Perfect dan (6 resultados)
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Librería: Much Ado Books, Alfriston, SUSSE, Reino UnidoMuch Ado Books
Contactar con el vendedorVendedor de 3 estrellasCondición: Usado - Bueno
EUR 24,18
Envío por EUR 31,81Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Hardback. Condición: Very Good. Colour photographs. Very Good (+), without dust jacket.
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Librería: Colin Martin Books, Near Hull, EY, Reino UnidoColin Martin Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Excelente
EUR 42,32
Envío por EUR 23,48Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Fine. Qto., 48 pages, colour illustrated. Unused, a Fine copy. The text is in both English and German.
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Librería: Cita Books, Madrid, M, EspañaCita Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Bueno
EUR 31,76
Envío por EUR 36,00Se envía de España a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Condición: Bueno. First . Cita Books is an online bookshop run by readers for readers. Through its website it offers for sale items of its own library: a selection of titles collected over two decades, during which it has kept alive its interest in themes belonging to the fields of art, architecture and design.
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Librería: Pistil Books Online, IOBA, Seattle, WA, Estados Unidos de AmericaPistil Books Online, IOBA
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: IOBA
Condición: Usado - Excelente
EUR 83,09
Envío por EUR 5,92Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Oversize Hardback. Condición: Fine. No Jacket. A clean, unmarked book with a tight binding. Full gray cloth boards. Oblong format: 10 7/8"w x 9"h. 48 pages. Keywords: British Painter, Chisenhale Gallery, London Artist, Abstract Art, Dense Composition, Dream Characters, Lost Toys, Animal Forms, Foliage Imagery, Contemporary Art,…Art Catalogue, Gallery Book 2.
Más imágenesBRITISH ARTISTS AT WORK (AMANDA ELIASCH, GEMMA DE CRUZ FRANCA SOZZANI, HARTENSTEIN-SAATCHI, MARTIN MALONEY)
NICHOLAS BARKER SIR PETER BLAKE PATRICK CAULFIELD MAT COLLISHAW MICHAEL CRAIG-MARTIN DEXTER DALWOOD IAN DAVENPORT PETER DAVIES TRACEY EMIN TIERNEY GEARON GILBERT & GEORGE KIRSTEN GLASS STEVEN GONTARSKI ANTONY GORMLEY JUN HASEGAWA SOPHIE VON HELLERMANN HOWARD HODGKIN RACHEL HOWARD GARY HUME RUNA ISLAM CHANTAL JOFFE SARAH JONES ANISH KAPOOR JIM LAMBIE PETER LIVERSIDGE MARTIN MALONEY MARTIN MCGINN LISA MILROY SARAH MORRIS TIM NOBLE & SUE WEBSTER JULIAN OPIE RICHARD PATTERSON DAN PERFECT GRAYSON PERRY MARC QUINN FIONA RAE MICHAEL RAEDECKER NEIL RUMMING JENNY SAVILLE D. J. SIMPSON SAM TAYLOR-WOOD GAVIN TURK REBECCA WARREN GILLIAN WEARING RACHEL WHITEREAD
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- Primera edición
Librería: CivicoNet, Libreria Virtuale, NAPOLI, NA, ItaliaCivicoNet, Libreria Virtuale
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 39,99
Envío por EUR 59,99Se envía de Italia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Brossura. Condición: come nuovo. Estado de la sobrecubierta: ottimo. prima edizione. Offering unique insight into the world of contemporary art, this book looks at four generations of artists, from the established to the newly emerged. Photographs of each of the artists, taken by Amanda Eliasch during 2002 in the artists' studio…s, are set alongside examples of their work. The text by Gemma de Cruz provides a brief overview of who the artists are, what they do and how their work and ideas fit into the art world at this time. This book draws attention to a particular selection of artists who together form a strong idea of what is happening now in contemporary art in London, featuring artists who are influential alongside those they have influenced. Descrizione bibliografica Title: British Artists at Work Author: Gemma De Cruz (Texts by) Other Authors: with additional material by Kay Hartenstein-Saatchi and Martin Maloney Photographs by: Amanda Eliasch Original concept by: Franca Sozzani Publisher: New York: Assouline, 2003 Physical Description: 192 pagine; 28 cm; Fully illustrated; In shrink wrap (In pellicola termoretraibile) Weight: 2,4 Kilograms; hundreds of b/w and colour illustrations ISBN: 2843235057, 9782843235054 Language: English Soggetti: Arte contemporanea, Young British Artists, Concettuale, Collezionismo, Libri illustrati, Artisti emergenti, Opere, Collezioni, Installazioni, Mostre, Astrattismo, Pittura, Scultura, Plastica, Esposizioni, Personali, Trend, Cultura, Edizioni pregiate, Moda, Fotografia, Inghilterra, Gran Bretagna, Various, Contemporary British Painting, Modern Art, Peter Thomas