perloff nancy (123 resultados)

Paperback. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Hardcover. Condición: Fine. Connecting readers with great books since 1972! May contain remainder marks. We ship orders daily and Customer Service is our top priority!

Condición: acceptable. Fairly worn, but readable and intact. If applicable: Dust jacket, disc or access code may not be included.

Condición: New.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Condición: As New. Unread book in perfect condition.

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Hardcover. Condición: Very Good.

Hardcover. Condición: As New.

Paperback. Condición: Fine. Estado de la sobrecubierta: No Dustjacket. Later Edition. ISBN 089236744X. Trade paperback in very good to near fine condition. Tight clean unmarked copy with flat spine. Facsimile of the original edition. Oversized book. No Signature.

Hardcover. Condición: Very Good. Factory sealed. Color illustrations. At the heart of this volume are close analyses of two of the most significant and experimental futurist books: Mirskontsa (Worldbackwards) and Vzorval? (Explodity). Also examines the profound differences between the Russian avant-garde and Western art movements. uncovers a wide-ranging legacy in the midcentury global movement of sound and concrete poetry, contemporary Western conceptual art, and the artist?s book. Measures 8.5 inches square. 208p.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. Now available in paperback, Concrete Poetry: A 21st-Century Anthology is the first overview of concrete poetry in many years. Selective yet wide-ranging, this anthology re-evaluates the movement, singling out its most distinctive and influential works, including the little-known Japanese concretists, the Wiener Gruppe, Augusto de Campos, Ian Hamilton Finlay, Eugen Gomringer, Dieter Roth, Henri Chopin, Cia Rinne, Susan Howe and many others. Perloff's anthology presents individual poems, reproduced in their original languages, together with lively commentaries that explicate and contextualize the work, allowing readers to discover the intricacy of poems that some have dismissed as simple, even trivial, texts.

Paperback. Condición: new. Paperback. Concrete Poetry: A 21st-century Anthology is the first overview of concrete poetry in many years. Selective yet wide-ranging, this anthology re-evaluates the movement, singling out its most distinctive and influential works. Nancy Perloff, curator of an important Concrete Poetry exhibition at the Getty Research Institute, includes examples from the little-known Japanese concretists and the Wiener Gruppe - groups that, together with the Brazilian poet Augusto de Campos and the Scottish poet Ian Hamilton Finlay, have engaged with the most subtle possibilities of language itself - while also incorporating key poems by Eugen Gomringer, Dieter Roth, Henri Chopin and others and including contemporary contributions by Cia Rinne and Susan Howe.Perloff's anthology presents individual poems, reproduced in their original languages, together with lively commentaries that explicate and contextualise the work, allowing readers to discover the intricacy of poems that some have dismissed as simple, even trivial, texts. This substantial new collection redefines what the concrete poetry movement means today. A significant, personal anthology of concrete poetry by curator Nancy Perloff. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Paperback. Condición: New. Now available in paperback, Concrete Poetry: A 21st-Century Anthology is the first overview of concrete poetry in many years. Selective yet wide-ranging, this anthology re-evaluates the movement, singling out its most distinctive and influential works, including the little-known Japanese concretists, the Wiener Gruppe, Augusto de Campos, Ian Hamilton Finlay, Eugen Gomringer, Dieter Roth, Henri Chopin, Cia Rinne, Susan Howe and many others. Perloff's anthology presents individual poems, reproduced in their original languages, together with lively commentaries that explicate and contextualize the work, allowing readers to discover the intricacy of poems that some have dismissed as simple, even trivial, texts.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Text clean and tight; 8vo 8" - 9" tall; 224 pages.

Condición: NEW.

Condición: Very Good. Most items will be dispatched the same or the next working day. A copy that has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New.

Paperback. Condición: new. Paperback. In the 1960s and '70s, collaborations between artists and engineers led to groundbreaking innovations in multisensory performance art that continue to resonate today. In 1966, Billy Kluever and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its membersincluding John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudorimagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and '70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. This volume is published to accompany an exhibition on view at the Getty Research Institute at the Getty Center from September 10, 2024, to February 23, 2025. The organization Experiments in Art and Technology (E.A.T), brought artists and engineers together to pioneer technology-based artworks and performances. This volume provides a new perspective on multimedia art in the 1960s and 1970s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: Fine. Color illustrated boards, square quarto. 199 pages, illustrated throughout in color. Fine copy.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: New. In 1966, Billy Kluver and Fred Waldhauer, engineers at Bell Telephone Laboratories in New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.'s debut event, 9 Evenings: Theatre and Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the 1970 Pepsi Pavilion in Osaka, Japan, presented a complex, multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, its members-including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor-imagined innovative ways for art and science to intersect and enrich society. Sensing the Future tells the story of how this unique organization brought artists and engineers together to pioneer technology-based artworks and performances. Through the examination of films, photographs, diagrams, and ephemera from the archives of the Getty Research Institute, this volume provides a new perspective on multimedia art in the 1960s and 70s and highlights the ways E.A.T. pushed the role of the artist beyond the traditional art world.EXHIBITIONJ. Paul Getty Museum, Getty CenterSeptember 10, 2024-February 23, 2025Clear-eyed and clear-eared insights by scholars at the very top of their topics, and beautifully designed and illustrated with archival treasures from the Getty Research Institute, Sensing the Future is an indispensable document on Experiments in Art and Technology, and on key events of the period in art, music, dance, performance, and everything in-between. - Douglas Kahn, author of Earth Sound Earth Signal: Energies and Earth Magnitude in the ArtsThis book presents multifaceted scholarly investigations of an organization that was committed to collaborations among artists, engineers, and scientists, but it was also an organization that continued to reinvent itself as it seized new opportunities to change society and the future. - Julie MartinSensing the Future: Experiments in Art and Technology explores alargely ignored conceptual and material transformation of the arts in the1960s. Framed by nine performances at the New York Armory in October 1966 andthe Pepsi Pavilion at Osaka's Expo '70, it focuses on the imaginativecollaborations of engineers, especially Bell Labs's visionary Billy Klüver,with artists, composers, and dancers-among them Tinguely and Rauschenberg, Cageand Tudor, Hay and Rainer. Through the examination of works that grew out oftechnological innovations and engaged the senses, editors Nancy Perloff andMichelle Kuo conclude that these experiences suggested the "future of modernsociety" as "contingent, shifting, and open-ended." - Jann Pasler,Distinguished Professor, University of California, San Diego.

Condición: New.