perchuk andrew (160 resultados)

Condición: acceptable. This copy has clearly been enjoyedâ"expect noticeable shelf wear and some minor creases to the cover. Binding is strong, and all pages are legible. May contain previous library markings or stamps.

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Very Good. No Jacket. Missing dust jacket; May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: good. Supports Goodwill of Silicon Valley job training programs. The cover and pages are in Good condition! Any other included accessories are also in Good condition showing use. Use can include some highlighting and writing, page and cover creases as well as other types visible wear.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1. This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. The analysis of the L.A. art scene from the end of World War II until the beginning of the 1980s--the first in-depth scholarly survey of the region's art--demonstrates the major role Southern California artists played in the twentieth century's most influential art movements. Grounded in more than a decade of research, the five chapters augmented by lively sidebars take readers on a tour of an art world in constant formation. The story unfolds through the people, relationships, and ideas that defined the region's artistic production. Photographs and rare materials from the Getty Research Institute and other archives bring the era to life, opening a window onto the emergence of hardedge abstraction, ceramic sculpture, assemblage, pop art, conceptualism, performance art, and avant-garde practices that blurred boundaries and defied labels. The result is an indispensable resource that will fundamentally change the view of modern art in America. .

Hardcover without dustjacket as issued , 330 pages, very good condition, light scratches and edgewear to covers; no internal marks. Foreign shipping may be extra.

Hardcover with dustjacket, 160 pages; very good condition; light rubbing to dj and small tear to d at top of spine; pages wavy at right edge; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Like new. Like new, in original shrink-wrap. Cover is bright, binding is tight, and inside is clean and unmarked.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Hardcover without dustjacket as issued, 144 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

, Perchuk, Andrew, ed. The masculine masquerade. Masculinity and representation. Cambridge: MIT List Visual Arts Center, MIT Press, 1995, 159pp., very good dust-jacket, small tear, very good tall black cloth. Edited by Andrew Perchuk and Helaine Posner. 9780262161541 ISBN 0262161540.

Condición: good.

Hard cover. Condición: Good. No jacket. Corners lightly bumped, some rubbing on covers. Clean and crisp inside.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good. Catalog to an exhibition held at MIT List Visual Arts Center, 1995. Hardcover in dust jacket. 157 pages, illustrated. Jacket lightly rubbed. Otherwise Fine.

Hardcover. Condición: Used - Like New. Very nice clean, tight copy free of any marks. Wrapped in complimentary Brodart dust jacket protector.

paperback. Condición: Very Good. Modest shelfwear to cover, clean pages and sound binding.

Condición: New. Brand New.

Hardcover. Silver boards, 330 pp., BW & color illus. Issued in conjunction with several 2011-2012 exhibitions of this California art. With essays by Rebecca Peabody, Andrew Perchuk, Glenn Phillips, Rani Singh, Catherine Taft, Lucy Bradnock. Ken D. Allan, Lisa Turvey, Donna Conwell, and Jane McFadden. Includes many examples of artwork. "This comprehensive, richly illustrated book explores postwar American art from a new perspective: Southern California. Grounded in more than a decade of research, Pacific Standard Time analyzes L.A.'s art scene from the end of World War II to the beginning of the 1980s, demonstrating the pioneering role Southern California artists played in the twentieth century's most influential art movements."--Page 4 of cover. Contents as follows: Introduction : shifting the standard : reappraising art in Los Angeles / Rebecca Peabody et al. -- 1. Floating structures : building the modern in postwar Los Angeles / Andrew Perchuk and Catherine Taft -- Case study houses / Lyra Kilston -- The Morder Institute of Art / Catherine Taft -- Collaborative couples / Catherine Taft -- The Post-Surrealists / Catherine Taft -- Zen in the studio / Catherine Taft -- The Anti-Square Merry-Go-round Show ; action and politics in Los Angeles / Serge Guilbaut -- 2. Papa's got a brand new bag : crafting an art scene / Lucy Bradnock and Rani Singh -- In the shadow of the spotlight / Rani Singh -- Name games / Lucy Bradnock -- Tap City Circus / Nancy Perloff -- Brittin by Baza / Ken D. Allen -- Instant theatre / Lucy Bradnock -- Clickin' with Clax / Rani Singh -- Roxy's / Alex Potts -- 3. For people who know the difference : defining the pop art sixties / Ken D. Allan, Lucy Bradnock, and Lisa Turvey -- Tooth / Annette Leddy -- Duchamp in Pasadena / Ken D. Allan -- Gemini G.E.L. / Lucy Bradnock -- The Artists' Protest Committee / Ken D. Allan -- The Golden State Mutual Art Collection / Lucy Bradnock -- Riko Mizuno / John Tain -- "Los Angeles Meant boys" : David Hockney, Bob Mizer, and the lure of physique photography / Richard Meyer -- 4. Duration piece : rethinking sculpture in Los Angeles / Donna Conwell and Glenn Phillips -- Jack Brogan : fabricator / Margaret Honda -- Protesting art and technology / Donna Conwell -- First National Symposium on Habitability / Donna Conwell -- Process painting / Glenn Phillips -- L.A. air / Donna Conwell -- Postmodernism between art and film : Jack Goldstein's Portrait of Père Tanguy / Michael Lobel -- 5. Here, here or there: on the whereabouts of art in the seventies / Jane McFadden -- Performing among us : ritual and witness / Irene Tsatsos -- Hermann Nitsch visits Los Angeles / Jane McFadden -- The Estrada Courts murals / Dianna Marisol Santillano -- Video at the Long Beach Museum of Art / Catherine Taft -- Close radio / Jane McFadden -- Making the scene : fashioning an artistic identity. VG (Few marks from previous gallery owner.).

