petit m h (28 resultados)

Condición: New.

Encuadernación de tapa blanda. Condición: Muy bien. Estado de la sobrecubierta: Muy bien. Libro en muy buen estado, como nuevo. Jose Mª Mardones Director.

Ed. EHES, Paris - 1988, Travaux édités par le centre d'Analyse et de Mathématiques Sociales, in-8, broché, 255 pages Bon état - Pour les envois hors de France, la tafication «livre & brochure» pour les frais de port a disparue.Les frais de port annoncés correspondent à une moyenne. Ils seront calculés au plus juste en fonction du poids de votre article.

Condición: New. In.

PF. Condición: New.

Tapa Blanda. Condición: Excelente. EXCELENTE ejemplar. 183pp + catálogo de colección.

Condición: As New. Unread book in perfect condition.

Broché. Condición: Bon. Quelques illustration n. & b. Rare.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. Sm.8°- - 91pp - Color tipped-in Plates. First edition, text in French language. Original boards and dust-jacket. As New.

Condición: New.

Paperback. Condición: Brand New. 304 pages. 9.60x6.60x0.80 inches. In Stock.

[9285].

BANNALEC, Imp. Régionale - 1989 - In 8 - Broché - Illustrations en texte - 221 pages. - Bel exemplaire Livres x.

NANTES, SSNOF - 2000 - In-8, 15,5 x 24cm - Revue Trimestrielle - 4 fascicules de 52 pages - Couverture illustrée en couleurs - Illustrations photos couleurs dans le texte, de graphiques, de coupes microscopiques - Bons exemplaires - Très propre D'autres fascicules peuvent être vendus à l'unité au prix de 8 . nous interroher Livres.

Couverture souple. Condición: bon. RO20176904: 1927-1928. In-4. Broché. Etat d'usage, Couv. convenable, Agraffes rouillées, Intérieur frais. 1 FASCICULE paginé de 505 à 516 - quelques photos et plans en noir et blanc dans et hors texte - pages agraphées - 1er plat illustré d'une photo en noir et blanc - texte sur 2 colonnes. . . . Classification Dewey : 720-Architecture.

BANNALEC, Imprimerie Régionale - 1987 - Grand in-octavo, dos et couverture marrons imprimés- couverture illustrée - Tranches lisses - Illustrations - 285 pages y compris table - Neuf Livres x.

Couverture souple. Condición: Très bon. Edition originale. Paris 1984. 1 volume/1. -- Parfait état -- Broché cousu , couverture rempliée illustrée . Format " carré "( 23,5 x 21 cm )( 1465 gr ). 431 pages très illustrées de photos , dessins et cartes . *************************** "" Bibliographie.Première partie : De l'oppidum des Parisii à la bataille de Lutèce (IIIe siècle avant J.-C. à - 52). - Deuxième partie : La Ville de la paix romaine. - Troisième partie : Vivre à Lutèce pendant la paix romaine (Ier - IIIe siècles). - Quatrièmepartie : Paris au Bas-Empire (fin IIIe à fin Ve siècle). - Cinquième partie : Musée des Thermes et de l'Hôtel de Cluny.*********************** 8vo , soft-cover, 431 pages, many illustrations in the text. Bibliography. First part: Oppidum of Parisii to the battle of LutÞce (IIIe century before J.-C. with - 52). - Second part: The City of Roman peace - Third part: Tolive in LutÞce during Roman peace (Ier - IIIe centuries). - Fourth part: Paris at the Lower Empire (fine IIIe at end Ve century). - Fifth part: Museum of the Thermal baths and the Hotel of Cluny.GOOD. ********************.

Petit sapin (M.Chabot/H.Classens) 1951 c0241 Nouveau.

HANSEN H. M. Petit Air Ancien pour le Piano op. 12 Paris, A. Durand & Fils D. & F. 5306 XIXe 1897 5 pages Très bon état 006971 Nouveau.