Blake, Britannique, Groupe d'artistes, Peintures, Aquarelles, Dessins, Gravures, Dipinti, Acquerelli, Disegni, Incisioni, Olio, Tele, Ritratti, Paesaggio, Video, Cinema, Sessualità, Pop, Fumetti, Postmoderno, Giovani, Quotazioni, Oggetti, Kartell, Design, Monument, Incisioni, Incisori, Sculture geometriche, Biomorfiche, Granito, Pietra calcarea, Marmo, Pigmenti, Malta, Acciaio inossidabile, Colori, Decorazioni, Progetti architettonici, Scenografie, Testi, Frasi, Superblack, Nero, Vantablack, Damien Hirst, Formaldeide, Stile, Prêt-à-porter, YBAs, Brit Pack, Britart, Visual, Goldsmiths College, Tattiche shock, Materiali di recupero, Charles Saatchi, Tracey Emin, Fine Art, Freeze, Videoarte, Immagini, Readymade, Turner Prize, Sensation, Biennale, Venezia, Vogue Italia, Vitrine, Tate, Anni Ottanta, Anni Novanta, Anni Duemila, Gallerie commerciali, My Bed, Femminismo, The Physical Impossibility Of Death In the Mind Of Someone Living, Libri fuori catalogo, Contemporary art, Conceptual, Collecting, Illustrated books, Emerging artists, Works, Collections, Installations, Exhibitions, Abstractionism, Painting, Sculpture, Plastic, Exhibitions, Personal, Culture, Fine editions, Fashion, Photography, England, Great Britain, Paintings, Watercolors, Drawings, Engravings, Oil, Canvases, Portraits, Landscape, Video, Cinema, Sexuality, Comics, Postmodern, Young people, Quotes, Objects, Engravings, Engravers, Geometric sculptures, Biomorphic, Granite, Limestone, Marble, Pigments, Mortar, Steel stainless steel, Colors, Decorations, Architectural projects, Scenography, Texts, Phrases, Black, Formaldehyde, Style, Shocking tactics, Recycled materials, Video art, Images, Venice, Italy, Eighties, Nineties, Years 2000, Commercial galleries, Feminism, Out of print books Parole e frasi comuni abstract painting ACRYLIC ON CANVAS ANTONY GORMLEY history world body CHANTAL JOFFE colour contemporary create D.J. SIMPSON Damien decorative DETAIL DEXTER DALWOOD dress emotional exhibition feel figures film FIONA RAE Gagosian GARY HUME GAVIN TURK gestures GILBERT & GEORGE GILLIAN WEARING girl Goldsmiths College GRAYSON PERRY HOUSEHOLD GLOSS PAINT HOWARD HODGKIN huge IAN DAVENPORT images installation Jay Jopling White Cube JENNY SAVILLE JIM LAMBIE JUN HASEGAWA KIRSTEN GLASS landscape LISA MILROY look magazines MARC QUINN MARTIN MALONEY MARTIN MCGINN MAT COLLISHAW MICHAEL CRAIG-MARTIN MICHAEL RAEDECKER NEIL RUMMING objects OIL BOARD White Cube I know nothing about the art world but I have been involved in making a book for Italian Vogue for Franca Sozzani, the editor. I suppose I became interested in art about ten years ago when I met Charles Saatchi at the Amanpuri Hotel in Thailand. I was sitting by the swimming pool and he was sitting with the film director David Puttnam. He asked me where I lived and I told him in Chester Square. "Well, introduce me to your husband because we need clever young people like him." So we became friends, but not within the art world. Johan was his "cleaner," as he called him, he'd clean up his mess and he cleaned up the Saatchi deal between the old and new companies. I really appreciated Charles's help recently as he assisted me with my photographic shows of nudes. The last one he came to he said, "Oh, definitely, definitely commercial, stick to 1930s Paris." I had been working with Martin Maloney and doing some colour photographs, and Martin said, "Keep on with them." Charles said, "If you keep on with them you'd better go into magazines." So I went to New York and took my book round and I got a call back from Visionaire. I then telephoned Katy Barker who was the only photographic agent I knew and asked her advice. She told me that I couldn't show nudes and that I should do some fashion photographs. So I was introduced to a girl named Rushka Bergman who helped me take the correct photographs for my book. I showed them to the photographer Michel Comte, who took me to Italian Vogue. I then did one or two jobs for Franca, including the Kartell Catalogue, which many photographers did. It showed artists in their chairs. She liked the pictures and suggested I do a book on artists in their studios. I asked for a writer, and Martin suggested Gemma de Cruz, and we drew up a list together. The list in the book is quite varied: It is Young British Artists and a few of the Establishment who actually made the young artists or helped to make them. I liked the older guys because I think as a cu.
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Librería: BWS BKS, Ferndale, NY, Estados Unidos de AmericaBWS BKS
Contactar con el vendedorVendedor de 1 estrellasCondición: Nuevo
EUR 1784,71
Envío por EUR 2,63Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: New.
