ralph nelson director (10 resultados)

Decorative Hardcover. Condición: Good. No Jacket. Irwin Glusker (Art Director); Emma Landau (Assistant) Ilustrador. 136 pp. Vol. 2, No.2, November 1959 issue only! An great study or work or reading or research copy! Solidly and tightly bound copy with moderate external, but minimal internal wear and use. Copy with clean text on crisp pages. Slightly bumped cover board corners. Minor fraying and damage to top of spine. No dust jacket. Over-sized and/or over weight book; may require additional postage. Please note that large and/or heavy items may incur extra shipping charge for both domestic and/or international shipments.

Two vintage photographs from the 1971 film, one studio still of Ron Moody with Jack Wild and Helen Raye, and one headshot of Ron Moody. Both with "SIlver Screen Archives" stamp on the verso. Based on the 1963 Children's novel by Walter Macken. Two orphaned children, Finn and Derval Dove (Wild and Raye) flee to their grandmother's house in Ireland to escape their cruel stepfather, while their uncle "Hawk" Dove (Moody), a master of disguises, pursues them. Set in and shot on location in Ireland. 8 x 10 inches. Near Fine.

Vintage full-color still British front-of-house card from the 1971 UK film. Based on Walter Macken's 1968 novel, about two motherless runaways in Liverpool. They flee to Ireland to live with their grandmother, but their enraged uncle, who happens to be a master of disguise, pursues them for his own financial gain. 8 x 10 inches. A single tiny bruise, else Near Fine.

Vintage reference photograph of Brian DePalma on the set of the 1984 film. The fourth of a quartet of films made by Brian De Palma in the 1980s that paid homage to Alfred Hitchcock while adding elements of pop culture and the grotesque. "Body Double" was by far the funniest of these, though no less compelling. Shot on location in Los Angeles, Long Beach, and Hollywood, California. 8 x 9.75 inches. Near Fine. Clover, Men, Women and Chainsaws. Destroy All Movies, The Complete Guide to Punks on Film. Spicer Neo-Noir US.

Two vintage color studio still photographs from the 1967 film. Based on the 1960 novel "The General" by Alan Sillitoe. A conductor and his orchestra are captured by Nazis. They are required to play one last show, knowing they will be killed when the concert finishes. 8 x 10 inches. Fine.

First Draft script for the tenth episode of the second season of the 1989-91 television series, which aired on ABC on March 15, 1990. Laid in are two gatherings of revision pages, one gathering of 31 pages of pink revision leaves, with the latest revisions dated February 15, 1990, and one gathering of 24 yellow revision pages, with the latest revisions dated February 16, 1990, as well as a 20 page shooting schedule, dated February 15, 1990, a two-page cast list dated 2-16-90, a two-page Housing List, dated February 15, 1990, an eleven-page Contact List, dated 1/2/90, and a 45-page "Welcome to Denver" "Father Dowling" gathering of maps, emergency numbers, local restaurants, and services for the cast and crew. Based upon the characters created by Ralph McInerny in his series of mystery novels, "Father Dowling Mysteries" starred Tom Bosley as the titular character who continually stumbles upon murders and other crimes in the fictional Parish of St. Michael's in Chicago, Illinois. The series ran for three seasons and a total of 43 episodes and premiered on NBC for the first season, premiering on January 20, 1989, and on ABC for its second and third seasons, ending on May 2, 1991. In this episode, Father Phil (James Stephens) is overjoyed about returning the Chalice of St. Sophia to it's home country, Bucharest, but unfortunately has fallen victim to a confidence scam. Yellow titled wrappers. Title page present, dated February 7, 1990, noted as FIRST DRAFT, with credits for screenwriter Gerry Conway. 57 leaves, with last page of text numbered 51. Xerographic duplication, rectos only, with pink, yellow, green, and goldenrod revision pages throughout, dated variously between February 15, 1990 and February 20, 1990. Pages Near Fine, wrapper Near Fine, bound with two gold brads. Supplemental materials: Very Good to Near Fine, with some of the revision pages with dampstaining and edgewear.