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Near Fine. 1st. Pictorial boards, vii, 143 pages, colour illustrations; 27 cm. Published on the occasion of Pacific Standard Time: LA/LA, and accompanies the exhibition held at the J. Paul Getty Museum from 16 September 2017 through 11 February 2018. Near fine. Firm binding, clean inside copy. Superficial ripple to the text block. Richly illustrated with colour plates. *** "In the years after World War II, artists in Argentina and Brazil experimented with geometric abstraction and engaged in lively debates about the role of the artwork in society. Some of these artists used novel synthetic materials, creating objects that offered an alternative to established traditions in painting-proposing that these objects become part of everyday, concrete reality. Combining art historicaland scientific analysis, experts from the Getty Conservation Institute and Getty Research Institute are collaborating with the Coleccio n Patricia Phelps de Cisneros, a world-renowned collection of Latin American art, to research the formal strategies and material decisions of these artists working in the concrete and neo-concrete vein.'Making Art Concrete' presents works by Lygia Clark, Willys de Castro, Judith Lauand, Rau l Lozza, Tomas Maldonado, Helio Oiticica, and Rhod Rothfuss, among others with new spectacular photography. The photographs, along with information about the now-invisible processes that determine the appearance of these works, are key to interpreting the artists' technical choices as well as the objects themselves. Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.00Exhibition: The J. Paul Getty Museum, Los Angeles, USA." - Publisher. *** CONTENTS: Foreword, by James Cuno; The material of form: how concrete artists responded to the second industrial revolution in Latin America, by Aleca Le Blanc; Making concrete art, by Pia Gottschaller; Plates; Some remarks on documentation and analysis techniques, by Douglas MacLennan and Pia Gottschaller. Size: 4to. Collectible.

Fine copy, was new in our store. Location K116.

Condición: New. 2017. First Edition. Hardcover. . . . . .

Hardback. Condición: New. In the years after World War II, artists in Argentinaand Brazil experimented with geo- metric abstractionand engaged in lively debates about the role of theartwork in society. Some of these artists used novelsynthetic materials, creating objects that offered analternative to established traditions in painting-proposing that these objects become part ofeveryday, concrete reality. Combining art historicaland scientific analysis, experts from the GettyConservation Institute and Getty Research Instituteare collaborating with the Coleccio n Patricia Phelpsde Cisneros, a world-renowned collection of LatinAmerican art, to research the formal strategies andmaterial decisions of these artists working in theconcrete and neo-concrete vein.Making Art Concrete presents works by Lygia Clark,Willys de Castro, Judith Lauand, Rau l Lozza, Toma sMaldonado, He lio Oiticica, and Rhod Rothfuss, amongothers with new spectacular photography. Thephotographs, along with information about the now-invisible processes that determine the appearance ofthese works, are key to interpreting the artists' technical choices as well as the objects themselves.Indeed, this volume sheds further light on the social, political, and cultural underpinnings of the artists' propositions, making a compelling addition to the field of postwar Latin American art.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Brand New.