Painter james editor (8 resultados)
Ncaa Basketball: The Official 1996 College Basketball Records Book (NCAA MENS BASKETBALL RECORDS)
Johnson, Gary K. [Compiler]; Campbell, Richard M. [Compiler]; Painter, John D. [Compiler]; Straziscar, Sean W. [Compiler]; Wright, James F. [Compiler]; Bollig, Laura E. [Editor]; Wolfgang, Teri [Illustrator]; Young, Hank [Photographer];
- Tapa blanda
Librería: Robinson Street Books, IOBA, Binghamton, NY, Estados Unidos de AmericaRobinson Street Books, IOBA
Contactar con el vendedorVendedor de 4 estrellasMiembro de asociación: IOBA
Condición: Usado - Bueno
EUR 12,13
Envío por EUR 8,28Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Very Good. Prompt Shipment, shipped in Boxes, Tracking PROVIDEDVery good used book, light creasing and wear. 679p. Wolfgang, Teri (ilustrador).
Forging a Modern Identity: Masters of American Painting Born after 1847: American Paintings in the Detroit Institute of Arts, Vol. III
James W. Tottis [Editor]; Mary Cassatt [Painter]; Marsden Hartley [Painter]; Frederick Childe Hassam [Painter]; John Singer Sargent [Painter]; John Sloan [Painter]; James McNeill Whistler [Painter];
- Tapa dura
Librería: Gulf Coast Books, Cypress, TX, Estados Unidos de AmericaGulf Coast Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,89
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: New.
Forging a Modern Identity: Masters of American Painting Born after 1847: American Paintings in the Detroit Institute of Arts, Vol. III
James W. Tottis [Editor]; Mary Cassatt [Painter]; Marsden Hartley [Painter]; Frederick Childe Hassam [Painter]; John Singer Sargent [Painter]; John Sloan [Painter]; James McNeill Whistler [Painter];
- Tapa dura
Librería: Orion Tech, Kingwood, TX, Estados Unidos de AmericaOrion Tech
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,89
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: New.
Forging a Modern Identity: Masters of American Painting Born after 1847: American Paintings in the Detroit Institute of Arts, Vol. III
James W. Tottis [Editor]; Mary Cassatt [Painter]; Marsden Hartley [Painter]; Frederick Childe Hassam [Painter]; John Singer Sargent [Painter]; John Sloan [Painter]; James McNeill Whistler [Painter];
- Tapa dura
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 66,11
Envío por EUR 6,06Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
hardcover. Condición: New. In shrink wrap. Looks like an interesting title.
The Dance of the Millions: Latin America and the Debt Crisis
Roddick, Jacqueline; O'Brien, Phillip [Editor]; Painter, James [Editor];
- Tapa blanda
Librería: BennettBooksLtd, Los Angeles, CA, Estados Unidos de AmericaBennettBooksLtd
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 69,88
Envío por EUR 6,06Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: New. In shrink wrap. Looks like an interesting title.
- Más imágenes
In a New Light: Alice Schille and the American Water Color Movement
Kathleen A. Foster; Tara R. Keny; James M. Keny; Alice Schille; Christopher S. Duckworth [Editor]; Alice Schille [Painter];
- Tapa dura
Librería: Brancamp Books LLC, Batesville, IN, Estados Unidos de AmericaBrancamp Books LLC
Contactar con el vendedorVendedor de 5 estrellasMiembro de asociación: IOBA
Condición: Nuevo
EUR 112,28
Envío por EUR 12,03Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Hardcover. Condición: New. BRAND NEW.
[Percival Stockdale, author, editor of the Critical Review and radical abolitionist.] Stipple engraving by James Fittler from portait of Stockdale by John Downman.
Percival Stockdale (1736-1811), author, editor of the Critical Review and Universal Magazine, and radical abolitionist [James Fittler (1758-1835), engraver; John Downman (1749-1824), portrait painter]
Editorial: London, 1809
- Manuscript / Paper Collectible
Librería: Richard M. Ford Ltd, London, Reino UnidoRichard M. Ford Ltd
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 60,03
Envío por EUR 5,25Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoSitter, artist and engraver all have entries in the Oxford DNB. No copy in the National Portrait Gallery. In good condition, lightly aged, on good paper with small embossment of castle. Dimensions of paper, 14.25 x 22.5cm. Dimensions of print, 12.5 x 17.75cm. Oval portrait, 10 cm wide and 13 cm high. Without date or place, but p…roduced as the frontispiece to Stockdale's 1809 memoirs. A half-length portrait of Stockdale, his face turned to the left, with white cravat and powdered hair, loosely wrapped in a coat. From the papers of the agriculturist and colonial civil servant Sir Frank Stockdale (1883-1949), whose Oxford DNB entry does not mention any relation to Perceval Stockdale.
