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  • Idioma: Inglés

    Editorial: British Council, London, 2001

    0863554806 / 9780863554803

    • Tapa blanda
    • Primera edición

    Librería: David Bunnett Books, London, Reino UnidoDavid Bunnett Books

    Vendedor de 5 estrellas
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    Condición: Usado - Como Nuevo

    EUR 43,21

    Envío por EUR 25,89 
    Se envía de Reino Unido a Estados Unidos de America

    Cantidad disponible: 1 disponible

    SOFTCOVER. Condición: As New. 1st Edition. 1st printing. Extra Large 4to. in stiff glossy card covers, 26pp colour photos (including the silver embossed Tardis) on stiff glossy card plus32pp text on thin paper . [CONDITION: A well preserved AS NEW unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

  • Idioma: Inglés

    Editorial: Hatje Cantz, Stuttgart, 2004

    3775715479 / 9783775715478

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    • Primera edición

    Librería: Antiquariat UEBUE, Zürich, SuizaAntiquariat UEBUE

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    Condición: Usado - Excelente

    EUR 60,84

    Envío por EUR 27,90 
    Se envía de Suiza a Estados Unidos de America

    Cantidad disponible: 1 disponible

    Hardcover. Condición: Sehr gut. 1. Auflage. Z : 384 pp., 399 ills. hardcover - Austrian artist Erwin Wurm has gained an international reputation for challenging traditional notions of sculpture, photography, performance art, and drawing. His classic One Minute Sculptures invite audiences to participate in the creation of temporary sculpture by combining their bodies with a variety of common objects according to the artist's instructional drawings. Erwin Wurm: I Love My Time, I Don't Like My Time, a comprehensive survey, highlights more than ten years of production. It includes staged situations for the creation of selected One Minute Sculptures; the photo series Instructions for Idleness (2001); Instructions on How to be Politically Incorrect (2002-03); Thinking About Philosophers (2002-04), and Hotel Rooms (2001); along with a selection of videos such as 59 Positions (1992), Flight Simulator (1998), and Adelphi Sculptures (1999). The centerpiece is the Fat House/I Love My Time, I Don't Like My Time (2003), the latest in Wurm's Fat series that explores the wild and dark potential of digital animation.…

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    Idioma: Inglés

    Editorial: San Francisco Museum of Modern Art/Wexner Center for the Arts, San Francisco, 2009

    1933045981 / 9781933045986

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    • Primera edición

    Librería: Riverrun Books & Manuscripts, ABAA, Ardsley, NY, Estados Unidos de AmericaRiverrun Books & Manuscripts, ABAA

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    Miembro de asociación: ABAAILAB

    Condición: Usado

    EUR 83,21

    Envío por EUR 6,73 
    Se envía dentro de Estados Unidos de America

    Cantidad disponible: 1 disponible

    First edition. 11.75 x 10 inches. 228 pages. Profusely illustrated in color. Original cloth; pictorial dust jacket. "Luc Tuymans is one of today's most widely admired painters, a continuation of the great tradition of Northern European painting and an enduring influence on younger and emerging artists. As a European child of the 1950s, his relationship to painting is inevitably structured by television, cinema and by the lingering effects of World War II; more recent historical preoccupations have included the dramatic turn of world events post-9/11. Tuymans combines a muted palette with deteriorated surface effect and a singular use of cropping, close-up and sequencing--perfect devices with which to undertake his investigation of the pathological, the banal and the conspiratorial. Published in conjunction with the artist's first full-scale American survey, this is without question the authoritative publication on Tuymans. It features approximately 75 key works from 1978 to the present, and is accompanied by essays analyzing the painter's main concerns, with particular attention paid to his working process and his adaptation of source materials. Helen Molesworth examines themes of sinister banality, Joseph Leo Koerner writes on iconophobia and iconophilia, Ralph Rugoff considers the nature of visual experience in light of Tuymans' recent work, and Bill Horrigan examines cinematic sources. This book is not only the most comprehensive survey of Tuymans' career to date, but also the most thorough chronology of his artistic development" (the publisher). As-new.…

  • Idioma: Inglés

    Editorial: Hatje Cantz, 2006

    3775717269 / 9783775717267

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    • Primera edición

    Librería: Antiquariat UEBUE, Zürich, SuizaAntiquariat UEBUE

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    Condición: Usado - Excelente

    EUR 70,98

    Envío por EUR 27,90 
    Se envía de Suiza a Estados Unidos de America

    Cantidad disponible: 1 disponible

    Softcover. Condición: Sehr gut. 1. Auflage. Z : 160 pp., 277 illustrations - More radical than most artists of his generation, Cameron Jamie (*1969 in Los Angeles) tracks down extreme phenomena in society and presents them to us in a mirror: In his film Spook House he explores a suburb community of Detroit, Michigan, reveling in the macabre at Halloween, transforming front lawns into cemeteries and kitchens into mausoleums.…

  • Condición: Usado - Bueno

    EUR 349,90

    Envío por EUR 39,95 
    Se envía de Alemania a Estados Unidos de America

    Cantidad disponible: 1 disponible

    Hardcover. Condición: gut. 2009. Ed Ruscha. Fifty Years of Painting. In deutscher Sprache. pages.