet, 190 x 264 mm, folded in half, one edge untrimmed. Featuring the three verse poem 'Hyacinths' by David Constantine from his Selected Poems (Bloodaxe Books Ltd, 1990). A piece of ephemera in Fine condition.

Copy number '117' of an edition limited to 250 numbered copies, signed by the author on the colophon. Text set by hand in Bembo and printed by Ursula Freeman on Five Seasons Recycled paper using an Arab treadle platen. Quarter blue cloth over patterned paper covered boards with blue endpapers, printed paper label to the upper board. Octavo, 205 x 180 mm, pp. [36] with six drawings by each artist. Cover paper by Brian Partridge. Brian Partridge (1953 - ) has been closely associated with The Brotherhood of Ruralists, contributing to many of their exhibitions and publishing projects. Sue Cave trained at Grimsby School of Art and Kingston-on-Thames College of Art and Design. She works in oils, water-colour and various drawing media as well as wood engraving. She too was associated with three group exhibitions of The Brotherhood of Ruralists, namely 'The Continuing Tradition', 'The Secret Garden' and 'Alice'.

Copy number '74' of an edition limited to 150 numbered copies, inscribed with greetings on the colophon by Mark Hutchinson, the text translator. Hand printed at The Redlake Press. Brown card printed wrappers, white thread binding. 24mo., 125 x 155 mm, pp. [12] with four poems by René Char. A booklet in Fine condition. René Émile Char (1907 1988) was a French poet and member of the French Resistance. Char was a friend and close associate of the writers Albert Camus, Georges Bataille and Maurice Blanchot, and of the artists Pablo Picasso, Joan Miró and Victor Brauner. The composer Pierre Boulez wrote three settings of Char's poetry, Le Soleil des eaux, Le Visage nuptial, and Le Marteau sans maître. A late friendship developed also between Char and Martin Heidegger, who described Char's poetry as "a tour de force into the ineffable".

Copy number '167' of an edition limited to 250 copies, signed by the artist on the colophon. Text set by hand in Italian Old Style type and printed on Kawasaki and Zerkall papers on an Arab treadle platen press. Quarter black cloth over cream paper covered boards with a woodcut label to the upper board, cream endpapers. Quarto, 268 x 190 mm, pp. [48] with fifteen original woodcuts mounted on the light brown pages numbered I to XV. A book in Very Good condition with slight blemishes to the upper board and cloth, now in a clear, archival quality, protective pocket.

Copy number '317' of an edition limited to 350 numbered copies, signed by the author. Set by hand in Bembo and printed on an Arab treadle platen by The Unidentified Flying Printer, the private press of Ursula Freeman. Decorated paper wrappers over blue card covers, printed paper label on the upper panel of the wrapper. Small Octavo, 200 x 148 mm, pp. [36] with twelve illustrations tipped-in. The illustrations were printed by photolitho. The Illustrators were members of the Brotherhood of Ruralists: Graham Arnold, Sue Cave, Brian Partridge, Ann Arnold, Diana Howard, Graham Ovenden, John Morley, Joseph Hewes, Annie Ovenden and Penelope Rippon. The second book in a series of new poetry illustrated by the Brotherhood of Ruralists. A book in Near Fine condition.

Copy number '59' of an edition limited to 250 numbered copies. Set by hand in Bembo and printed on an Arab treadle platen by The Unidentified Flying Printer, the private press of Ursula Freeman. Decorated paper wrappers over grey card covers, printed paper label on the upper panel of the wrapper. Small Octavo, 200 x 148 mm, pp. [28] with nine illustrations tipped-in. The illustrations were printed by photolitho. The illustrators were members of the Brotherhood of Ruralists: Graham Arnold, Sue Cave, Brian Partridge, Ann Arnold, Graham Ovenden, John Morley, Joseph Hewes, and Annie Ovenden. A book in Very Good condition. 'At the request of The Brotherhood of Ruralists eight well-known poets and a composer have contributed works on the theme of 'The Sectret Garden' [preliminary page]. The contributors were John Fuller, Laurie Lee, Peter Levi, Eve Machin, Graham Ovenden, Simon Rae, David Scott and Pauline Stainer (poets) and Derek Melville (composer).

Copy number '48' of an edition limited to 80 numbered copies. Printed on Hahnemuhlelaid paper using a Vandercook proofing press and an Arab treadle platen. With a Foreword by Maurice Bloch, Professopr of Anthropology at the London School of Economics. Linocut illustration by John Woodcock. Bound in papyrus and stitched with yellow rafia. Housed in a red, cloth covered slipcase with printed paper label to the spine. Quarto, 265 x 200 mm, pp. [32] A book in Fine condition.

