Ra lawson (42 resultados)

Paperback. Condición: Very Good. Illustrated. It's a well-cared-for item that has seen limited use. The item may show minor signs of wear. All the text is legible, with all pages included. It may have slight markings and/or highlighting.

Lacks CD which was issued with this issue. ii, 158 pages. Paperback: H 25.25cm x L 17.75cm. Stiff paper covers lightly rubbed with curling towards fore-edges. Interior pages are clean. Binding is firm. FRONT PORCH by Harry L. Watson. INTERVIEW: PETE SEEGER, SAN FRANCISCO, 1989 with William R. Ferris and Michael K. Honey. THE FIRST CENTURY OF BLUES: ONE HUNDRED YEARS OF HEARING AND INTERPRETING THE MUSIC AND THE MUSICIANS by R.A. Lawson. ELVIS PRESLEY AND THE POLITICS OF POPULAR MEMORY by Michael T. Bertrand. THE COLOR OF MUSIC: SOCIAL BOUNDARIES AND STEREOTYPES IN SOUTHWEST LOUISIANA FRENCH MUSIC by Sara Le Menestrel. EXTRA! CHICAGO DEFENDER RACE RECORDS ADS SHOW SOUTH FROM AFAR by Mark K. Dolan. LIVING WITH BALLADS: SIDNA ALLEN Poetry by Elizabeth Hadaway. THE MILLION-DOLLAR MANDOLIN: BLUEGRASS MUSIC'S FINEST RELIC FINALLY FINDS A HOME by Randy Rudder. ALAN LOMAX: THE LONG JOURNEY by William R. Ferris. DOUG MARLETTE, IN MEMORIAM by John Shelton Reed. ISBN 0807852317.…

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

paperback. Condición: Good. Illustrated. Ships same day or next business day! UPS shipping available (Priority Mail for AK/HI/APO/PO Boxes). Used sticker and some writing and/or highlighting. Used books may not include working access code or dust jacket.

Hardcover. Quarto, 117pp., Black cloth spine. Light general wear, light-moderate soiling. Good Stiff paper covers with color illustration by Whorf.

Misc. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. Fifth edition. xi, 1155 pp.

Hardcover. Condición: Very good condition. Estado de la sobrecubierta: Very good. xi, 1155 pp. New Edition, incorporating corrections from 1985 printing of Fifth Edition.

Softcover. Condición: Near Fine. First edition. Decorative wrappers. Pages slightly age-toned, else near fine. Contributions by: Susannah Amoore, Shirley Bell, S.E.G. Curtis, Alan Dewar, Stephen Knight, Sarah Lawson, R.A. Maitre, and Bernard O'Donoghue.

Paperback. Condición: Fair. First Edition. Chicago / New York: A Red Circle Magazine / Manvis Publications Inc . 1939. First Edition. Pulp magazine. Pictorial wrappers [about 6.75" x 10"], 114 pages, illustrated. Fair copy [spine cocked and chipped at the heel, toning to the upper spine and across the top edge of the front panel, creasing and edgewear to the cover, bottom edge tearing to the rear portion of the issue, Creasing and chipping to upper corners cover and pages.bx45E.…

Paperback. Condición: New. In the late nineteenth century, black musicians in the lower Mississippi Valley, chafing under the social, legal, and economic restrictions of Jim Crow, responded with a new musical form, the blues. In Jim Crow's Counterculture, R. A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century.By uncovering the stories of artists who expressed much in their music but left little record in traditional historical sources, Jim Crow's Counterculture offers a fresh perspective on the historical experiences of black Americans and provides a new understanding of the blues: a shared music that offered a message of personal freedom to repressed citizens.…

Original publisher's paperback, title spine and frontcover, large 8vo: [iv], 677-968pp., foreword, interview, 20 contributions with footnotes & references. Very fine copy - as new., Volume 35 nr. 7: Ned erlands Tijdschrift voor de Mensenrechten.