Two Draft scripts for the 1976 film. One script, a Final Draft, belonging to an auditioning actor, Jenny Sullivan, with her name in manuscript ink on the front wrapper; the other script is bound in red faux leather with gilt tiles, a color photograph of a human fetus bound in, and both scripts bear letters from a professor at the University of California describing the possible methods and techniques detailed in the screenplay, and their applicability to contemporary (1974) ethical and legal conditions. Brief annotations on laid-in slips in manuscript ink throughout the first script. Laid in is a signed letter from director Nelson to Jenny, informing her that she is a finalist for the role of Victoria (ultimatly the role went to Barbara Carrera). An exploitation film owing much to "Bride of Frankenstein," as well as the technological advances with DNA in the 1970s. Dr. Paul Holliston (Hudson) is a scientist who discovers a method to accelerate the birth cycle to just a few days. The maturation process has detrimental side effects, and the mature adult, a woman, shows homicidal tendencies. Set in Los Angeles. First script: Light blue titled wrappers, undated. Title page present, undated, noted as FINAL DRAFT, with credits for screenwriters Thomas and Doohan. 122 leaves, with last page of text numbered 119. Mechanical duplication. Pages Near Fine, wrapper Very Good plus, bound with two silver brads. Second script: Red faux leather titled wrappers. Title page present, undated, with credits for screenwriters Thomas and Doohan. 140 leaves, with last page of text numbered 136. Mechanical duplication, with a color photograph, Near Fine overall, bound internally with three gold brads. Muir 1970s.

Draft script for the 1976 science fiction film. Included with the script are two bound documents relating to film options and literary purchase agreements, the former being SIGNED by producers Sandy Howard and Plato Skouras and writer Jack Thomas. An exploitation film owing much to the 1935 classic "Bride of Frankenstein," as well as technological advances with DNA in the 1970s. A scientist discovers a method to accelerate the birth cycle to just a few days. The maturation process has detrimental side effects, and the mature adult, a woman, shows homicidal tendencies. Set in Los Angeles. Red titled Sandy Howard Productions wrappers, with titles in gilt. Title page present, undated, with credits for screenwriters Jack Thomas and Anita Doohan. 138 leaves, with last page of text numbered 134. Mimeograph duplication, rectos only. Pages Near Fine, wrapper Near Fine, bound internally with three gold brads.

Draft script for the 1968 film. Copy belonging to uncredited set decorator George R. Nelson, with his name in manuscript ink ("Bob Nelson") on the top right corner of the front wrapper. Based on Daniel Keyes' 1966 novel "Flowers for Algernon," about a 32-year-old bakery worker with an intellectual disability who is approached by two doctors about participating in an experiment that will enhance his mental aptitude. Actor Cliff Robertson also appeared as Charly in a previous adaptation of Keyes' novel, a 1961 television adaptation on the United States Steel Hour, titled "The Two Worlds of Charlie Gordon." Nelson, who is best-known for his work on "The Graduate," "The Manchurian Candidate," "The Getaway," "The Godfather Part II," and "Apocalypse Now," was not credited in the final film, so it must be assumed that he was either involved with it early on, or considered it at some point. Set in Boston. Yellow titled titled wrappers, with credit for screenwriter Stirling Silliphant. Title page present, dated June 30, 1967, noted as copy No. 49 in manuscript ink, with credit for Silliphant and director Ralph Nelson. 128 leaves, with last page of text numbered 126. Xerographic duplication on eye-rest green stock, rectos only. Pages Near Fine, wrapper Very Good plus, with a ring stain and a few splashes, bound internally with three gold brads.

Three vintage studio still photographs from the 1968 film. Based on Daniel Keyes' 1966 novel "Flowers for Algernon," about a 32-year-old bakery worker with an intellectual disability who is approached by two doctors about participating in an experiment that will enhance his mental aptitude. Actor Cliff Robertson also appeared as Charly in a previous adaptation of Keyes' novel, a 1961 television adaptation on the United States Steel Hour, titled "The Two Worlds of Charlie Gordon." Nelson, who is best-known for his work on "The Graduate," "The Manchurian Candidate," "The Getaway," "The Godfather Part II," and "Apocalypse Now," was not credited in the final film, so it must be assumed that he was either involved with it early on, or considered it at some point. Set in Boston. 8 x 10 inches. Near Fine.