Raussmüller urs (68 resultados)

Soft cover. Condición: Near Fine. 1st Edition. Parallel text in English and German. [12] p., fully illustrated with color photographs of Merz's work. Oversize [b 215].

Hardcover without dustjacket as issued, 240 pages; in English, French and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: VG. Maroon cloth. 239 pp. Numerous color and bw plates; weighs 3.75 lbs. Title on spine: Regards sur le post-impressionnisme. Text is in French, English, and German. Issued in conjunction with a 1995 exhibition that considers the post-impressionism assembled by art collectors in Winterthur and Baden, Switzerland, at the beginning of the 20th century. With essays by Urs Raussmuller, Ralf Beil, Rudolf Koella, Margrit Hahnloser-Ingold, and Eva-Maria Preiswerk-Losel. Focuses especially on artwork by 12 artists: Pierre Bonnard, Paul Cezanne, Paul Gauguin, Vincent van Gogh, Albert Marquet, Henri Matisse, Odilon Redon, Pierre Auguste Renoir, Georges Rouault, Henri de Toulouse-Lautrec, Felix Vallotton, and Edouard Vuillard. Each one gets a sizable bio and several art examples. Striking and crisp color plates. Uncommon.…

hardcover. Condición: Very Good. Neue Kunst Buecher; Schaffhausen, 1994. Text in French and English. Hardcover. A Very Good, illustrated boards, binding sturdy and intact, trace handling/scuffing to boards, bit of rubbing along board and spine edges, bumped bottom spine edge, mild waving to pages along top and bottom page edges, a hint of sunning to page margins, without Dust wrapper. A nice, clean and unmarked copy. 4to[quarto or approx. 11.5 x 13.5 inches], 239pp., color and b&w illustrations. We pack securely and ship daily with delivery confirmation on every book. The picture on the listing page is of the actual book for sale. Additional Scan(s) are available for any item, please inquire.Please note: Oversized books/sets MAY require additional postage then what is quoted for 2.2lb book.…

paperback. Condición: Very Good. Published on the occasion of 'Robert Ryman at Inverleith House, exhibition curated by Urs Raussmuller; introduction by Christel Sauer, and with the text of an interview between Raussmuller and Ryman; includes list of exhibitions and major installations, and bibliography; text in German and English; 12 pages photo illustrations; Very Good clean copy. . 68pp. 4to. Very Good. profusely illustrated (ilustrador).…

388 pp.; 15.5 x 21 cm.; sewn bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Anthology of critical texts on Robert Ryman written from 1967 on, edited by Vittorio Colaizzi and Karsten Schubert. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. "This volume is an indispensable anthology of critical texts on a central figure of Minimalism, Conceptual Art and more specifically, Monochrome Painting. Alongside contemporaries such as Carl Andre and Donald Judd, Robert Ryman''s radical painting has fundamentally shifted the definitions and boundaries of art. Spanning four decades, this book charts the gradual evolution of consensus about the meaning of his painting. The most significant essays and exhibition reviews have been collated into one volume, including texts written by some of the most influential art historians and critics. . Some essays appear here in English for the first time. With an introductory essay by Vittorio Colaizzi." -- publisher''s statement. Includes contributions by Volker Adolphs, Laura Arici, Dore Ashton, Kenneth Baker, Neal Benezra, Bruce Boice, Yve-Alain Bois, Christian Bonnefoi, Daniel Buren, Dan Cameron, John Canaday, David Carrier, Jean Clay, Douglas Crimp, Jean-Pierre Criqui, Arthur Danto, Jan Dibbets, Willis Domingo, Thierry de Duve, Jeremy Gilbert-Rolfe, Marcia Hafif, Ellen Handy, Gerrit Henry, Suzanne Hudson, Robert Hughes, Steven L. Kaplan, Klaus Kertess, Joseph Kosuth, Hilton Kramer, Donald Kuspit, Lucy R. Lippard, Ellen Lubell, Joseph Marioni, Thomas McEvilley, Catherine Millet, Lynda Morris, Jeff Perrone, Robert Pincus-Witten, Ernesto Pujol, Carter Ratcliff, Urs Raussmüller, Barbara Reise, Meyer Raphael Rubinstein, Daniel Wiener, Amy Baker Sandback, Christel Sauer, Peter Schjeldahl, Christoph Schreier, Bernhart Schwenk, Lee Siegel, Franklin Sirmans, Roberta Smith, Naomi Spector, Robert Storr, Walter Thompson, Jeffrey Weiss, Christopher S. Wood, and John Yau. NEW. Fine. New, as issued, in publisher-issued shrink wrap. Due to large size and weight additional shipping charges will be required for international orders. …

Gr.-8°, hardcover. Condición: Sehr gut. 239 Seiten Buch ist in einem sehr guten Zustand, Text in deutscher, englischer und französischer Sprache. MIG-12-06A Sprache: Deutsch Gewicht in Gramm: 450.

