olivier adrian (44 resultados)

Paperback. Condición: New. Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas' reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years, L'Eau froide. The movement of thought and creation known as Situationism is the golden thread that connects and, in part, inspires his memoir. This book also includes two essays by Assayas on the aesthetic and political legacy of Guy Debord, who played a decisive role in shaping the author's understanding of the world and his path towards an extremely personal way of making films. A Post-May Adolescence was first published in French in 2005. Its expanded English edition makes a valuable companion to the first English-language monograph on Assayas' body of work, Olivier Assayas, edited by Kent Jones, also published by the Austrian Film Museum.

Paperback. Condición: New. Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas' reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years, L'Eau froide. The movement of thought and creation known as Situationism is the golden thread that connects and, in part, inspires his memoir. This book also includes two essays by Assayas on the aesthetic and political legacy of Guy Debord, who played a decisive role in shaping the author's understanding of the world and his path towards an extremely personal way of making films. A Post-May Adolescence was first published in French in 2005. Its expanded English edition makes a valuable companion to the first English-language monograph on Assayas' body of work, Olivier Assayas, edited by Kent Jones, also published by the Austrian Film Museum.

Paperback. Condición: Brand New. 50 pages. 9.00x6.00x0.12 inches. In Stock.

Paperback. Condición: Brand New. Rebiere, Olivier Ilustrador. 105 pages. 9.00x6.00x0.24 inches. In Stock.

Paperback. Condición: Brand New. 46 pages. Spanish language. 9.00x6.00x0.11 inches. In Stock.

Paperback. Condición: Brand New. 50 pages. Spanish language. 9.00x6.00x0.12 inches. In Stock.

Condición: As New. Unread book in perfect condition.

French-fold / Sans Cout. Plier. Condición: Fine / État De Neuf. Olivier Mosset; Gregoire Muller; Vaclav Pozarek; Christoph Rutimann; Adrian Schiess; Remy Zaugg Ilustrador. Musée d`art moderne de Saint-Etienne : 4 oct - 24 nov 1991 / ELAC Espace lyonnaise d`art contemporain : 8 nov 1991 - 5 jan 1992. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair.

Paperback. Condición: New.

Paperback. Condición: Brand New. 50 pages. French language. 9.00x6.00x0.12 inches. In Stock.

Paperback. Condición: Brand New. Rebiere, Olivier Ilustrador. 110 pages. French language. 9.00x6.00x0.25 inches. In Stock.

Condición: New.

Quarto, hard cover (VG+): all our specials have minimal description to keep listing them viable. They are at least reading copies, com plete and in reasonable condition, but usually secondhand; frequently they are superior examples. Ordering more than one book will reduce your overall postage costs.

Condición: New.

Paperback. Condición: New.

Condición: New.

Hardcover. Condición: As New. Estado de la sobrecubierta: No Dust Jacket. Without jacket as issued. ; Color reproductions; 12.0 X 9.9 X 1.6 inches; 384 pages.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: Used: Very Good. Envoi rapide et soigné avec suivi. (Réf : C26).

French-fold / Sans Cout. Plier. Condición: Fine / État De Neuf. Olivier Mosset; Gregoire Muller; Vaclav Pozarek; Christoph Rutimann; Adrian Schiess; Remy Zaugg Ilustrador. Musée d`art moderne de Saint-Etienne : 4 oct - 24 nov 1991 / ELAC Espace lyonnaise d`art contemporain : 8 nov 1991 - 5 jan 1992. Montreal Books rating system: 1. Fine 2. Near Fine 3. Very Good 4. Good 5. Fair. Size: 4to / in-4o, 303pp. Book.

Hardcover. 207 p. Very good condition. The reading pages are clean and unmarked. Slight signs of storage and wear. Otherwise a very good copy. 9789076972015 Sprache: Englisch Gewicht in Gramm: 1600.