Condición: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déja? utilisée pour Les Vues de Provins. Cet intérêt s'explique par la facilité d'exécution offerte par la lithographie, qui n'exige pas des artistes l'apprentissage d'une technique de gravure particulière. Cette simplification d'exécution permet non seulement de réduire le temps nécessaire a? la réalisation d'une estampe, mais aussi d'acquérir rapidement une renommée grâce a? la diffusion quasi immédiate de ces images. Cette avancée technologique explique pourquoi la lithographie est devenue rapidement une alternative intéressante, tant sur le plan financier que commercial, par rapport à d'autres procédés.PROVENANCE; Bookplate of M.C.D. Borden in each volume. Matthew Chaloner Durfee Borden was born on July 18, 1842 in Fall River, Mass., the son of Col. Richard and Abby W. (Durfee) Bordon. He was educated at Phillips Academy in Andover, and graduated from Yale University in 1864. At Yale he was a member of Delta Kappa Epsilon and Skull and Bones. Later that year he entered one of New York's leading dry goods house as a stock boy. In 1865, he married his relative, Harriet M. Durfee, and they had seven children.Borden came to New York after graduation, working as a clerk in a dry goods jobbing house. Three years later he became a partner in a commission firm and represented the American Print Cloth Works of Fall River. This concern failed in 1879, but Mr. Borden reorganized it in 1880 as the American Printing Company. In 1869, Borden decided to manufacture his own cotton rather than buying it from others to supply his printing mills. He built three mills to begin with, and ultimately the Falls River Iron Works Mills was a thriving business. He was a compassionate man regarding his employees, raising wages in times of depression, and his mills were not struck by the labor unions when his relatives' mills were.Borden also kept a home in New York City at 25 West 56th Street, where he had many financial interests, being a director of the Manhattan Company Bank, the Lincoln N.

[5361].

[6435].

A Paris, Les Editions Internationales, "Collection Internationale de Folklore" dirigée par Jean de la Pradelle - 1934 - Fort in-8, broché couverture illustrée - 262 pages - Illustrations en couleurs hors texte Bon état - Menus frottements sur la couverture - Plis de lecture au dos.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

(Paris, L'Imprimerie Royale, 1750). 4to. Extract from "Mémoires de Mathematique et de Physique, Présentés à l'Academie des Sciences par divers Savans", Tome I. Pp. 261-282 and 2 engraved plates. A small tear to lower margin of first leaf, no loss. First printing of an importent memoir in hydraulics in which Petit-Vandin demonstrated that - contrary to the long held belief that float-boards on water-mills ought to be so proportioned, that when one of them was in vertical position, or at the middle of its immersion, the next one should be just entering the water - the more float-boards such a wheel has, the greater and more uniform will be the effects.

Leather Bound. Condición: New. Language: English. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2026, utilizing the invaluable guidance of the original edition published many years ago in 1812. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Vol:- Volume 30, Pages:- 78, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. Volume 30 78.

Leather Bound. Condición: New. Language: French. {Size: 14.60 x 22.86 cms} Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2018, utilizing the invaluable guidance of the original edition published many years ago in 1804. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - French, Pages:- 224, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 224.

Full Leather Bound. Condición: NEW. Language: French. {Size: 14.60 x 22.86 cms} A Unique Premium Leather-Bound book for elite readers/collectors of old rare books. An Original Leather is being used for binding this book with Golden Leaf Printing and designing on Spine, front and Back of the book with edge gilding. WE HAVE MULTIPLE OPTIONS IN COLOR OF LEATHER RED, GREEN, BLUE, MAGENTA, TAN, PURPLE DEEP BROWN, BLACK AND WITH DIFFERENT COLOR LABELS. YOU MAY CHOOSE ANY COLOR OF YOUR CHOICE AND MAIL US. This service is chargeable. Original edition was published in [1804] and this unique edition is Reprinted in 2018 with the help of original edition. Black & white printing on high quality natural shade paper with sewing binding for longer life, professionally processed without changing its contents. As these are old books, we processed each page manually on computer and make them readable. We give our best to give you the best book but in some cases we have to adjust few pages which are blur or missing or black spots. If it is multi volume set, then it is only single volume. We hope that you understand these issues in these old treasure. This is an important book for the readers who want to know more about our old treasure. Our dedicated team is trying to bring these rare books back to the shelves. We are also giving service of printing the hard-to-find books which are not listed in our store. Hope you will like it and give your comments and suggestions. Lang: - French, Pages 224, Print on Demand. Product Disclaimer: Please be aware that because leather is a natural material, slight discoloration or change in texture may be visible. {FOLIO EDITION (Size 12x19 Inches) IS ALSO AVAILABLE ON REQUEST}. 224.