Softcover serial, 50 pages, in English and French; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Softcover staple bound, 20 pages, very good condition, no internal marks, clean and crisp. Photographs of minimalist sculpture in gallery.

Paperback. Color-illustrated wraps with white and red lettering; 123 pp.; richly illustrated in color. Text in English and German. VG (Some extremely light edgewear to wraps; interior is in excellent condition.).

softcover. Condición: Sehr gut. 68 p. Sprache: Englisch Gewicht in Gramm: 436.

Paperback. Condición: Fine. Qto., 16 pages, colour illustrated. A Fine copy.

Softcover. Condición: Sehr gut. 1. Auflage. Z/B : 126 Seiten/pages with 52 color illustrations. - On July 27, 2006, the important American Minimalist painter, Robert Ryman, and curator Urs Raussmüller conducted a public conversation in Edinburgh, discussing in detail the qualities that define Ryman's works and distinguish them from other paintings. The conversations took place in the garden next to Inverleith House--the eighteenth-century estate that now houses an innovative program of temporary exhibitions run by the Royal Botanic Garden--and touched on issues that rarely surface in the discourse on painting, from the feelings that a painting can engender to what the viewers can gain from the contemplation of an artwork. With generous photo documentation of Ryman's exhibition at Inverleith House, as well as the garden talk and other unguarded moments, this book-length conversation is essential fare for all fans of Ryman's work and working philosophy.…

30,5 x 24,5 cm ; Pp. . Condición: Gut. 239 S. ; Großformatige Hardcoverausgabe, Text in deutscher, englischer und französischer Sprache, 239 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. pw48 ISBN: 3906352072.

Softcover, 124 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Good. No D/J. Slight musty smell to pages.

Soft cover. Condición: Very Good. Folio, wrps., 92 p. Main Stations steht für Aufbruch, Veränderung, die Eröffnung neuer Sichten. Main Stations ist die Metapher für die grossen Neuerungen in der Kunst seit 1950. Represented artists are Newman, Pollock, Beuys, Broodthaers, Klein, Warhol, LeWitt, Johns, Stella, Ryman, Kounellis, Nauman, Weiner. Cover has minimal edge wear, otherwise in very good condition. K13. …

Softcover. Condición: Sehr gut. 1. Auflage. B : 126 Seiten/Pages, durchgehend mit meist farbigen Abbildungen versehen - In den Hallen für Neue Kunst, Schaffhausen, waren die Gemälde von Robert Ryman für dreissig Jahre (1984-2014) repräsentativ und kontinuierlich in einem architektonischen Ambiente zu erleben, das Raussmüller eigens für Ryman errichtet hatte. 2008 schufen die beiden Künstler hier mit Ryman-Werken aus 50 Jahren Schaffenszeit eine ganzheitliche Situation aus Malerei, Licht und Raum. Publikation mit faszinierenden Fotografien, einer Einführung von Christel Sauer und Gesprächen mit Ryman und Raussmüller zu Gemälden und deren Möglichkeiten.…

95 pp.; 30 x 24 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Hallen für neue Kunst, Schaffhausen, Switzerland, May 10, 1992 - October 31, 1992. Traveled to Pace Gallery, New York City, December 4, 1992 - January 2, 1993. Essay by Christel Sauer. Includes an interview with Ryman by Urs Raussmüller, an exhibition checklist, biography and bibliography. Parallel texts in English, German and French. Very Good. Moderate yellowing of edges of recto and overall yellowing of verso with rubbing and dust soiling of covers. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges may be required for international orders.…

Condición: New.

Schaffhausen. Neue Kunst Bücher, 1994. 239 pp. Col.ills. Hardcover. Fine. #3906352072. Ausstellunskatalog. French & english text. [73544].

Hardcover. Condición: Très bon. Couverture différente. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Different cover. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover staple bound, 16 pages, very good condition, no internal marks, clean and crisp. Photographs of minimalist sculpture attached to an abandoned gas station pump canopy.

