Paul moorehouse (23 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. Richard Long: A Moving World (Tate Publishing) This book is in very good condition and will be shipped within 24 hours of ordering. The cover may have some limited signs of wear but the pages are clean, intact and the spine remains undamaged. This book has clearly been well maintained and looked after thus far. Money back guarantee if you are not satisfied. See all our books here, order more than 1 book and get discounted shipping. .…

Paperback. Condición: Very Good. Shipped within 24 hours from our UK warehouse. Clean, undamaged book with no damage to pages and minimal wear to the cover. Spine still tight, in very good condition. Remember if you are not happy, you are covered by our 100% money back guarantee.

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. 1st. Edition , 1st. Printing 2008 , Hardcover in the dust jacket , 191 page book with color and black & white illustrated portraits by various artist . Condition : NEW. Size: 4to - over 9¾" - 12" tall. Various Artist (ilustrador). Book.…

paperback. Condición: New. **PAPERBACK**.

Softcover, 56 pages, as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: Fine. Qto., 46 pages, colour illustrated. Unused, a Fine copy.

Paperback. Condición: New. Anthony Caro (born 1924) is widely regarded as 'Britain's greatest living sculptor' (The Guardian, 2003) and has enjoyed an international reputation since the early 1960s. This publication accompanies a major retrospective exhibition of Caro's work at Tate Britain in January 2005. Caro studied at Regent Street Polytechnic and the Royal Academy Schools, before working as Henry Moore's assistant between 1951 and 1953. His work changed radically following a visit to America in 1959, when he met the sculptor David Smith, the painter Kenneth Noland and the critic Clement Greenberg. In 1960 he began making purely abstract sculptures constructed and welded in steel, comprising beams, girders and other found elements painted in bright colours. 'I think my big break in 1960 was in challenging the pedestal, killing statuary, bringing sculpture into our lived-in space', Caro wrote. The exhibition of these works at the Whitechapel Gallery in 1963, caused a sensation and heralded a revolution in sculpture. Within a short period, conventional ideas about materials, method, surface, scale, form and space were overturned by his radical reworking of all these elements.This recognition was paralleled in America. In 1965 Clement Greenberg observed of Caro that he was 'the only new sculptor whose sustained quality can bear comparison with (David) Smith's'. Although best known for his work in steel, Caro has also worked in bronze, wood, lead, ceramics and paper, on both large and intimate scales. Since the 1980s, the range of Caro's work has increased, encompassing 'sculpitecture' (sculpture that the viewer enters and explores internally); large-scale works that allude to the language of classical architecture; and sculptures that respond to earlier works of art by such masters as Rubens, Manet and Matisse. This extensively illustrated book includes an overview of Caro's career by the exhibition curator Paul Moorhouse, as well as critical essays by Micheal Fried and Dave Hickey. In accompanying the major exhibition at Tate Britain in 2005, this will be the most up-to-date survey of Caro's work in print.…

Paperback. Condición: Fine. Qto., 80 pages, colour illustrated. A Fine copy.

Soft cover. Condición: New. Qto., 80 pages, colour illustrated. A New copy.

Paperback. Condición: New. Anthony Caro (born 1924) is widely regarded as 'Britain's greatest living sculptor' (The Guardian, 2003) and has enjoyed an international reputation since the early 1960s. This publication accompanies a major retrospective exhibition of Caro's work at Tate Britain in January 2005. Caro studied at Regent Street Polytechnic and the Royal Academy Schools, before working as Henry Moore's assistant between 1951 and 1953. His work changed radically following a visit to America in 1959, when he met the sculptor David Smith, the painter Kenneth Noland and the critic Clement Greenberg. In 1960 he began making purely abstract sculptures constructed and welded in steel, comprising beams, girders and other found elements painted in bright colours. 'I think my big break in 1960 was in challenging the pedestal, killing statuary, bringing sculpture into our lived-in space', Caro wrote. The exhibition of these works at the Whitechapel Gallery in 1963, caused a sensation and heralded a revolution in sculpture. Within a short period, conventional ideas about materials, method, surface, scale, form and space were overturned by his radical reworking of all these elements.This recognition was paralleled in America. In 1965 Clement Greenberg observed of Caro that he was 'the only new sculptor whose sustained quality can bear comparison with (David) Smith's'. Although best known for his work in steel, Caro has also worked in bronze, wood, lead, ceramics and paper, on both large and intimate scales. Since the 1980s, the range of Caro's work has increased, encompassing 'sculpitecture' (sculpture that the viewer enters and explores internally); large-scale works that allude to the language of classical architecture; and sculptures that respond to earlier works of art by such masters as Rubens, Manet and Matisse. This extensively illustrated book includes an overview of Caro's career by the exhibition curator Paul Moorhouse, as well as critical essays by Micheal Fried and Dave Hickey. In accompanying the major exhibition at Tate Britain in 2005, this will be the most up-to-date survey of Caro's work in print.…

Paperback. Condición: Very Good.

Paperback. Condición: Brand New. Paperback.Width: 24 cm. Height: 27cm. 80 pages. English text.

