Patricia pulham (168 resultados)

paperback. Condición: Good. 0th Edition. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: new. Paperback. Explores Victorian writers erotic investment in statuesTheorises the function of the sculptural body in Victorian poetry and proseOffers thorough readings of sculpture in Victorian texts and contextsExamines a wide range of works by well-known and lesser-known writers of the period (e.g. Thomas Hardy, John Ruskin, Oscar Wilde, Walter Pater, Vernon Lee, Olive Custance, Arthur OShaughnessy)Extends the British focus to encompass nineteenth-century European and American writings This book argues that, in Victorian literature, transgressive desires that cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculptures ubiquity in Victorian galleries and museums, Pulham observes that while touch is prohibited in these cultural locations Victorian texts offer safe spaces where sculptures may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision and permit the recovery of forbidden love. This book argues that, in Victorian literature, transgressive desires that cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. Vernon Lee writes in the Preface to Hauntings, "My ghosts are what you call spurious ghosts. of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own." First published in 1890, Lee's most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siecle. The appendices, which include extensive excerpts from writings by Lee's predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee's brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siecle. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. Vernon Lee writes in the Preface to Hauntings, "My ghosts are what you call spurious ghosts. of whom I can affirm only one thing, that they haunted certain brains, and have haunted, among others, my own." First published in 1890, Lee's most famous volume of supernatural tales occupies a special place in the literature of the fantastic for its treatment of the femme fatale and the allure of the past, along with the themes of thwarted artistic creativity and psychological obsession. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siècle. The appendices, which include extensive excerpts from writings by Lee's predecessors and peers, including Algernon Charles Swinburne, Walter Pater, and Lee's brother Eugene Lee-Hamilton, allow the reader to see how Lee takes on the themes and preoccupations of the late-Victorian period but adapts them to her own purposes.…

Paperback. Condición: New. This book argues that, in Victorian literature, desires which cannot be openly acknowledged are often buried and encrypted in the marble bodies of statues. Examining sculpture's ubiquity in Victorian galleries and museums Pulham observes that, while touch is prohibited in these cultural locations, Victorian texts offer 'safe' spaces where statues may be kissed or caressed using metaphors of tactility that work at the intersections of touch and vision to permit the recovery of forbidden love.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: New. 2022. Hardcover. . . . . .

Condición: new.

Condición: New. In English.

Condición: New. pp. 240.

Condición: New. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siecle. Editor(s): Maxwell, Catherine; Pulham, Patricia. Series: Broadview Editions. Num Pages: 351 pages. Category: (G) General (US: Trade). Dimension: 216 x 143 x 18. Weight in Grams: 386. . 2006. Paperback. . . . . …

Condición: New. pp. 351.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 240.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.…

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

Condición: As New. Unread book in perfect condition.

Condición: New. 2022. Hardcover. . . . . . Books ship from the US and Ireland.

Condición: New. This collection, which includes the four stories originally published in Hauntings and three others, enables readers to consider Lee's work anew for its subtle redefinitions of gender and sexuality during the Victorian fin-de-siecle. Editor(s): Maxwell, Catherine; Pulham, Patricia. Series: Broadview Editions. Num Pages: 351 pages. Category: (G) General (US: Trade). Dimension: 216 x 143 x 18. Weight in Grams: 386. . 2006. Paperback. . . . . Books ship from the US and Ireland. …