Puryear martin (110 resultados)

Paperback. Condición: Good. Some tanning to book pages, front cover corner is bent.

No Binding. Condición: Fine. Postcard in fine condition. Unmailed. Cards are sent in stiff mailers. Photo.

Trade Paperback. Condición: Good.

Condición: New.

Condición: New.

Paperback. Condición: Fair. No Jacket. Readable copy. Pages may have considerable notes/highlighting. ~ ThriftBooks: Read More, Spend Less.

Softcover, 160 pages, very good condition; light rubbing to covers; owner's name; no other internal marks. Foreign shipping may be extra.

Softcover, 216 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Rare. A good copy.…

Soft cover. Condición: Very Good. The Art Institute of Chicago / Thames and Hudson, 1991. Softcover. 11 " square. 160 pp. Includes chronology and bibliography. Very good. The interior is unmarked. The binding is solid.

paperback. Condición: fine. First. Numerous illustrations in color & in black & white. Slim 4to, stiff pictorial wrappers. New York: Museum of Modern Art, (2007). First softcover edition. Fine. Published on the occasion of the exhibition. Martin Puryear (ilustrador).

Paperback. Condición: Very Good. Reprint. 11.0 X 11.0 X 0.7 inches.

Paperback. Condición: Good. Light wear on cover edge and corners. Sunning on covers.; 213 pages.

First Edition. First edition. Exhibition brochure for a show that ran February 1986. Single sheet folded 5 times to create 12 pages. Essay by curator Steven Henry Madoff. Includes 7 black and white illustrations. A fine copy. Scarce, with only 3 copies listed in OCLC.

Pamphlet. This is not a book. The gallery guide issued in conjunction with an exhibition of sculptures by Martin Puryear, held at the Museum of Modern Art, NYC, November 4, 2007 - January 14, 2008. It includes an overview of his career and discussions of specific pieces. Staple-bound self-wrappers; 12 pages; color reproductions throughout; 6.5 x 8.5 inches. Condition: Fine/As New pamphlet. LAID-IN is a review of the exhibition, a major magazine article on the artist and the exhibition, and a clipped full-page ad for a gallery exhibit. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day. …

Folder, H 30.5cm x L 22.75cm; with covers foxed and lightly soiled. Folder has empty left interior flap but with right flap containing foldout brochure issued in conjunction with Hirshhorn Museum and Sculpture Garden exhibition held from February 10 to May 5, 1992. Same title "Martin Puryear" on both brochure and on folder. Brochure's folded dimensions are H 21.5cm x L 15.25cm and unfolds to eight panels per side; obverse (recto) side has essay by assistant curator Amanda Cruz and accompanying b/w photos; verso side unfolds into large poster celebrating the Hirshhorn exhibit with b/w photo image of Puryear 1987 sculpture titled "Timber's Turn." Unfolded dimensions approximately H 60.75cm x L 43cm. Although the exhibition was organized by The Art Institute of Chicago where it premià red from November 1991 to January 1992 (thereafter touring to the Hirshhorn, Los Angles Museum of Contemporary Art, and Philadelphia Museum of Art), this folder and brochure was evidently issued for the Hirshhorn exhibit only and was acquired from the estate of a long-time docent at that Smithsonian affiliated museum. An uncommon publication with OCLC locating copies at just six member institutions.…

Paperback. Condición: New.

Exhibition Announcement Cards. The original announcement card for an exhibition of work by Martin Puryear titled "New Sculpture" and held at McKee Gallery, NYC, May 3 - June 29, 2012. Single sheet of thin card, folded once to 4 pages; 1 color illustration; 6.25 x 8.75 inches. Condition: Fine with a tiny bump/abrasion to one tip. Will be sandwiched securely between stiff layers of cardboard and shipped the next business day.…

Softcover, 64 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, unpaginated, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Soft cover. Condición: Very Good-. First Edition. Softcover 1st, 4to, vg-; covers a little soiled, with rubs and dings, and has a sm. yellow stain at the bttom right of the front cover and title page. 44 pp. The first major exhibition collection from Puryear's mixed media works, including sculptures, installations, monuements, and proposed works. Additionally includes talks between the authors of the book and Puryear himself. Martin Puryear (ilustrador).…

Condición: New. In English.

Condición: New.

paperback. Condición: As New. In excellent condition. Clean interior with a tight binding.The interior pages are near perfect.

Pamphlet. Condición: Very good. 7 x 10 in. Paper wraps. Biennale brochure. Condition is VERY GOOD ; covers clean, one corner a little creased. Stapled binding tight, text spotless. Art. Stax.

First Edition. First edition. Softcover. 52 pages. Exhibition catalog for a show that ran October 14 through December 10, 1989 at the 20th International Sao Paulo Bienal. Text in English and Portuguese with contributions by Kellie Jones, Robert Storr, and a chronology by Brooke Kamin Rapaport. Includes numerous color illustrations, list of previous exhibitions, list of selected grants, awards and museum collections, chronology, and a checklist. A clean near fine copy in wrappers. …

Softcover. Condición: VG. Color illustrated glossy glued wraps. xxiii, 255 pp., richly illsutrated color and b&w. Published to accompany an exhibition held in Washington, DC: National Museum of American Art, Sept. 13, 1991 to Mar. 1, 1992. This distinctive volume focuses on the memorable paintings of noted African American modernist William Henry Johnson. Born and raised in a segregated South Carolina town, Johnson (1901-1970) became an expatriate experimental painter in Paris, then Scandinavia. As an African American working in Europe, he drew on primitivism and his travels in North Africa, exploring styles ranging from Northern European expressionism to boldly colorful narratives. Returning to New York in 1938 with his Danish wife, Johnson captured the edginess of city life in bluesy, nervous paintings. Johnson was ultimately struck with a debilitating mental illness that confined him to a state hospital for the rest of his life, virtually removing his work from the American Art scene. This book resurrects the story of one of America's most original artist.…

Condición: As New. Unread book in perfect condition.

Condición: New.