Condición: OTTIMO USATO. Da revisionare INGLESE Brossura editoriale pubblicata in occasione della mostra tenutasi presso la Tate Gallery di Londra, dal 16 ottobre 1991 al 26 febbraio 1992. Copertina con alette illustrata a piena pagina, piccola imperfezione del patinato nel bordo inferiore e lievissime velature di polvere, pagine illustrate con fotografie delle opere esposte, a colori e in bianco e nero nel testo e su tavole. N. pag. 55.…

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

SOFTCOVER. Condición: As New. 1st Edition. Large square 4to in colour printed stiff card covers, 46pp on stiff art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

SOFTCOVER. Condición: New. 1st Edition. Extra Large 4to. in colour printed stiff card covers, 79pp on thick art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.…

Original Wraps. Condición: Fine. No Jacket as issued. 1st Edition. 14pp (including covers). Illustrated throughout in colour with text by Moorehouse.

Paperback. Condición: New. Anthony Caro (born 1924) is widely regarded as 'Britain's greatest living sculptor' (The Guardian, 2003) and has enjoyed an international reputation since the early 1960s. This publication accompanies a major retrospective exhibition of Caro's work at Tate Britain in January 2005. Caro studied at Regent Street Polytechnic and the Royal Academy Schools, before working as Henry Moore's assistant between 1951 and 1953. His work changed radically following a visit to America in 1959, when he met the sculptor David Smith, the painter Kenneth Noland and the critic Clement Greenberg. In 1960 he began making purely abstract sculptures constructed and welded in steel, comprising beams, girders and other found elements painted in bright colours. 'I think my big break in 1960 was in challenging the pedestal, killing statuary, bringing sculpture into our lived-in space', Caro wrote. The exhibition of these works at the Whitechapel Gallery in 1963, caused a sensation and heralded a revolution in sculpture. Within a short period, conventional ideas about materials, method, surface, scale, form and space were overturned by his radical reworking of all these elements.This recognition was paralleled in America. In 1965 Clement Greenberg observed of Caro that he was 'the only new sculptor whose sustained quality can bear comparison with (David) Smith's'. Although best known for his work in steel, Caro has also worked in bronze, wood, lead, ceramics and paper, on both large and intimate scales. Since the 1980s, the range of Caro's work has increased, encompassing 'sculpitecture' (sculpture that the viewer enters and explores internally); large-scale works that allude to the language of classical architecture; and sculptures that respond to earlier works of art by such masters as Rubens, Manet and Matisse. This extensively illustrated book includes an overview of Caro's career by the exhibition curator Paul Moorhouse, as well as critical essays by Micheal Fried and Dave Hickey. In accompanying the major exhibition at Tate Britain in 2005, this will be the most up-to-date survey of Caro's work in print.…

Paperback. Condición: New. Anthony Caro (born 1924) is widely regarded as 'Britain's greatest living sculptor' (The Guardian, 2003) and has enjoyed an international reputation since the early 1960s. This publication accompanies a major retrospective exhibition of Caro's work at Tate Britain in January 2005. Caro studied at Regent Street Polytechnic and the Royal Academy Schools, before working as Henry Moore's assistant between 1951 and 1953. His work changed radically following a visit to America in 1959, when he met the sculptor David Smith, the painter Kenneth Noland and the critic Clement Greenberg. In 1960 he began making purely abstract sculptures constructed and welded in steel, comprising beams, girders and other found elements painted in bright colours. 'I think my big break in 1960 was in challenging the pedestal, killing statuary, bringing sculpture into our lived-in space', Caro wrote. The exhibition of these works at the Whitechapel Gallery in 1963, caused a sensation and heralded a revolution in sculpture. Within a short period, conventional ideas about materials, method, surface, scale, form and space were overturned by his radical reworking of all these elements.This recognition was paralleled in America. In 1965 Clement Greenberg observed of Caro that he was 'the only new sculptor whose sustained quality can bear comparison with (David) Smith's'. Although best known for his work in steel, Caro has also worked in bronze, wood, lead, ceramics and paper, on both large and intimate scales. Since the 1980s, the range of Caro's work has increased, encompassing 'sculpitecture' (sculpture that the viewer enters and explores internally); large-scale works that allude to the language of classical architecture; and sculptures that respond to earlier works of art by such masters as Rubens, Manet and Matisse. This extensively illustrated book includes an overview of Caro's career by the exhibition curator Paul Moorhouse, as well as critical essays by Micheal Fried and Dave Hickey. In accompanying the major exhibition at Tate Britain in 2005, this will be the most up-to-date survey of Caro's work in print.…

Pamphlet. Condición: As New. As new large format gallery exhibition catalog. Please email for photos. Larger books or sets may require additional shipping charges. Books sent via US Postal.

Hardcover. Condición: Very Good. No Jacket. Hardcover with no DJ in very good condition. Bound with red/brown paper over boards, orange paper over the spine, black lettering on the spine and front cover. Corners and edges are unblemished, no shelf wear visible. Pages are clean and crisp. No number line. Copyright date is 2022. 137 pages. This is an oversized book, so extra shipping will be necessary for priority or international shipping. Please email with questions or to request photos. Note: if there is a photo beside this listing, it's a STOCK phot that ABE put there (for reasons that we cannot understand or control) and might not match this actual book.…

Hardcover. Condición: Brand New. Hardcover.Width: 25 cm. Height: 30cm. 138 pages. English text.