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Condición: New.

Hardback or Cased Book. Condición: New. Carlo Scarpa: The Message of the Structure. Book.

Condición: New.

Hardcover. Condición: new. Hardcover. In Carlo Scarpas work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpas works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within. Focuses specifically and in depth on the structural designs of Carlo Scarpa's architectural designs. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New. In Carlo Scarpa's work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpa's works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within.

Hardcover. Condición: New. The first in-depth study on the structural design integral to Scarpa's projectsIn Carlo Scarpa's (1906-78) work, architectural design is primarily based on the structural constraints he sets himself. This study examines the role of structure in several of Scarpa's works to highlight the significant use he made of it and the poetic element contained within.

hardcover. Condición: New. Special order direct from the distributor.

Leinen mit Foloienumschlag. 269 S. : Ill. ; 23 cm von Gerstenmaier signiertes Expl Sprache: Deutsch Gewicht in Gramm: 550.

Condición: New.

Hardback. Condición: New. In Carlo Scarpa's work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpa's works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within.

Hardcover. Condición: Brand New. 224 pages. 9.50x11.50x9.45 inches. In Stock.

Cinisello Balsamo: Silvana Editoriale, 2026 9788836656691 1528 N vol.: 1, N pag.: 232, W: 25.1, Illustr.: COL, N illustr.: 460 "Carlo Scarpa used materials as if he were creating a work of art. The ones chosen for the structural elements of his projects were determined as much by practical necessities as by poetic choices, always in harmony with function, to convey a message consistent with the project, a tectonic meaning, through a play of correspondences of every kind.

Hardback. Condición: New. In Carlo Scarpa's work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpa's works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within.

Hardcover. Condición: new. Hardcover. In Carlo Scarpas work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpas works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within. Focuses specifically and in depth on the structural designs of Carlo Scarpa's architectural designs. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

cartonato. Condición: nuovo. Ill. a colori nel testo Carlo Scarpa (Venezia, Italia, 1906-Sendai, Giappone, 1978), architetto e designer italiano di fama internazionale, è il più famoso degli architetto veneziani del XX secolo. Nel suo lavoro, dallo stile personalissimo, Carlo Scarpa mescola epoche, materiali, texture: antico e moderno, pietra e metallo, liscio e ruvido. Grande risalto è dato alle linee, che sono la spina dorsale della suo opera e che rendono manifesta la struttura del progetto architettonico. Nelle opere di Carlo Scarpa, infatti, è la concezione strutturale all'origine di tutto, e dunque meritevole di una particolare evidenza, talvolta sottile, talvolta singolare. Il presente volume approfondisce questo tema: passando in rassegna alcune sue creazioni - la Gypsotheca canoviana di Possagno, il Museo di Castelvecchio e la Banca Popolare a Verona, l'immobile residenziale a Contrà del Quartiere a Vicenza - viene evidenziato il potenziale espressivo che assume in ciascuna il progetto strutturale, nonché la componente poetica che ne deriva. Il volume è corredato da tavole cronologiche e approfondimenti.

Condición: As New. Unread book in perfect condition.

Condición: Neuf.

Condición: Used: Like New. LIVRE A L?ETAT DE NEUF. EXPEDIE SOUS 3 JOURS OUVRES. NUMERO DE SUIVI COMMUNIQUE AVANT ENVOI, EMBALLAGE RENFORCE. EAN:9788836656691.

Hardcover. Condición: new. Hardcover. In Carlo Scarpas work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpas works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within. Focuses specifically and in depth on the structural designs of Carlo Scarpa's architectural designs. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. In Carlo Scarpa's work (Venice, Italy, 1906 - Sendai, Japan, 1978), architectural design is primarily based on the structural constraints he sets himself. The structure is the object of the design, and it takes on a singular expressiveness. The structure is very present, in subtle and sometimes unusual ways.Numerous studies have been produced on the works of Carlo Scarpa, but none has focused specifically and in depth on the structural design of his projects. Yet, the definition of the structure is specific to each of his projects and to each situation within the project. For Scarpa, each structural decision is a subtle and very precise story that defines the project and gives it its identity.In the course of this study, structure will be examined in several of Carlo Scarpa's works in order to highlight the significant use he made of it in each project and to demonstrate the poetic element contained within.

Carlo Scarpa utilise les matériaux comme un artiste pour composer une ?uvre. Les matériaux utilisés pour les éléments structurels des projets sont autant définis par des nécessités pratiques que par des choix poétiques toujours en adéquation avec la fonction pour délivrer en quelque sorte un message en rapport avec le projet, une signification tectonique, en jouant avec les correspondances de tous ordres. Carlo Scarpa met en scène la structure par la révélation de l?équilibre en élaborant des dispositifs subtils, et cela à toutes les échelles, de la structure de l?édifice à celle des structures d?exposition. La structure dans les ?uvres de Carlo Scarpa est toujours très juste, bien proportionnée, sans excès ni ajout inutile. Les détails nécessaires à sa construction sont aussi étudiés pour répondre aux besoins de l?expression architecturale, de la lecture du mouvement des yeux en quelque sorte. C?est ce travail discret et subtil que j?appelle « message », car il dépend de l?observateur et de sa sensibilité, et que l?on peut qualifier de poésie constructive.