Pugliese marina (80 resultados)

Condición: New. Brand New.

Soft cover. Condición: Very Good. 1st Edition. Slight outer wear, otherwise an overall clean copy with unmarked and undamaged pages.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: Buone. italiano Condizioni dell'esterno: Buone Condizioni dell'interno: Buone. Zosia Dzierżawska (ilustrador).

Condición: New. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Editor(s): Pugliese, Marina. Num Pages: 280 pages, 105 colour & 29 b&w illustrations. BIC Classification: ABC; AFKN. Category: (G) General (US: Trade). Dimension: 239 x 166 x 22. Weight in Grams: 924. . 2013. 1st Edition. Paperback. . . . . …

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: new.

Condición: New.

Condición: NEW.

Paperback. Condición: New. This is an indispensible volume for creators, curators, and conservators of installation art. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works. …

Condición: new.

Condición: New.

Condición: New. pp. 280 154 Illus. (105 Col.).

Paperback. Condición: new. Paperback. The Untold History of Immersive Art At the intersection of art, architecture and design, environments create and transform space into an immersive experience, inviting the audience to engage and interact. So far, art history has been focused on the works of male artists mostly from the US and Europe. Inside Other Spaces: Environments by Women Artists 1956-1976 aims to signpost a different narrative by highlighting women's fundamental contributions to this field. Redefining the canon, the exhibition features 11 pioneering women artists from three generations, spanning Asia, Europe, and the Americas, including Judy Chicago, Aleksandra Kasuba, and Lygia Clark. Given the experimental nature of such environ ments, many of these original works were deconstructed or destroyed. The detailed reconstructions, which are carried out with the help of restorers and based on archival photographs, construction plans, and material lists, are presented here for the first time. Conceived as a reference book for the historiography of environments, the publication comprises a wealth of visual material also on artists not featured in the show, such as Yayoi Kusama and Yoko Ono, providing leading scholars' essays and extensive bibliographies on environments and individual artists. FEATURED ARTISTS: Lygia Clark, Aleksandra Kasuba, Marta Minujin, Maria Nordman,Faith Wilding, Tsuruko Yamazaki Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. The Untold History of Immersive Art At the intersection of art, architecture and design, environments create and transform space into an immersive experience, inviting the audience to engage and interact. So far, art history has been focused on the works of male artists mostly from the US and Europe. Inside Other Spaces: Environments by Women Artists 1956-1976 aims to signpost a different narrative by highlighting women's fundamental contributions to this field. Redefining the canon, the exhibition features 11 pioneering women artists from three generations, spanning Asia, Europe, and the Americas, including Judy Chicago, Aleksandra Kasuba, and Lygia Clark. Given the experimental nature of such environ ments, many of these original works were deconstructed or destroyed. The detailed reconstructions, which are carried out with the help of restorers and based on archival photographs, construction plans, and material lists, are presented here for the first time. Conceived as a reference book for the historiography of environments, the publication comprises a wealth of visual material also on artists not featured in the show, such as Yayoi Kusama and Yoko Ono, providing leading scholars' essays and extensive bibliographies on environments and individual artists. FEATURED ARTISTS: Lygia Clark, Aleksandra Kasuba, Marta Minujín, Maria Nordman,Faith Wilding, Tsuruko Yamazaki.…

Paperback. Condición: New. The Untold History of Immersive Art At the intersection of art, architecture and design, environments create and transform space into an immersive experience, inviting the audience to engage and interact. So far, art history has been focused on the works of male artists mostly from the US and Europe. Inside Other Spaces: Environments by Women Artists 1956-1976 aims to signpost a different narrative by highlighting women's fundamental contributions to this field. Redefining the canon, the exhibition features 11 pioneering women artists from three generations, spanning Asia, Europe, and the Americas, including Judy Chicago, Aleksandra Kasuba, and Lygia Clark. Given the experimental nature of such environ ments, many of these original works were deconstructed or destroyed. The detailed reconstructions, which are carried out with the help of restorers and based on archival photographs, construction plans, and material lists, are presented here for the first time. Conceived as a reference book for the historiography of environments, the publication comprises a wealth of visual material also on artists not featured in the show, such as Yayoi Kusama and Yoko Ono, providing leading scholars' essays and extensive bibliographies on environments and individual artists. FEATURED ARTISTS: Lygia Clark, Aleksandra Kasuba, Marta Minujín, Maria Nordman,Faith Wilding, Tsuruko Yamazaki.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Condición: New. In English.

Condición: New. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Editor(s): Pugliese, Marina. Num Pages: 280 pages, 105 colour & 29 b&w illustrations. BIC Classification: ABC; AFKN. Category: (G) General (US: Trade). Dimension: 239 x 166 x 22. Weight in Grams: 924. . 2013. 1st Edition. Paperback. . . . . Books ship from the US and Ireland. …

Paperback. Condición: new. Paperback. Installation art is an evolving, often ephemeral medium that defies rigid categorization. It has also radically transformed the concepts of space, time, and the experience of art. The conservation field is faced with unique challenges over how best to manage and preserve the essence of these works. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? By exploring the questions and dilemmas facing those who care for art installations, this book intends to raise awareness and promote discussion about the various conservation approaches for these works.This volume is the English edition of the first book published in Italy to address the history and conservation of installation art. With an introduction by noted art historian Germano Celant, it includes essays by museum director and art historian Marina Pugliesetracing the evolution of this art form, beginning with the experimental exhibitions of the early twentieth centuryand by contemporary art conservator Barbara Ferriani, who addresses the problems associated with the assembly and installation of these works as well as their re-presentation and conservation. Other expert contributors address the specific nature of video installations, the role of interviews with living artists, and tools and techniques for documenting ephemeral works of art. The second part of the book is dedicated to specific installations by artists such as Mario Merz, Anselm Kiefer, and Bill Viola, whose works exemplify this unique art form. How detailed can documentation get? When does the replacement of original components become acceptable? How does the field cope with the obsolescence of certain technologies? This title explores these questions and dilemmas facing those who care for art installations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2024. 1st Edition. paperback. . . . . .