Hardcover. Condición: Very Good. Robert Ryman. Robert Ryman. Text by Christel Sauer and Urs Raussmüller. Espace d'art contemporain, 7 rue de Lille, Paris, 1991. Oblong 4to exhibition catalogue issued for the presentation of Robert Ryman's paintings at the Espace d'art contemporain in Paris, organised in collaboration with Urs Raussmüller, a key supporter and interpreter of Ryman's work. Illustrated throughout with high-quality colour and black-and-white plates reproducing Ryman's characteristically white, materially focused paintings, with accompanying essays by Christel Sauer and Raussmüller that discuss the artist's practice, installation strategies, and the phenomenology of viewing his work. Includes exhibition checklist and biographical notes.A substantial and now hard-to-find Ryman catalogue from the early 1990s, documenting an important European presentation of his work and the ongoing collaboration with the Raussmüller Organisation. Condition: Near Fine to Very Good: light bumping to edges of cover, clean and unmarked internally, binding tight; no inscriptions. Robert Ryman (ilustrador). …

Erste Auflage. 28 x 21 cm. 8 Blatt. Illustrierte OBroschur. Mit einem verblichenen Bleistiftvermerk auf dem Titel, Einband insgesamt minimal nachgedunkelt und berieben. Sonst sehr gutes Exemplar. Mit insgesamt 8 ganzseitigen schwarz-weiß Abbildungen, welche die ca. 8 x 14,1 x 10 m große Holzwolle-Zement-Mörtelgemeisch und Stahl Skulptur, von 1982 an der Steinerstrasse in Diessenhofen, zeigen. Fotos von Paolo Mussat Sartor, Torino.…

1. Auflage. 28 x 23 cm. 10 Blatt. OKarton. Leichte Gebrauchspuren. Gutes Exemplar. Mit einem einführenden Text in Deutsch und Englisch sowie 8 Fotos (eines auf dem Umschlag) der Rauminstallation und einer Skizze, alle ganzseitig. Beiliegend eine Postkarte mit kurzer handschriftlicher Widmung des Künstlers, signiert.…

stiff card. Condición: Very Good. Catalogue for the Robert Ryman show, 10 May - 31 October 1992, Hallen fur neue Kunst Schaffhausen Switzerland (and Pace Gallery New York Dec 1992 - Jan 1993); essay by Christel Sauer, interview by Urs Raussmuller (all texts in German, English and French); 16 full-page plates; includes biography, and bibliography. . 95pp. 4to. Very Good. colour plates (ilustrador).…

Condición: Good. 4to. 14 pp. Soft cover. Very Good+. Illustrated paper wraps. Staple binding. Color plates throughout. English and German. Scarce.ISBN: 9783905777178 3905777177.

Hardcover. Condición: Fine. 159 pages, installation shots from InK and Hallen für Neue Kunst, Schaffhausen. Robert Ryman, On Painting; Essays by Christel Sauer and Robert Storr. Very good photographs of 49 paintings, from 1957 to 1982, which really reveal the texture of the works. No marks or stains, internally or externally. Bottom corner bumped, back cover with imperfections (see photos), spine slightly yellowed.…

Softcover. Condición: Sehr gut. 1. Auflage. B : 72 Seiten/Pages, 27.7 x 21 cm - Urs Raussmüller, Künstler und intimer Kenner von Robert Rymans Werk, äussert sich über die subtilen Eigenschaften der Gemälde von Ryman und deren verblüffende Fähigkeit, auf ihre Umgebung zu reagieren. Er beschreibt die Beschaffenheit einzelner Werke, ihr Zusammenwirken mit Licht und Raum und den Eindruck, den sie auf ihre Betrachter ausüben können. Und er spricht von der grossen Herausforderung, diese Werke adäquat zu präsentieren, sie nicht wie konventionelle Bilder zu behandeln und jede Ryman-Ausstellung als eine Verdichtung der künstlerischen Intention wirken zu lassen. - "This exhibition began and ended, as do all at Inverleith House, with the experience of being in a garden. It was this fact in particular which drew the artist Robert Ryman and the exhibition's curator Urs Raussmüller to exhibit here, where Ryman's works could be considered in direct relation to the works of nature. Unlike many other artists, Ryman is primarily concerned with the possibilities of paint itself and the materials upon which it is applied. Unframed, his paintings which are usually square in format are made on a variety of surfaces; paper, metal and plastic for example, using white pigment.…