pera muzesi (2 resultados)

Soft cover. Condición: Very Good. 285 pages : illustrations (chiefly color) ; 28 cm. Contents: AcknowledgmentsPreface / Suna, Inan and Ipek KiracIntroduction: Disruptive Geographies / Mary Roberts, Reina Lewis and Zeynep Inankur Part I: Institutions, Collections, Exhibitions I. Staging The Lure of the East: Exhibition Making and Orientalism / Christine RidingII. Cultural Exchange and the Politics of Pleasure / Reina Lewis III. Bringing It Home? Orientalist Painting and the Art Market / Nicholas Tromans IV. The Searight Collection / Sarah SearightV. Cultural Consignment and Cultural (Ex)Change / Donald Preziosi VI. Orientalism and Photography / Nancy MicklewrightPart II: Constructing History and the Politics of Place VII. Between the Sublime and the Picturesque: Mourning Modernization and the Production of Orientalist Landscape in Thomas Allom and Reverend Robert Walsh's Constantinople and the Scenery of the Seven Churches of Asia Minor (c. 1839) / Wendy M. K. ShawVIII. Genealogies of Display: Cross-Cultural Networks at the 1880s Istanbul Exhibitions / Mary Roberts IX. Osman Hamdi Bey and the Historiophile Mood: Orientalist Vision and the Romantic Sense of the Past in Late Ottoman Culture / Ahmet Ersoy X. Traveling East: Veiling, Race, and Nations / Teresa Heffernan XI. "Solitary Eagle"?: The Public and Private Personas of John Frederick Lewis (1804-1876) / Briony LlewellynXII. An Ottoman Traveler to the Orient: Osman Hamdi Bey / Edhem EldemPart III. Cultural Mediators, Boundaries, Exchanges XIII. Mary Adelaide Walker / Zeynep InankurXIV. The Dragoman Who Commissioned His Own Portrait / Aykut Gurcaglar XV. European Artists at the Ottoman Court: Propogating a New Dynastic Image in the Nineteenth Century / Gunsel Renda XVI. The Interpretation of Pictorial Space in Nineteenth-Century Ottoman Landscape Painting / Semra Germaner XVII. Orientalism and Aestheticism / Tim BarringerXVIII. The Reception of John Frederick Lewis at the Exposition Universelle in 1855 / Peter Benson Miller Notes on Contributors Index.

28 x 24cm. Unusual format - three separate paperbacks in one folded portfolio. This catalogue has been published on the occasion of the exhibition titled Feelings in Common, held at the Suna and Inan Kira Foundation, Pera Museum, from 16 September 2025 to 18 January 2026. Feelings in Common is a contemporary group exhibition bringing together works of 29 artists from the British Council Collection, which has been acquiring works since the 1930s, and comprises almost 9000 works, focusing on 20th and 21st century art from the United Kingdom. This valuable collection, which does not form a permanent exhibition, and is mostly lent to international exhibitions, has also been referred to as a "museum without walls." In museums, which can be defined as spaces of encounter, the common feelings triggered by the works infectiously wander between those who share the space and carry the potential of bringing individuals together on a common ground. Throughout the history of Western philosophy, feelings represented the weaker side of the logic and feeling duality, and when a work of art is said to "address feelings", this has come to suggest that it is insufficient, intellectually poor, or decorative. In today's political climate, when we feel ever more intensely the way in which Western-centred rational thought and colonial approaches are driving systems towards total collapse, could we chart a new course by problematising this duality and focusing on feelings in common? Feelings in Common focuses not only on the task of collections and institutions to preserve and protect the past, but also on their potential to establish strong links with today's social and political dynamics. The sticky and infectious nature of feelings means that museums are not only spaces where works are held, but also function as dynamic spaces that contain an embracive imagination. In this process, the effort of institutions to sustain care, and to make this polyphonic community feel at home, reinforces this possibility. Curated by Ulya Soley and comprised of three chapters titled "Preserving Care", "Familiar Faces" and "Future Perfect," the exhibition strives to form a space where feelings in common are shared amidst uncertainties and transformations regarding the future, while inviting to contemplate institutional collection policies, communities that come together through art and the future of art institutions and their collections. Artists: Larry Achiampong, Laura Aldridge, Ed Atkins, Sonia Boyce, Jake & Dinos Chapman, Eileen Cooper, Tony Cragg, Tracey Emin, Jane England, Cerith Wyn Evans, Graham Fagen, Lucian Freud, Anya Gallaccio, Gilbert & George, Richard Hamilton, Lubaina Himid, Damien Hirst, David Hockney, Michael Landy, Delaine Le Bas, Sarah Lucas, Kate Malone, Chris Ofili, Marc Quinn, Raqib Shaw, Wolfgang Tillmans, Suzanne Treister, Bedwyr Williams, Madame Yevonde. Very good condition.