opie catherine (161 resultados)

hardcover. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condición: Very Good. 100 pp. Tightly bound. Spine not compromised. Text is free of markings. No ownership markings.

First Edition. First edition. Hardcover. 95 pages. Published in conjunction with an exhibition that ran April 15 through September 5, 2011. Features text by Jill Medvedow along with Helen Molesworth's interview of Opie. Includes numerous color images. A fine copy in illustrated boards and still in the publisher's shrinkwrap. No dust jacket as issued.

48 pp.; 13.4 x 18.5 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 20 - October 15, 2006. Curated and with an essay by Elizabeth T. Smith. Very Good / Fine. Light yellowing of pages. Contents clean and unmarked.

Hardcover. Condición: Fine. 1st. Pictorial boards, 95 pages, colour illustrations; 28 x 25 cm. Published in conjunction with an exhibition held at The Institute of Contemporary Art, Boston, April 15 to September 5, 2011. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Catherine Opie (born 1961) has forged new idioms in both portrait and landscape photography, frequently combining the two genres to explore how people occupy different landscapes--from high school football players on the field to ice fishermen on frozen lakes, to surfers waiting for the next wave. In doing so she has come to stand as one of America's foremost documentarians. Recently, Opie has returned to the genre of street photography, elaborating on the relationship between people and place, particularly the energies and desires created when masses of people convene around a shared interest or value. Freedom of assembly is one of the rights Americans take for granted; Opie is interested in the way that sites, such as the National Mall in Washington, D.C., come to be defined by the groups of people who assemble there and how their gathering shapes the identity of the place. This catalogue presents Opie's photographs of recent political demonstrations and gatherings, ranging from the inauguration of President Obama to Tea Party rallies. Drawing on a long and august tradition of American landscape painting and documentary photography, Opie gives us a view of democracy in action. Her photographs offer a dynamic, complicated and loving portrait of the United States at the dawn of the twenty-first century." - Publisher. Size: 4to. Collectible.

Condición: New.

Hardcover. Condición: Fine. Estado de la sobrecubierta: No Dust Jacket. FINE/ NO DUST JACKET. 95 pages. Signed by the author on the title page. Text is very clean, beautifully photographed. Multicolored photographic board with red lettering. Cover is barely worn, book appears to be unread. Binding and hinges are firm. IBy Author.

Pictorial Hardcover. Condición: Very Good. No Jacket.

Condición: very_good. Gently read. May have name of previous ownership, or ex-library edition. Binding tight; spine straight and smooth, with no creasing; covers clean and crisp. Minimal signs of handling or shelving. 100% GUARANTEE! Shipped with delivery confirmation, if you're not satisfied with purchase please return item! Ships USPS Media Mail.

Condición: good. The item shows wear from consistent use, but it remains in good condition and works perfectly. All pages and cover are intact including the dust cover, if applicable . Spine may show signs of wear. Pages may include limited notes and highlighting. May NOT include discs, access code or other supplemental materials.

Condición: New.

Hardback or Cased Book. Condición: New. Catherine Opie: Genre / Gender / Portraiture. Book.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 1st edition. Hardbound, no dust jacket, as issued. Published on the occasion of an exhibit September 26, 2008-January 7, 2009.

Paperback. Condición: Very good. First Edition. ART JOURNAL FALL 2020 VOL 79 NO 3 with art or text by Lynne Cooke, Catherine Opie, Zoe Leonard, Richard Fung, Greg Bordowitz, Vaginal Davis, Louise Lawler and others. 100 pages. Paper with stiff cover. Very good condition.

Hardcover without dustjacket as issued, 96 pages, tiny crimp to upper right corner of rear board; otherwise as new condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

No Binding. Condición: Near Fine. Postcard in near-fine condition, a little age-toned. Unmailed. Cards are sent in stiff mailers. Art, Prints & Posters.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on reverse.

Exhibition invite, 4 x 9 inches; very good condition; an unmailed copy.

Exhibition invite, 4 x 6 inches; very good condition; a mailed copy with address and postal marks on reverse.

Hardback or Cased Book. Condición: New. Catherine Opie: To Be Seen. Book.

Hardcover. Condición: new. Hardcover. Nearly four decades of work from the photographer who redefined the expression of gender in contemporary queer portraitureA leading voice in contemporary photography, Catherine Opie has been known for her portraits of the queer scene in California since the late 1980s. A fundamental element of Opies work is the observation of different gender performances through a critical revision of the genre of portraiture. Her photography emphasizes how portraiture has the power to both reinforce and deconstruct conventional and binary expressions of gender. The title of this publication and the MASP exhibition it accompanies is based on the double meaning of the word genero in Portuguese, meaning both gender and genre.For her first solo show in Brazil, Opie enters into dialogue with the tradition of the portraita way of representing the human figure that dates to the 15th century in the Westproducing an archive of diverse presentations of gender and sexuality. Around 60 photographs from her most iconic series are displayed alongside a selection of around 15 emblematic portraits from MASPs collection. Strongly marked by figuration and the formal constraint of portraiture, the juxtaposition of these works accentuates the dialogues, tensions and reformulations that Opies photographic oeuvre proposes.Catherine Opie was born in Ohio in 1961 and is currently a professor of photography and the chair of the art department at UCLA. Opies work has been exhibited extensively throughout the United States, Europe and Japan. She has had solo exhibitions of her work at the Walker Art Center, Minneapolis; St. Louis Art Museum; Museum of Contemporary Art, Chicago; and the Museum of Contemporary Art, Los Angeles, among many others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. In.

Pictorial Hardcover. Condición: Near Fine. No Jacket.

Hardcover. Condición: new. Hardcover. Contemporary artist Catherine Opie documents the ebb and flow of human culture. Opie's photography redefines portraiture, probing the complex questions of who we are, how we present ourselves, and why representation matters.Catherine Opie is one of the most influential artists of our time, and through her portrait photography she conveys a sense of shared humanity and beauty. At the core of Opie's work is a persistent exploration of the evolving ideas around community, identity, and belonging, especially within the LGBTQ+ community. Opie's wide-ranging portraits include intimate studio shots of friends and figures, capturing moments of vulnerability, pride, and resilience. Alongside these, she creates socially engaged documentary narratives, such as her images from the inauguration of Barack Obama. These photographs work in dialogue with one another to create new narratives, challenging viewers to reflect on the figures most commonly portrayed in art and those who go unseen. This publication accompanies an exhibition at the National Portrait Gallery, developed in close collaboration with the artist. It raises vital questions about representation. Through her meticulously crafted studio portraits and domestic frameworks, Opie invites viewers to reflect on the diversity of identity and the enduring search for community and acceptance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Exhibition invite, 4 x 9 inches; very good condition; a mailed copy with address and postal marks on reverse.

Hardcover. Condición: Good. Decent overall copy of this group monograph on Rodarte, Catherine Opie, and Alec Soth. Binding is solid, interior is bright and clean. The main issue of it is the rubbing, staining, dust soiling, and other blemishes to the all white covered boards, very succeptible to dirt and damage. Other than that, which can be seen in photos, hardly anything of note except that the four foredge corners are all mildly to moderately bumped. No DJ as issued. Nice book despite the flaws !

Hardcover without dustjacket as issued; unpaginated; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New.