Idioma: Inglés
Publicado por American Cinematographer, 2003
Librería: Diatrope Books, Berkeley, CA, Estados Unidos de America
EUR 11,50
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. Unmarked text. Lavishly illustrated. 136pp. Features The Matrix Reloaded, The Italian Job and Charlie's Angels: Full Throttle and more.
Publicado por American Cinematographer, Hollywood, 1997
Librería: Victoria Bookshop, BERE ALSTON, DEVON, Reino Unido
EUR 4,28
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. First. 4to. Book.
Publicado por American Cinematographer, Hollywood, 1996
Librería: Victoria Bookshop, BERE ALSTON, DEVON, Reino Unido
EUR 4,28
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: Very Good. First. 4to. Book.
Publicado por American Cinematographer, Hollywood, 1994
Librería: Oddball Books, Burbank, CA, Estados Unidos de America
Original o primera edición
EUR 13,49
Cantidad disponible: 1 disponibles
Añadir al carritoMagazine. Condición: Fine. First Edition. Articles include - REVOLUTIONARY ROAD - ROGER DEAKINS, ASC, BSC EXPOSES MARITAL STRIFE, THE CURIOUS CASE OF BENJAMIN BUTTON - CLAUDIO MIRANDA TURNS BACK TIME, EDUARDO SERRA, ASC, AFC INSPIRES DEFIANCE, JACK GREEN, ASC EARNS LIFETIMEACHIEVEMENT AWARD.
Publicado por ASC Holding Corp., Hollywood CA, 1998
Librería: ReadInk, ABAA/IOBA, Los Angeles, CA, Estados Unidos de America
Revista / Publicación
EUR 22,55
Cantidad disponible: 1 disponibles
Añadir al carritoMagazine. Condición: Near Fine. (Vol. 79, No. 9). [light handling wear only]. (color & B&W photographs, ads, graphics) Feature stories in this issue: Cinematographer Conrad Hall (interviewed by fellow lenser Caleb Deschanel) discusses the filming of WITHOUT LIMITS, the film about legendary track star Steve Prefontaine; a production article about LOVE IS THE DEVIL, a biopic of the notorious British artist Francis Bacon; an article about the creation of a stylish Ralph Lauren ad campaign; a piece about the collaboration of a professional couple, cinematographer Rolf Kestermann and his director/wife Paula Walker; an article about the latest digital postproduction systems; a profile of a Santa Monica-based commercial company, Fuel; and, most interestingly (to me anyway), an excellent article by historical editor George Turner about the production of Orson Welles's TOUCH OF EVIL, including information about the 1998 re-edit of the film, performed by editor Walter Murch and others to incorporate recently-discovered outtakes in an attempt to create something closer to Welles's original version.