redgrave peter (17 resultados)

Soft cover. Condición: VG. A VG folded pressbook with no cuts. Size: 12" x 15". Book.

Hardback. Condición: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hardback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

dvd. Condición: Used - Good.

Paperback. Condición: Very Good. 1st Edition. POM 039875 Solid soft cover with only slight wear. Pages are age toned. 123pp.

Cloth. Condición: Fine. Estado de la sobrecubierta: Good. First Edition. Hardback First Edition. Small hole to front D/J. Slight foxing to D/J. Slightly sunned spine to D/J. Cornwell is a land of secrets, of valleys and cliffs and sea, where, as Peter Redgrove reminds us in his delightful introduction to this new collection of poems inspired by the magic duchy, we are everywhere in the rhythm of the tides. This book is a book for visitor and native alike, a touchstone to bring the sea and the rhythm of the tides, the claypits and rivers strongly to the senses. We begin with Thomas Hardy's Lyonesse, pause at penelope Shittle's Three Lunulae at the Truror Musem, see Trebetherick with John betjeman and look over to Geoffrey Grigson's Isle of Scilly, Peter Porter, Charles Causley, D. M. Thomas and John Harris help us in our tour, which ends in Labyrinths.Everyone who reads Peter Redgrove's fascinating choice of poems will want to have this book with them when they visit or remember Cornwell. Illustrations. 68 pp. (We carry a wide selection of titles in The Arts, Theology, History, Politics, Social and Physical Sciences. academic and scholarly books and Modern First Editions etc.).

xii, 120, iv pp. Errata slip tipped-in after B1. Publisher list last 4 pages. Illustrated. 8vo. 7-1/2" x 5-1/8" Nr Fine (bpt on front paste-down). Original publisher's terra-cotta cloth with black stamping. Floral patterned-paper eps 1st US edition, bound with the UK sheets.

Original colour card wrap covers [soft back]. 4to. 12½'' x 9½''. Contains 72 pp + covers with monochrome photographic stills throughout, colour illustrated advertisements to front and rear. Thin wavy damp tide mark to the bottom edge of the first 20 leaves, diagonal crease line across the rear corner. Member of the P.B.F.A. THEATRE PROGRAMMES.

Vintage reference photograph from the 1966 British documentary film, showing actress Julie Christie stretching out in a rattan chair. Provenance label on the verso. Considered by many to be the definitive portrayal of Swinging London at its peak, incorporating concert footage, street scenes, art events, film premieres and more. 10 x 8 inches. Near Fine.

FOTO, EIGENHÄNDIG SIGNIERT mit eigenhändiger Empfehlung.

Condición: Good. [23] leaves of text and 20 colour engravings each with tissue guard. (4to) 32.5x24 cm (12¾ x 9½") period three-quarter blue morocco and marbled boards, spine gilt, raised bands, all edges gilt. Edges worn, front hinge open; paper a bit toned but overall internally near fine.Henry Vizetelly, Printer and engraver, Gough Square, Fleet Street"Plates engraved by Louis Marvy; after Sir Augustus Wall Callcott, J.M.W. Turner, J. Holland, Francis Danby, Thomas Creswick, William Collins, Richard Redgrave, Frederick Richard Lee, George Cattermole, William James Mu?ller, James Duffield Harding, Peter Nasmyth, Richard Wilson, Edward William Cooke, John Constable, Peter De Wint, David Cox, Thomas Gainsborough, David Roberts, and Clarkson Stanfield. Each plate is followed by a short critique by Thackeray. Thackeray was an old friend of Marvy, a French artist, who took refuge in London after the chaos of 1848. Theodore Taylor's 1864 biography of Thackeray mentions the history of the book: "A fine and skillful landscape painter himself, M. Marvy, while here, as a means of earning a living, made a series of engravings after the works of our English landscape painters. The publishers, however, would not undertake the work without a series of letter-press notices of each picture from Thackeray; and the latter accordingly added some criticisms which are interesting as developing his theory of this kind of art" (p.32). An interesting and quite scarce Thackeray item, very rarely found colored.Abbey, Life in England, no 207 : "The majority of the copies issued were uncoloured.".

THIS IS LIVING (Autobiographie) A Dutton Book, Penguin Books 1. Auflage 1991, ERSTAUSGABE, 318 SS. gebunden (Hardcover), schön erhalten - von Lynn Redgrave mit Empfehlung Best wishes eigenhändig signiert.

Condición: Very Good. FIVE VOLUMES COMPLETE Box Sets, 26 stapled 4to pbks, each one accompanied by and color-keyed to, an LP recording; each book contains two versions of each play, i.e. an acting script that follows the recording and a Living Shakespeare text based on the earliest reliable printed text, along with the New Temple notes and a Glossary. The booklets and LPs are unused, the flip-top boxes in which they are housed show only light shelfwear, each play is performed by the most noted mid-century Shakespearean actors, an exceptional set, excellent clean, unused books and un-played LPs.

Vintage reference photograph of director Jack Clayton on the set of the 1961 film. Adapted by Truman Capote from William Archibald's 1950 stage adaptation of the 1961 Henry James short story "The Turn of the Screw." One of the most successful adaptations of a Henry James work, and a classic of literary horror films, in which Deborah Kerr plays a governess who believes her two young wards are being possessed by spirits. Prior to Capote's involvement with the script, the events occurring were presented as literally happening, but Capote's edits introduce the possibility of plausible insanity in the case of the governess as an explanation (though this is famously never clarified by the film's end). Capote worked on this script concurrently with "In Cold Blood," and even so is said to have turned it around in only eight weeks. The film utilized notably dramatic staging and editing, and was also the first to use synthesized electronic sounds, created by Daphne Oram. Nominated for the Palme d'Or. Shot on location in England. 10 x 8 inches. Very Good plus, lightly age toned. Criterion Collection 727.

Vintage studio still photograph from the 1966 film, showing actress Charlotte Rampling, with Alan Bates in the background. Based on the 1965 novel by Margaret Forster, a portrait of 1960s Swinging London, about a young woman who is torn between romances with her father's employer and the boyfriend of her pregnant flatmate. Set in London. 8 x 10 inches. Near Fine.

Vintage borderless reference photograph from the iconic 1966 British film, showing actors Alan Bates and Lynn Redgrave. Printed label of The Salt Lake Tribune on the verso, along with a Received stamp dated Feb 18 1967. Based on the 1965 novel by Margaret Forster, a portrait of 1960s Swinging London, about a young woman who is torn between romances with her father's employer and the boyfriend of her pregnant flatmate. Set in London. 9.5 x 7.5 inches. Very Good plus, with a manuscript annotation in pencil on the bottom left corner of the recto.

ORIGINAL-FILMVERTRAG mit eigenhändiger Unterschrift signiert - mit ABC 24.6.1981.