- Más imágenes
History of the Indian Tribes of North America
McKENNEY, Thomas L. (1785-1859, editor), James HALL (1793-1868, writer), Charles Bird KING (1785-1862, painter); James Otto LEWIS (1799-1858, painter)
Editorial: Edward C. Biddle, 1836; Daniel Rice, 1838; and James G. Clark, 1844, Philadelphia, 1844
- Tapa dura
- Primera edición
Librería: Donald A. Heald Rare Books (ABAA), New York, NY, Estados Unidos de AmericaDonald A. Heald Rare Books (ABAA)
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado
EUR 107.785,93
Envío por EUR 21,80Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Añadir al carritoFolio; 3 vols. (20 1/16 x 14 1/4 inches). 120 hand-colored lithograph plates, map, and 17-page subscriber list present. State "A" of volumes one and three, state "B" (issued with part 16) of volume two. 19th-century half-Morocco to style over marbled boards, spines gilt. Within individual chemises and slipcases. First edition of… this Americana highspot, a profusely illustrated record of prominent nineteenth-century Native Americans, which was "the grandest color-plate book issued in the United States up to the time of its publication." (Reese) Thomas McKenney, a Quaker, was Superintendent of Indian Affairs from 1816-1822. While in this post he became concerned for the survival of Western tribes after observing unscrupulous people taking advantage of Native Americans for profit. McKenney decided to create an archive to preserve the artifacts and history of Native Americans whose culture was disappearing due to settler-colonialism. A visit to the studio of artist Charles Bird King inspired McKenney to add portraits to his archive. McKenney helped start the first national collection in Washington, the Archives of the American Indian, and served as curator of this archive while he was Superintendent of Indian Affairs and head of the Bureau of Indian Affairs. Perhaps surprisingly, in his government role, McKenney advocated for Indians to be removed to somewhere west of the Mississippi and the portraits he commissioned make reference to the benefits of missionary and "civilizing" work. He was instrumental in the passage of the 1830 Indian Removal Act, but also criticized some government policies toward Indians, which led President Jackson to dismiss McKenney from his post in 1830. After leaving government, McKenney was able to turn more of his attention to his publishing project recording biographies and portraits of Native Americans. Within a few years, he was joined by James Hall, a journalist, lawyer, and the Illinois state treasurer, who had written extensively about the West. Both authors saw their book as a way of preserving an accurate visual record of a rapidly disappearing culture. The text, which was written by Hall based on information supplied by McKenney, takes the form of a series of biographies of leading figures among the Indian nations, followed by a general history of the North American Indians. The work is famous for its color-plate portraits of chiefs, warriors, and women of various tribes, which are faithful copies of original oils by Charles Bird King. King painted the illustrious Indians from life in his studio in Washington, D.C., where McKenney commissioned him to record visiting Indian delegations from 1821 to 1837. At times King's paintings were worked up from the watercolors of the young frontier artist, James Otto Lewis. All but four of the book's original paintings were destroyed in the disastrous Smithsonian fire of 1865; their appearance in this work preserves what is probably the best likeness of many of the most prominent Indian leaders of the early 19th-century. Among King's sitters were Sequoyah, Red Jacket, Major Ridge, Cornplanter, and Osceola. This was the most elaborate plate book produced in the United States to that date, and its publishing history is complex. Its production spanned eight years, multiple lithographers, and was funded by 1,250 subscribers. The title pages give an indication of issue: Volume I, first issue was by Edward C. Biddle and is dated 1836; the second issue was by Frederick W. Greenough with the date 1838; and the third issue is by Daniel Rice and James G. Clark and dated 1842. Volume II, first issue is by Frederick W. Greenough and dated 1838; and the second issue is by Rice and Clark and dated 1842. Volume III, first issue is by Daniel Rice and James G. Clark and dated 1844. American Color Plate Books, 24; BAL 6934; Bennett, 79; Best of the West, 68; Bowers, 339-40; Field 992; Howes M-129 ("d"); Lipperhiede Mc4; Sabin 43410a; Servies 2150; Stack, 5.