Hardcover. Condición: Fine. 1st Edition. Minimal fading on front cover dust jacket. No dents. No markings in text. izenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century. Derived from the music of the black working class and popularized by commercially successful songwriter W.C. Handy, early blues provided a counterpoint to white supremacy by focusing on an anti-work ethic that promoted a culture of individual escapism---even hedonism---and by celebrating the very culture of sex, drugs, and violence that whites feared. According to Lawson, blues musicians such as Charley Patton and Muddy Waters drew on traditions of southern black music, including call and response forms, but they didn't merely sing of a folk past. Instead, musicians saw blues as a way out of economic subservience. Lawson chronicles the major historical developments that changed the Jim Crow South and thus the attitudes of the working-class blacks who labored in that society. The Great Migration, the Great Depression and New Deal, and two World Wars, he explains, shaped a new consciousness among southern blacks as they moved north, fought overseas, and gained better-paid employment. The "me"-centered mentality of the early blues musicians increasingly became "we" -centered as these musicians sought to enter mainstream American life by promoting hard work and patriotism. Originally drawing the attention of only a few folklorists and music promoters, popular black musicians in the 1940s such as Huddie Ledbetter and Big Bill Broonzy played music that increasingly reached across racial lines, and in the process gained what segregationists had attempted to deny them: the identity of American citizenship. By uncovering the stories of artists who expressed much in their music but left little record in traditional historical sources, Jim Crow's Counterculture offers a fresh perspective on the historical experiences of black Americans and provides a new understanding of the blues: a shared music that offered a message of personal freedom to repressed citizens.…

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Very good, clean, tight condition. Text free of marks. Dust Jacket in Very Good condition. Professional book dealer since 1999. All orders are processed promptly and carefully packaged with tracking.

Original publisher's sewn blue paperback, lettering spine and frontcover, thick large 8vo: 644pp., 39 contributionswith footnotes & references, abbreviations, chronology all EHRM-arrests.

PF. Condición: New.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. reprint edition. 275 pages. 9.25x5.75x0.75 inches. In Stock.

Condición: New.

Condición: Fine. Signed and inscribed by author.

Hard Cover. Condición: Fair. First Edition. xii, 214pp + ads at rear. Blue cloth titled in red. Cover cloth wrinkled, toning to endpapers/edges/margins, both hinges cracked, light pencil lines throughout. Ex-Queensland Temperance League library with their stamps to front endpaper and title page. 19th century temperance/prohibition volume. Size: 8vo. …

Condición: very good. Deventer : W.E.J . Tjeenk Willink, 1999. Paperback. VI, 221 p. ; 21 cm. (Handelingen der Nederlandsche Juristen-Vereeniging ; jrg. 129, 1999-1). Condition : very good copy. ISBN 9789027150851. Keywords : RECHT, Handelingen NJV.

Paperback. Condición: New. In the late nineteenth century, black musicians in the lower Mississippi Valley, chafing under the social, legal, and economic restrictions of Jim Crow, responded with a new musical form, the blues. In Jim Crow's Counterculture, R. A. Lawson offers a cultural history of blues musicians in the segregation era, explaining how by both accommodating and resisting Jim Crow life, blues musicians created a counterculture to incubate and nurture ideas of black individuality and citizenship. These individuals, Lawson shows, collectively demonstrate the African American struggle during the early twentieth century.By uncovering the stories of artists who expressed much in their music but left little record in traditional historical sources, Jim Crow's Counterculture offers a fresh perspective on the historical experiences of black Americans and provides a new understanding of the blues: a shared music that offered a message of personal freedom to repressed citizens.…

Condición: as new. Leiden : Nederlands Juristen Comité voor de Mensenrechten, 2010. Paperback. pp. 677-968. (NTM/NJCM-bulletin ; jrg. 35 (2010) nr. 7 (nov./dec.)0. Special issue. Text in Dutch and English. Condition : as new copy. ISBN 9789067500548. Keywords : RECHT, international law, Völkerrecht.