Copy number '100' of an edition limited to 150 copies, signed by both the author and the illustrator on the colophon. Text set by hand and printed on Zerkall mould-made paper using a Vandercook proofing press. Publisher's quarter cloth over silver paper covered boards, printed label to the upper board, grey endpapers. Square, 185 x 185 mm, pp. [108] with 24 wood engravings by Peter Reddick. A book in Fine condition.

Copy number '17' of an edition limited to 350 numbered copies, signed by the author. Set by hand in Bembo and printed on an Arab treadle platen by The Unidentified Flying Printer, the private press of Ursula Freeman. Quarter green cloth over decorative patterned paper covered boards, printed paper label on the upper panel of the wrapper, bottle-green endpapers. Bound by Graham Nicholson with his printed label at the foot of the rear pastedown. Small Octavo, 200 x 148 mm, pp. [36] with twelve illustrations tipped-in. The illustrations were printed by photolitho. The Illustrators were members of the Brotherhood of Ruralists: Graham Arnold, Sue Cave, Brian Partridge, Ann Arnold, Diana Howard, Graham Ovenden, John Morley, Joseph Hewes, Annie Ovenden and Penelope Rippon. A book in Fine condition. The second book in a series of new poetry illustrated by the Brotherhood of Ruralists.

Copy number '232' of an edition limited to 250 signed and numbered copies, signed by the author on the half-title. Set by hand in Bembo and printed on an Arab treadle platen by The Unidentified Flying Printer, the private press of Ursula Freeman. Quarter brick-brown cloth over decorated paper covered boards, printed paper label on the upper board. Small Octavo, 200 x 148 mm, pp. [32] with nine illustrations tipped-in. The illustrations were printed by photolitho. The Illustrators were members of the Brotherhood of Ruralists: Graham Arnold, Sue Cave, Brian Partridge, Ann Arnold, Diana Howard, Graham Ovenden, John Morley, Joseph Hewes and Annie Ovenden. A book in Fine condition. The first book in a series of new poetry illustrated by the Brotherhood of Ruralists.

Copy number '247' of an edition limited to 250 signed and numbered copies, signed by the author on the half-title. Set by hand in Bembo and printed on an Arab treadle platen by The Unidentified Flying Printer, the private press of Ursula Freeman. Quarter brick-brown cloth over decorated paper covered boards, printed paper label on the upper board. Small Octavo, 200 x 148 mm, pp. [32] with nine illustrations tipped-in. The illustrations were printed by photolitho. The Illustrators were members of the Brotherhood of Ruralists: Graham Arnold, Sue Cave, Brian Partridge, Ann Arnold, Diana Howard, Graham Ovenden, John Morley, Joseph Hewes and Annie Ovenden. A book in Very Good condition.

Four items of ephemera from The Redlake Press, the private press of Ursula Freeman. [1] Prospectus for 'The Gardener's Song' [1990], a single printed sheet, 300 x 210 mm. [2] Prospectus for 'Crossing the Field' [1995], a single printed sheet, 300 x 210 mm. [3] 'Books in Print December 1999', two sheets with detailed descriptions of nine books, 300 x 210 mm. [4] Publicity slip and mailing list form, single sheets 150 x 214 mm and 148 x 150 mm respectively, the former illustrated with a wood engraving. Pieces of ephemera in Fine condition.

Copy number '86' of an edition limited to 150 numbered copies printed at the Redlake Press in Shropshire using an Arab treadle platen press. Signed by Kathleen Raine on the colophon. Typeset By Gloucester Typesetting in Monotype Fournier. Quarter green cloth over illustrated paper cover boards with framed lettering, blue endpapers. 12 mo., 185 x 130 mm, pp. [24] with a wood engraving on the title page by Linda Anne Landers. A book in Fine condition. Philip Owen Arnould Sherrard (1922 1995) was a British author and translator. His work includes translations of Modern Greek poets, and books on Modern Greek literature and culture, metaphysics, theology, art and aesthetics. His family had many connections with the literary world of the period: his mother, Brynhild Olivier, had been a member of Rupert Brooke's circle before the First World War and his half-sister was married to Quentin Bell, the nephew of Virginia Woolf.

Copy number '13' of an edition limited to 50 numbered copies printed by Ursula Freeman at The Redlake Press on Zerkall mould made paper using a Vandercook proofing press. Quarter blue cloth over marbled paper covered boards, grey endpapers, gilt lettering to the spine. Narrow Quarto, 270 x 165 mm, pp. [52] with twelve wood engravings by Caroline Chappel. A book in Fine condition.