pollard ingrid (16 resultados)

First Edition. First edition. Softcover. 80 pages. Includes text by Jeffrey Hoone and others. Includes color and black and white images from these artists in residence: Robert Hirsch, Hulleah Tsinhnahjinnie, Ernesto Pujol, Yu Hirai, Ingrid Pollard, Annu Palakunnathu Matthew, John Trotter, Emile Wamsteker, David Moore, Karen La Valle Norton, Thomas Piche, Jr., Patrick Jolley, Beuford Smith, Albert J. Winn, and Peter Finnemore. A very near fine copy in wrappers.

Hardcover. Condición: Very Good-. Estado de la sobrecubierta: Fair. First Edition. xii, 292pp. Just a touch of wear to cloth. Beautifully illustrated. Text clean. Binding sound. Dust-jacket admits to tiny tears and chips across extremities, as well as a few places on remainder of lightly soiled, slightly faded dust-jacket. Overall, a good, clean, sound copy Size: 4to - over 9¾ - 12" tall. Book.

large sewn PAPERBACK, very good, attractive copy, look hard enough and you can discover a few small indentations and tiny rubbed spots. POLLARD, INGRID. Ingrid Pollard: carbon slowly turning. Edited by Fay Blanchard and Anthony Spira. London: Philip Wilson Publishers / Bloomsbury Publishing, 2022, 191pp., . Essays by Anna Arabindan-Kesson, Cheryl Finley, Paul Gilroy, Mason Leaver-Yap and Gilane Tawadros - "Ingrid Pollard is a British media artist and researcher who has developed a social practice concerned with representation, using portraiture photography and traditional landscape imagery to explore social constructs such as Britishness or racial difference. While she became known for her photographic series, she has also throughout her career been uncovering unseen and hidden histories in a variety of practices from printmaking, drawing, mixed media and film. Ingrid Pollard: Carbon Slow Turning situates Pollard's practice in a wider context and weaves together her personal story and Caribbean heritage with broader narratives of post war black settlement and photographic history. Continuing the theme of exposing what is hidden, Pollard challenges in her works the representation and derogatory portrayals of the 'black figure'. For four decades, Pollard's important photographic collages have offset traditionally idyllic representations of Britain with unseen legacies of xenophobia and exclusion. Pastoral Interlude (1988) places the Black figure within an imagined picturesque setting, undermining perceptions of 'urban' and 'authentic rural'. Seaside Series (1989) combines cyphers of coastal tourism with stories of historic and contemporary immigration to the UK. More recently, Seventeen of Sixty-Eight (2019) documents how the African body is represented in popular signwriting. Despite Pollard's work being held in several national collections and discussed in every publication on black artists in Britain, the artist is little known to the general public. There is no doubt that her practice and achievements are nationally significant and this first monograph seeks to widen her exposure." - CONTENTS: Carbon slowly turning: an introuduction / Anthony Spira and Clarrie Wallis -- At the end of the black boy lane / Paul Gilroy -- Landscape interrupted / Anna Arabindan-Kesson -- Unruly / Mason Leaver-Yap -- Materials and practices / Cheryl Finley -- Carbon slowly turning / Gilane Tawadros -- Image credits. ISBN 9781781301197.

Hardcover. Condición: new. Hardcover. British landscape meets British colonialism in Pollard's conceptual projects that tell visual stories on race, class and identityThe 2024 Hasselblad Award goes to British photographer Ingrid Pollard (born 1953), a member of Autograph, the Association of Black Photographers. She is best known for her images of Black figures in pastoral landscapes, exploring the intersection of history, race and geography. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New.

paperback. Condición: New. Special order direct from the distributor.

Hardback. Condición: New.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. British landscape meets British colonialism in Pollard's conceptual projects that tell visual stories on race, class and identityThe 2024 Hasselblad Award goes to British photographer Ingrid Pollard (born 1953), a member of Autograph, the Association of Black Photographers. She is best known for her images of Black figures in pastoral landscapes, exploring the intersection of history, race and geography. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title!

Hardback. Condición: Good. The book has been read but remains in clean condition. All pages are intact and the cover is intact. Some minor wear to the spine.

Hard cover. Condición: Very good. No jacket. Cover is shelf worn and slightly rubbed, otherwise cover is in great condition with no other visible flaws. Binding is tight and inside is clean and unmarked.

Hardback. Condición: New.

Hardcover. Condición: new. Hardcover. British landscape meets British colonialism in Pollard's conceptual projects that tell visual stories on race, class and identityThe 2024 Hasselblad Award goes to British photographer Ingrid Pollard (born 1953), a member of Autograph, the Association of Black Photographers. She is best known for her images of Black figures in pastoral landscapes, exploring the intersection of history, race and geography. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Very Good. 1st Edition. Book is in very good condition. 128pp with colour illustrations. Signed by Author(s).

Chris Boot, 2004. Hard Cover Pictorial boards. 128 pp. Photos in b/w and colour.