raffael joseph (48 resultados)

Hardcover. Condición: Good. Estado de la sobrecubierta: Good.

Paperback. Condición: Very Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Soft cover. Condición: Good. Large oblong softcover in good+ condition: light handling, slight wear, owner's name and phone number on the blank front endpaper, otherwise unmarked. 64 pages, with mostly color illustrations throughout. [14oz]. Book.

paperback. Condición: Good. minor wear and creasing.

Softcover. Condición: Good+. Estado de la sobrecubierta: No Dust Jacket. Shelfwear.; 8vo; 64 pages.

Hardcover. Condición: Very Good. 1st Edition. No marks in text. Not a library book. Ships in a cardboard enclosure. THE BOOK YOU SEE DESCRIBED IS THE COPY YOU WILL RECEIVE. Tim's Used Books, open shop in Provincetown, Mass., providing good books at reasonable prices on the same spot since 1991. shelf R.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st. Cloth, 191 pages, illustrations (some colour); 26 cm. Firm binding, clean inside copy. Dust jacket protected in a mylar cover. OVERSIZE! Additional shipping charges may be requested for international & priority orders. Richly illustrated with colour plates. *** "At a time when beauty is much out of favor in the art world, Joseph Raffael has taken what some would consider the highly radical step of daring to paint beautiful pictures. Long one of contemporary art's most highly regarded painters, Raffael transforms intense observations of nature into color-drenched, deeply felt works of art. He often works on a very large scale, using either watercolor, oil, or acrylic to achieve the painstaking detail of his dazzling images. Amei Wallach's warmly perceptive introduction, inspired by a visit to the artist's home and studio in the south of France, explores Raffael's life history, his sources, and his ideas about art. Her individual chapter openers address the predominant subjects within the artist's work, including water and shore scenes, flowers, animals, fish and lilies, sacred symbols, and Raffael's wife, Lannis. A thought-provoking essay by Donald Kuspit places Raffael's painting within the larger context of twentieth-century art, psychology, and philosophy. Complementing these texts are the paintings themselves-sun-dappled carp, luminous iris, tumultuous rivers, and other wonders of nature captured in radiant visual meditations. The artist has also contributed two engaging written pieces, both of which illuminate the pleasures and occasional terrors of the creative process. His 'Diary of a Painting' traces the evolution of one major work over several months, from the original slide to the finished wall-size watercolor, providing insight into the emotional and technical demands of creating a work of art. His informative and revealing 'Autobiographical Chronology' provides a personal look back, from his Brooklyn childhood to his art-making career in New York, California, and the south of France, where Joseph Raffael lives and works today." - Publisher. Size: 4to. Collectible.

First Edition. First edition. Oblong softcover. 64 pages. Exhibition catalog for a show that ran January 20 through March 5, 1978. Foreword by Henry T. Hopkins. Essays by Thomas H. Garver and Robert Hughes. Includes numerous illustrations with most in color, chronology, list of previous exhibitions, and bibliography. A near fine copy in wrappers with some light wear.

Soft cover. Condición: Good. Moderate wear to cover and edges, text block clear and binding good. WR.

Paperback. Condición: Near Fine. 1st. 64 pages, illustrations (some colour); 25 x 31 cm. Exhibition organized by Thomas H. Garver for the San Francisco Museum of Modern Art, January 20 to March 5, 1978. Near fine. Firm binding, clean inside copy. Age toning. *** The Brooklyn-born artist moved to California in 1969. Often grouped with the Photorealists, some of his earliest shows were held at the Stable Gallery in New York, in the mid sixties. Size: Oblong.

Soft cover. Condición: Very Good. Slim, oblong quarto, 32pp, color reproductions, pictorial wrappers (mild toning and wear to covers, else very good).

Condición: Good. Meets or exceeds the good condition guidelines. Nice copy. Five star seller - Buy with confidence!

Hard cover. Condición: Fine. Estado de la sobrecubierta: Near fine. Excellent condition. No visible flaws apart from light handling wear on jacket.

Paper. Condición: Good. Good paper copy ex. cat., 64 pp, 14 B/W and 32 4/C illus., lists 47 works. Jan. 20 - March 5, 1978 at San Francisco Museum of Modern Art. *note book plate 3 3/4 inches by 3 inches on first flyleaf.

Hardcover. Condición: Good. No Jacket. 1st Edition. General wear and handling to boards. Binding tight and text clean. Oversize book, would require extra postage for international orders.

Hardcover, in dust jacket. First edition, first printing. Inked in name, else fine in fine dust jacket, in mylar cover.

Paperback. Condición: Good. This book has bumped corners, surface scratching and rubbing to both covers, very faint foxing on the margins of a few pages, surface staining from use on the covers, and a very mild, gentle aging to the edges of the pages throughout, otherwise this book is in very good condition, with crisp, unmarked pages, vibrant images, and a tight binding.

Softcover, 42 pages, as new condition; clean and crisp; no internal marks.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: Very Good. New York, London: Abbeville Press, 1998. 1st edition. Sm 4to hardcover. 191pp. Illustrations. Near Fine book. Near Fine dust jacket. In protective mylar cover. (Joseph Raffael, Nature Paintings, Criticism) Inquire if you need further information.

Couverture rigide. Condición: Très bon. Edition originale. Relié, 191 pages, paru le 18 juin 1998 chez Abbeville Press Inc.,U.S., livre en très bon état général. Exemplaire signé par l'auteur à l'attention d'un fan.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Unread. No markings in book. Binding is tight. DJ is fine.191pp.

First Edition. First edition. Oblong softcover. Features an essay by JMark Daniel Cohen and excerpts from Raffael's journal. Includes numerous color illustrations and a list of public collections. A very near fine copy in wrappers.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Almost like new. Pages are crisp, clean, and unmarked.

Exhibition invite that unfolds to 8 x 11 inches; very good condition; an unmailed copy.

First Edition. First edition. Softcover. [12 pages.] Exhibition catalog for a group show that ran December 9, 1969 through February 15, 1970. Features an introduction by Oriole Farb. Includes A single black and white illustrations of a work by Harold Bruder, Richard Estes, Audrey Flack, Howard Kanovitz, Malcom Morley, and Joseph Raffael along with information about each artist. A near fine copy in stapled wrappers. Uncommon.

Condición: Very Good. Estado de la sobrecubierta: None. 5 unbound loose plates with introductory sheet in folding cover. Tan folding cover with color type. Introductory sheet includes list of paintings and biography. Discoloration to front left top and right bottom corner; otherwise a very clean, tight copy. Record # 805810.

Paperback. Condición: Very Good. 1st. 64 pages, illustrations (some colour); 25 x 31 cm. Exhibition organized by Thomas H. Garver for the San Francisco Museum of Modern Art, January 20 to March 5, 1978. PRESENTATION COPY. Warmly signed by the artist, with a personalized inscription. Moderate shelfwear to wraps. *** The Brooklyn-born artist moved to California in 1969. Often grouped with the Photorealists, some of his earliest shows were held at the Stable Gallery in New York, in the mid sixties. Size: Oblong. SIGNED. Collectible.

Soft cover. Condición: Very Good. 1st Edition. Slim, square softcover with no marks or writing in book. 48 pages: illustrations (chiefly color.) Front cover has a faint shadow of a sticker at lower corner, almost unnoticeable.