Papaleo joe (4 resultados)

Soft cover. Condición: Good. Inscribed by author. Cover has stains, edge wear, minor creases, minor scratches, small bent/rubbed cover/page corners, rubbed spine. A few pages with moisture waves in top margin. No writing in text. Book.

Soft cover. Condición: Fine. 239 pages : illustrations, photographs (some color) ; 30 cm ISBN 9780894716294, 9780894716300, 0894716298, 0894716301 OCLC 19764159 ; photographic stiff paper wrappers ; Contents: News -- Man & Beast (Science/Natural History) Magazine Photographer of the Year People. Newspaper Photographer of the Year; Canon Essayist -- Stories -- Wings & Things (Pictorial, Food, Fashion) -- Sports -- The Judging -- The Winners ; features photos of: Bill Greene, John Tlumacki, Melissa Farlow, Carol Guzy, Anthony Suau, James Stanfield, Nathan Benn, Herman LeROy Emmet, David Murray, Terry Way, Viorel Floerscu, Paul Aiken, Brian Brainerd, Don Halasy, Itsua Inouye, John Lopinot, Paul Milette, Tim Reese, Joe Wrinn, Scott Takushi, Cloe Poisson, Guy Reynolds, Doug Atkins, Chuck Bigger, Mary Calvert, Louis DeLuca, Martin Klimek, Robert Martin, Kenneth Papaleo, Joanne Rathe, Keith Myers, Marc Halevi, Christine Cavannaugh, Tony Bracewicz, Curt Chandler, Mark Farser, Barry gray, Gary LAwson, Rob Goebel, Catharine Krueger, Jose More, gary Reyes, Guy Reynolds, Bonnie Weller, Barry Zecher, Larry Steagtall, Gregory Drezdzon, Annalisa Kraft, Jeff Alexander, H Rick Barnman, John Blackner, gary Fandel, Scott Hoffman, Bill Keay, Jon Kral, Thomas Landers, Marlin Levinson, Bill Lyons, Michael Meinhardt, Genaro Molina, Jeff Sheid, Harley Soltes, Jeff Tuttle, Gary Weber, Ken White, Anne Ryan, Mark Edelson, John Blackmer, Sara Krulwich, Lucian Perkins, Michael Ewen, Andrew Itkoff, Jim Preston, Kim Weimer, Peter Tobia, Charles Ledford, Wally Emerson, Daniel Anderson, Charlaine Brown, Pat Crowe, Bill Greene, Dan Marschka, Robert Perez, Dan Preisler, George Wilhelm, Mary Circelli, Craig Trumbo, Mark Sluder, Nancy N Andrews, Mary Kelley, David Woo, J Mark Poulsen, Vickie Lewis, Steve Harper, David J Phillip, Don Ipcock, Jim Sulley, Nan Wintersteller, Steven Zerby, V Jane Windsor, Sig Bokalders, Geff Hinds, Kimi Lott, Manny Crisostomo, Janet Knott, Alan Berner, Steve Campbell, Judy Fidkowski, Brad Alan Graverson, Carol Halebian, Steve Ringman, Stephen Shames, Charles Trianor, Paul Vathis, David Woo, Nicole Bengiveno, Gary Carmeron, David Eulitt, Robert Hanashiro, Fred Comegys, Mike Fender, Amy Davis, Leland Holder, Ronald Cortes, Angela Pancrazio, Maggie Steber, Robert Mercer, Bill Foley, Tom Haley, Anthony Suau, Stephanie Maze, Rick Smolan, Dilip Mehta, Gerard Michael Lodrguss, Dwan Feary, Harry Benson, Bob Thayre, Neal Slavin, Franz Martin Lanting, Jodi Cobb, Sarah Leen, Buck Miller, Jim Brandenburg, Natalie Forbes, Bob Krist, Bianca Lavies, Bill Pierce, Randy Olson, Chris Cole, Jean Bernard Diederich, Andrew Holbroke, Lynn Johnson, Karen Kasmauski, Robert Mercer, Alon Reininger, April Saul ; topics include: Judge Robert Bork, Bud Dwyer suicide, Baby M case, Black Monday, Baby Jessica, Pope John Paul II, Haiti, Korea, Jim and Tammy Bakker, Falwell, Seattle homeless, Chicago projects, AIDS, Atlanta prison riot, Arctic wolves, Ethiopia, weightloss, Hmong ; FINE. Book. …

Softcover. Condición: Near Fine. First Edition. First edition. Light age-toning, near fine. Inscribed by the author. Poetry. Signed.

Condición: Overall good plus. A collection of forty-nine photographs of the Los Angeles Fire Department, likely from the 1970s. The photographs were taken by Joe Ortiz, the first Mexican American with an English-language radio talk show; R.L. Oliver, known for his photographs of the Watts Riots; and Ken Papaleo, who would win Pulitzers for his coverage of the Columbine shooting and the 2003 Colorado wildfires. The photographs are action shots, showing fires and car wreck scenes. Many of the fire shots were taken from afar, though in some the photographer was positioned quite near the firefighters. For instance, several shots show a group of at least four firefighters with a dalmation hosing the exterior of a low industrial building. Though some shots mainly show the fire, in others the firefighting apparatus is visible, helping to date and locate the shots. In one, a Crown firecoach is parked at the bottom of an embankment while firefighters spray down a residential building standing at the top; according to the LA County Fire Museum, the Crown apparatus began to be phased out of the arsenal in 1977 in favor of designs with enclosed cabs. In another, engines 4 and 11 are parked outside of a smoking apartment building, locating the photograph in the downtown LA area. The car wreck shots are generally taken from much closer to the scene, with graphic depictions of the wreckage and victims. The sole color shot in the collection shows EMTs and firefighters converging on a white car with its hood destroyed; the driver has been placed in a neck brace. In another wreck shot, a man lays on the ground behind his motorcycle as EMTs arrive with an extraction board and gurney. EMS is a surprisingly new innovation, dating only to the 1960s and 1970s; LA's first paramedic services were created in 1969 with cardiologist Walter S. Graf's pilot "mobile critical care unit" program.[1] In fact, a new law, the Wedworth-Townsend Paramedic Act, had to be enacted to allow medical care at the scene and in transit, as doing so was legally fraught. The Los Angeles areathough the county, not the citywas at the forefront of the development and popularization of paramedic services, including via the TV series Emergency!, which depicted the work of paramedics with the Los Angeles County Fire Department.[2] Of interest to historians of firefighting and emergency response, especially the development of emergency medical services. [1] "Doctor who helped launch modern paramedic system dies at 98," CBS News, October 30, 2015. [2] Paul Bergman, "EMERGENCY!: Send a TV Show to Rescue Paramedic Services!", University of Baltimore Law Review, 36, no. 3 (Spring 2007): 347369. Forty-nine photographs measuring 8 x 10 inches with some larger, most with photographers' stamps verso. Most seem to have been previously affixed to a surface and torn off; some tears and residue intersect with subject. Some with water damage.…