r hilder (83 resultados)

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Acceptable. No Jacket. R. F. Hilder, Illus Ilustrador.

Hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. R.F. Hilder Ilustrador. No Statement of Printing. A Good copy (owner's name) in pictorial blue cloth. Sound binding, only light cover wear, but tanning/foxing to the paper throughout, heaviest at the endpapers, but also within (mostly at the margins). The frontispiece and all internal plates are present. No date, c.1920. No dust jacket. (Not ex-library.). Book.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hilder, R & E Ilustrador. Near fine later edition in near fine price clipped dust jacket. Tan boards with green lettering. Open winged ladybird logo on ffe and rear dj flap. Brown open winged ladybird design on endpapers. 'British Wild Animals' last title listed on dj flap: published 1958. No ladybird logo or rear of book or dj. Back panel of dj is green.

Condición: Good. 1957. 6th Impression. 46 pages. No dust jacket. Pictorial paper covered boards. Colour illustrations throughout. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning.

Hardcover. Hbk with d/w, vg+/vg+, series 536, op 2'6.

Broschierte Ausgabe. Condición: Sehr gut. 1 Auflage. Aquarellmalerei als Hobby (ISBN: 3473481025) R. Hilder Buchbeschreibung: Otto Maier Verlag, 1966 Paperback. Buchzustand: sehr Guter Zustand. Taschenbuch. Die Aquarellmalerei bietet dem Amateur vielfältige Gestaltungsmöglichkeiten. Dieses Buch bringt alles über Techik, Papier, Palette und dazu noch wichtige Hinweise über Perspektive und Komposition.87 Seiten.

Condición: Poor. Volumes 85.3 & 85.4. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In poor condition, suitable as a reading copy. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:

Condición: New.

Hardcover. Condición: Very Good. No Jacket. Roland Hilder Ilustrador. A very good copy, illustrations by Roland Hilder.

Hardback. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hilder, R.F. Ilustrador. Very good condition in a very good dustwrapper. Uniform Edition. Brown boards with green titles to spine and front cover. B/w frontis. 255 pages. Browning to pages, with some dark brown spots to outer page edges. Pictorial wrapper is worn to edges, with some grubby marks. Packaged with care and promptly dispatched!

Condición: As New. Unread book in perfect condition.

Cloth. Condición: Very Good +. Estado de la sobrecubierta: Near Good. Hilder, R. F. (Frontispiece) Ilustrador. "Thoroughly good-going sea yarn" includes a Hurricane in the Caribbean. Monochrome Frontis Illustration of 2 Sailors watching an approaching Clipper, by R. F. Hilder. Undated Edition, Handwritten Presentation inscription on half-title page, dated 1954. Brown cloth cover with Black Lettering within interlocking circluar border to front & spine. 255 Pages, 240g, 7"Tall. Jacket has pieces torn from bottom left corner and one rear corner. Small closed tear om back edge (1" long). Some edge wear & creasing. Not clipped. Size: 12mo - over 6¾" - 7¾" tall.

hardcover. Condición: Good. Hardback. No dust jacket. Undated. Minor bumping to spine and boards. Photograph available on request.

Condición: New.

hardcover. Condición: New. New and unused. Ships daily.

Early Edition. Very good copy in the original illustrated cloth, in a protective wrapper. Slight suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight, bright, clean and strong. Date is suggested/cannot be verified. Physical description; 319 p., [6] leaves of plates : ill. ; 20 cm. Audience; juvenile. Subjects; Children's stories. Juvenile fiction. 3 Kg.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Pamphlet. Condición: Very Good. Stapled pamphlet slight faded at spine. ; 26 pages.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.

Hardback. Condición: New. Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century.Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.

Pictorial hard covers. Condición: Fair. No Jacket. 1st edition. Spine's outer layer has peeled off. Weight: 1.0 Language: English.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Good. Estado de la sobrecubierta: Good. HILDER, Rowland Ilustrador. viii + 256pp, well-illustrated by Rowland Hilder, hardcover, 8vo, bound in yellow pictorial cloth, brown lettered, dust jacket good and unclipped, book has prize award label within of 'Honeywell Road J. M. School, Clapham Common, London awarded to Graham Leggett in 1950', book in good condition, Geoffrey Cumberlege/Oxford University Press, Oxford, 1946.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Investigates the significance of a range of digital technologies in contemporary Indigenous musical performance, exploring interdisciplinary issues of music production, representation, and transmission.The essays in this volume offer rich and diverse perspectives on the encounter between Indigenous music and digital technologies. They explore how digital media -- whether on CD, VCD, the Internet, mobile technology, or in the studio -- have transformed and become part of the fabric of Indigenous cultural expression across the globe. Communication technologies have long been tools for nation building and imperial expansion, but these studies reveal how over recent decades digital media have become a creative and political resource for Indigenous peoples, often nurturing cultural revival, assisting activism, and complicating earlier hegemonic power structures. Bringing together thework of scholars and musicians across five continents, the volume addresses timely issues of transnationalism and sovereignty, production and consumption, archives and transmission, subjectivity and ownership, and virtuality and the posthuman. Music, Indigeneity, Digital Media is essential reading for scholars working on topics in ethnomusicology, Indigeneity, and media studies while also offering useful resources for Indigenous musicians and activists. The volume provides new perspectives on Indigenous music, refreshes and extends debates about digital culture, and points to how digital media shape what it means to be Indigenous in the twenty-first century.Contributors: Linda Barwick, Beverley Diamond, Thomas R. Hilder, Fiorella Montero-Diaz, John-Carlos Perea, Henry Stobart, Shzr Ee Tan, Russell Wallace Thomas R. Hilder is postdoctoral fellow in musicology at the University of Bergen. Henry Stobart is reader in music at Royal Holloway, University of London. Shzr Ee Tan is senior lecturer at Royal Holloway, University of London.