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    Idioma: Inglés

    Editorial: Duke University Pres, 1975

    0822316447 / 9780822316442

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    Librería: Diatrope Books, Berkeley, CA, Estados Unidos de AmericaDiatrope Books

    Vendedor de 5 estrellas
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    Condición: Usado - Bueno

    EUR 7,10

    Envío por EUR 6,76 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Paperback. Condición: Very Good. Unmarked text. Embossed by previous owner on end page and title page. Contributors include Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Ann Holly, Martin Jay, Rosalind Krauss, Francoise Lucbert, Louis Marin, Griselda Pollock, Irit Rogoff, Bennet Schaber and John Tagg. …

  • Idioma: Inglés

    Editorial: Duke University Press, 1995

    0822316447 / 9780822316442

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    • Primera edición

    Librería: Palimpsest Scholarly Books & Services, Brooktondale, NY, Estados Unidos de AmericaPalimpsest Scholarly Books & Services

    Vendedor de 5 estrellas
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    Condición: Usado - Bueno

    EUR 16,25

    Envío por EUR 5,86 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    Soft cover. Condición: Very Good. 1st Edition. Softcover volume, measuring approximately 6.25" x 9.5", shows light shelfwear. Binding is sound. Interior is clean and bright. Textual illustrations. xvii/391 pages. "The influence of contemporary literary theory on art history is increasingly evident, but there is little or no agreement about the nature and consequence of this new intersection of the visual and the textual. "Vision and Textuality" brings together essays by many of the most influential scholars in the fieldboth young and more established writers from the United States, England, and Franceto address the emergent terms and practices of contemporary art history. With essays by Rosalind Krauss, Hal Foster, Norman Bryson, Victor Burgin, Martin Jay, Louis Marin, Thomas Crow, Griselda Pollock, and others, the volume is organized into sections devoted to the discipline of art history, the implications of semiotics, the new cultural history of art, and the impact of psychoanalysis. The works discussed in these essays range from Rembrandt's "Danae" to Jorge Immendorf's "Café Deutschland," from Vauxhall Gardens to Max Ernst, and from the Imagines of Philostratus to William Godwin's novel "Caleb Williams." Each section is preceded by a short introduction that offers further contexts for considering the essays that follow, while the editors' general introduction presents an overall exploration of the relation between vision and textuality in a variety of both institutional and theoretical contexts. Among other issues, it examines the relevance of aesthetics, the current concern with modernism and postmodernism, and the possible development of new disciplinary formations in the humanities. Contributors. Mieke Bal, John Bender, Norman Bryson, Victor Burgin, Thomas Crow, Peter de Bolla, Hal Foster, Michael Holly, Martin Jay, Rosalind Krauss, Françoise Lucbert, Louis Martin, Stephen Melville, Griselda Pollock, Bill Readings, Irit Rogoff, Bennet Schaber, John Tagg". …