raymond noemi (13 resultados)

Couverture souple. Condición: Bon. Edition originale. Paris, Europe, 1970. In-8 broché, 281pp. Nombreuse illustrations en noir dans le texte et 6 planches hors texte. Couverture très légèrement défraichie, des annotations à l'encre sur la 2e contribution (pp.7-27). Bon exemplaire.

Comb bound. Condición: Good. 119 pages : chiefly illustrations. This is a good copy, with wear to its corners and edges, and age-toning to its heavy paper wrappers, with two staples at the head of its front wrapper; the contents are age-toned but unmarked. 470 grams.

Comb bound. Condición: Good. 119 pages : chiefly illustrations. This is a good copy, with wear at its edges and a break without loss to its plastic comb-binding. The heavy paper wrappers are use-darkened at the fore-edge of the front panel; an ownership name has been scribbled out at the verso of the front wrapper, the contents are age-toned but unmarked. 470 grams.

Hardcover. Condición: Very good(-). First edition, third printing. Large brown burlap oblong quarto, metal spiral binding, 4 preliminary leaves, 116 b&w plates (including diagrams) on 59 leaves, 1 leaf 30 x 23 cm. Ex-library book, with minimal markings (a single stamp) Signed by author. Architecture; Japan. An assemblage of drawings and photographs showing Czech architect Antonin Raymond's residential work in Japan completed in the 1920s and 1930s. Trained at Czech Technical University, Raymond immigrated to the United States in 1910 and worked with Cass Gilbert on the Woolworth Building (completed 1913) and Frank Lloyd Wright, eventually traveling with Wright to Tokyo for that city's Imperial Hotel (completed 1921). The self-published Architectural details provides advice for the designer using Raymond's work and philosophy as a model. In interior plans and elevations, sectional drawings, and examples of dramatic self-supporting staircases, concrete proves an optimal material in both aesthetics and durability. Raymond's talent for incorporating traditional Japanese elements {shoji, tatami (grass mats), and hinoki (Japanese cypress) is illuminated in pages of black-and-white photographs, showcasing the realization of his design concepts.1938. Extremely mild wear to spine head and foot, hardly bumped corners, black-ink ownership name and design to front free endpaper, few to several faint brown marks to title page and forward page, subtle rubbing wear to edges, faint stamp to endpaper, else Very good(-) to very good(+).

First edition. Preface by Elie Faure. Square quarto. 29 pages of text followed by 104 pages of illustrations. Spiral-bound cloth-covered card with large title-label. Raymond was a Czech American architect who was one of the founders of modern architecture in Japan.Covers dusty and slightly marked. Very good.

Condición: Fine. Number of books: all at once.

Condición: Fine. Number of books: all at once.

Condición: Fine. Number of books: all at once.

Hardcover. Condición: Very good- condition. First Edition. 116 pages of text. Hardcover burlap covered boards are spiral bound, with minor shelfwear and discoloration. Stained on bottom left corner, discoloring the bottom half of the first few pages, but only a tiny corner of the following text. First edition, first printing of only 1000 copies. Both authors' autographs are printed in facsimile on the title page, above rows of cascading Japanese characters. Amazing interiors are photographed in detail, and floor plans and detailed architectural drawings are included. Includes a two-page letter on "Raymond Farm New Hope Pa" letterhead, handwritten and signed by Noemi P. Raymond, to Industrial Designer Paul R. Mac Alister. Beyond March 7th, there is no year stated, but it is circa 1940. Mrs. Raymond addresses Mac Alister regarding upholstery and curtain textile designs before a contract price was set by the manufacturers and dealers. Mrs. Raymond exhibited such designs in Tokyo in 1936 and New York in 1940, and her textiles were chosen by American designers including Louis Kahn to upholster furniture. The letter is a rare offering, along with an uncommon first edition of her husband's book. From the working library of Industrial Designer Paul R. Mac Alister. Size: Quarto (4to). Signed by Author(s). Book.

Princeton Architectural Press, New York 2006. 4to. 364 pages. Illustrated in b/w and colour. Orig. orange cloth in dust wrapper. Cover and wrapper showing light signs of usage and edgewear, and with the spine lightly cocked. In very good/good+ wrapper condition.

Tokyo, Antonin Raymond Seisho-Kwan 4-Chome Ginza, 1938. 4to (300 x 240 mm). In the original cloth covered board with spiral spine. With white title paper label to front board. Front board with a few stains. Previous owner?s stamp (Arkitekt Georg Fischer) to upper inner margin of front free end-paper. Both author?s printed signatures including a list of names from his staff and pupils to title-page. Internally fine. 116 pp. Printed in 1000 copies. First edition of Antonin?s famous work published the same year he ended his Japanese period and returned to USA. Antonin played a pivotal role in the dissemination of modern architecture in the Japan. His initial work with American architects Cass Gilbert and Frank Lloyd Wright gave him an insight into the use of concrete that he would refine throughout his career, taking these innovations with him to Tokyo where he explored it?s use and integration with traditional Japanese building techniques. Antonin Raymond (1888-1976) was a prominent Czech-American architect now primarily known for his significant contributions to modern architecture in Japan.In 1919, Raymond relocated to Tokyo, Japan, where he would spend the majority of his career and make a lasting impact on the architectural landscape of the country. He was invited by the Japanese government to work as a consultant and advisor on contemporary architecture. Along with his wife, Noémi Pernessin Raymond, who was also an architect, Raymond established an architectural firm called "Raymond and Raymond."One of Raymond's most notable projects is the iconic Imperial Hotel in Tokyo, completed in 1923. The hotel showcased his ability to merge Western architectural techniques with traditional Japanese craftsmanship, resulting in a groundbreaking design that successfully withstood the devastating 1923 Great Kanto Earthquake. The Imperial Hotel became a symbol of Raymond's architectural prowess and innovation. After World War II, Raymond returned to the United States but maintained connections with Japan. He continued his architectural practice and also worked as a professor at the University of Hawaii. Raymond received numerous accolades for his contributions to architecture, including the Order of the Sacred Treasure, a prestigious honor bestowed upon him by the Japanese government in recognition of his significant achievements.

Spiral_bound. Condición: Very Good. First printing. Oblong 11 x 12". Metal spiral binding.38pgs of preface and introduction plus 104 pgs. of plates some of which are printed in rich photogravure. Brown silk cloth with band of vellum paper with title. Preface by Elie Faure. Text in Japanese, English and French. Edited by K. Nakamura. Ex Gumps reference library with a very light number on cover and a blank pocket inside front cover. Important and beautifully designed book. Czech born American citizen Raymond and his wife and partner Noemi both worked for Frank Lloyd Wright at Taliesen and then on the Imperial Hotel in Japan. He left to do his own work in 1921. Though influenced by Wright and Corbusier he wanted to incorporate more Japanese traditions in his designs. He is considered one of the fathers of modern Japanese Architecture. Most of his assistants were Japanese and some followed him to the US in 1939. He designed projects around the world and in post war Japan following his principles of simplicity, economy, elegance and lightness.

N.Y., Architectural Book Publishing Co., 1947. 3 pp. 117 plts. Ringbinding. - Good condition* This is the defacto first edition because the original printing was partly destroyed.