Peters rod (6 resultados)

Paperback. Condición: New. The gospel teaches that every human is sacred. Refugee children and Islamist terrorists. Police officers and young African Americans. Unborn babies, always, and also abortionists. Orange-haired casino owners, former First Ladies, progressive hipsters, prosperity-gospel televangelists, members of Congress, Confederate-flag-waving white nationalists? Sacred. This absurd claim is at the heart of the gospel. Each person is created in the image and likeness of God. Each is someone for whom Jesus died. And if this is true, we have much work to do. The writers in this issue may not agree on the best ways and means, but each challenges us to consider the implications of this gospel of life that makes no exceptions.Also in this issue:-- A former asylum seeker returns to Iraq to stand with Christians on the run from ISIS.-- Shane Claiborne tells us why abolishing the death penalty is the church's business.-- Joel Salatin, America's most famous farmer, reveals what pigs can teach us about the glory of God.-- John Dear reports on the Vatican's historic turn toward nonviolence.-- Erna Albertz tells Richard Dawkins how her sister with Down syndrome can help him.-- Gun owners respond to gun violence with a fresh take on "swords into plowshares."-- Ron Sider looks at the consistently pro-life witness of the early church.-- A hospice nurse reflects on euthanasia and the value of being a burden.-- Jason Landsel asks what made MohammadMuhammad Ali great.Then there's new poetry, book reviews, a children's story, insights from Pope Francis and George MacDonald, and art by Pawel Kuczynski, Xenia Hausner, William H. Johnson, Käthe Kollwitz, and Deidre Scherer.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.…

Condición: Very Good. PLEASE READ! Nearly pristine copy in and out. May contain notes, underlining and/or highlighting. Some shelf wear and tear. Some shelf wear and tear to dust jacket, if applicable. Supplemental material and access codes likely will not be included with used books.

Vintage photograph of director Arthur Hiller and actor Rod Steiger on the set of the 1976 film. Mimeo snipe on the verso. A dramatization of the latter part of the famous showman's life. Based on a memoir by Carlotta Monti, Fields' partner during the last fourteen years of his life. Shot on location in California. 10 x 8 inches. Near Fine.…

Paperback. Condición: New. The gospel teaches that every human is sacred. Refugee children and Islamist terrorists. Police officers and young African Americans. Unborn babies, always, and also abortionists. Orange-haired casino owners, former First Ladies, progressive hipsters, prosperity-gospel televangelists, members of Congress, Confederate-flag-waving white nationalists? Sacred. This absurd claim is at the heart of the gospel. Each person is created in the image and likeness of God. Each is someone for whom Jesus died. And if this is true, we have much work to do. The writers in this issue may not agree on the best ways and means, but each challenges us to consider the implications of this gospel of life that makes no exceptions.Also in this issue:-- A former asylum seeker returns to Iraq to stand with Christians on the run from ISIS.-- Shane Claiborne tells us why abolishing the death penalty is the church's business.-- Joel Salatin, America's most famous farmer, reveals what pigs can teach us about the glory of God.-- John Dear reports on the Vatican's historic turn toward nonviolence.-- Erna Albertz tells Richard Dawkins how her sister with Down syndrome can help him.-- Gun owners respond to gun violence with a fresh take on "swords into plowshares."-- Ron Sider looks at the consistently pro-life witness of the early church.-- A hospice nurse reflects on euthanasia and the value of being a burden.-- Jason Landsel asks what made MohammadMuhammad Ali great.Then there's new poetry, book reviews, a children's story, insights from Pope Francis and George MacDonald, and art by Pawel Kuczynski, Xenia Hausner, William H. Johnson, Käthe Kollwitz, and Deidre Scherer.Plough Quarterly features stories, ideas, and culture for people eager to put their faith into action. Each issue brings you in-depth articles, interviews, poetry, book reviews, and art to help you put Jesus' message into practice and find common cause with others.…

Condición: Good. 458 pp., PAPERBACK EDITION, head of spine torn and bumped, slight slant to spine, else text and binding clean and tight. - If you are reading this, this item is actually (physically) in our stock and ready for shipment once ordered. We are not bookjackers. Buyer is responsible for any additional duties, taxes, or fees required by recipient's country. Photos available upon request.…

Two vintage studio still photographs from the set of the 1964 film, both showing director Sidney Lumet on location in New York City. From the collection of Joel Finler Based on the 1961 novel. A powerful, brooding film in which Rod Steiger stars as a Jewish pawnbroker in Harlem, haunted by his memories of World War II Nazi concentration camps. One of the first Hollywood films to dramatize the psychological impact of concentration camps, and the first to take the point of view of a Holocaust survivor. The film met with controversy, as it was the first major American release to feature female nudity. Because the nudity was non-exploitative, it passed the Production Code (still in existence), though interestingly this milestone came near the end of the Production Code era. Set in New York, and shot there on location. Much of the filming took place on Park Avenue in Harlem, where the pawnbroker shop was set at 1642 Park Avenue, near the intersection of Park Avenue and 116th Street. Scenes were also filmed in Connecticut, Jericho, New York, and Lincoln Center (with both interior and exterior shots of the Lincoln Towers apartments, which were new at the time). 10 x 8 inches. Near Fine. National Film Registry.…