Paperback. Condición: New. Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas' reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years, L'Eau froide. The movement of thought and creation known as Situationism is the golden thread that connects and, in part, inspires his memoir. This book also includes two essays by Assayas on the aesthetic and political legacy of Guy Debord, who played a decisive role in shaping the author's understanding of the world and his path towards an extremely personal way of making films. A Post-May Adolescence was first published in French in 2005. Its expanded English edition makes a valuable companion to the first English-language monograph on Assayas' body of work, Olivier Assayas, edited by Kent Jones, also published by the Austrian Film Museum.

soft cover. Condición: fine. Grand in-8° broché. C est certainement une des plus grandes revues de cinema de la fin du XXeme siecle. La revue Trafic s'est éteinte, après 30 ans d'existence et 120 numéros. Fondée en 1991 par Serge Daney, quelques mois avant sa mort, et Jean-Claude Biette, elle était reconnaissable grâce à sa couverture en papier Kraft et son absence totale d'illustrations. L'omniprésence du texte et la qualité de son comité de rédaction - parmi lesquels Raymond Bellour, Sylvie Pierre, Patrice Rollet ou encore Marcos Uzal qui a rejoint la revue en 2016 - en ont fait une référence en matière de réflexion critique et de pensée sur le cinéma.En plus du comité fixe, la revue est assortie d'un conseil de rédaction, comprenant en 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer et Marcos Uzal. - - - - Large in-8° paperback. It is certainly one of the greatest film reviews of the end of the 20th century. The magazine Trafic has died out, after 30 years of existence and 120 issues. Founded in 1991 by Serge Daney, a few months before his death, and Jean-Claude Biette, it was recognizable thanks to its Kraft paper cover and its total absence of illustrations. The omnipresence of the text and the quality of its editorial board - including Raymond Bellour, Sylvie Pierre, Patrice Rollet and Marcos Uzal who joined the journal in 2016 - have made it a reference in terms of critical reflection and thought on the cinema. In addition to the fixed committee, the review is accompanied by an editorial board, including in 2020 Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer and Marcos Uzal. - - - - - Rústica grande en 8°. Sin duda es una de las mejores críticas cinematográficas de finales del siglo XX. La revista Trafic se ha extinguido, después de 30 años de existencia y 120 números. Fundado en 1991 por Serge Daney, unos meses antes de su muerte, y Jean-Claude Biette, era reconocible gracias a su cubierta de papel Kraft y su ausencia total de ilustraciones. La omnipresencia del texto y la calidad de su consejo editorial -incluidos Raymond Bellour, Sylvie Pierre, Patrice Rollet y Marcos Uzal que se incorporaron a la revista en 2016- la han convertido en un referente en términos de reflexión crítica y pensamiento sobre el cine. al comité fijo, la revista está acompañada por un consejo editorial, que incluye en 2020 a Jacques Bontemps, Leslie Kaplan, Pierre Léon, Jacques Rancière, Jonathan Rosenbaum, Jean Louis Schefer y Marcos Uzal. SOMMAIRE : - Un an à Cannes par Mathieu Macheret - Twixt, la par fiction et la 3D par Corinne Rondeau - Figures écrites. Sur les derniers films de Francis Ford Coppola par Jean-Marie Samocki - Du réel par Raymond Bellour - Doubles voies de Nicolas Rey. Sur autrement, la Molussie par Christa Blümlinger - Histoires d'accrochage par Jacques Aumont - En quête de Brisseau par Pierre Gabaston - Beautés transgressives par Fabrice Revault - Qui est Medveczky ? par Frédéric Majour - L'homme, même pas peur par Kiyoshi Kurosawa - Par-delà bien et mal. Jellyfish - Un avenir radieux de Kiyoshi Kurosawa par Shiguéhiko Hasumi - Politique de la peur. Note sur Cat People de Jacques Tourneur par Olivier Schefer - Déséquilibre - ou l'histoire d'amour par Adrian Martin - Le corps immortel - le cinéma et l'angoisse de la mort par Gertrud Koch - Si Monsieur Teste était allé au cinéma. par Jean Louis Schefer - Vivement le cinéma par Jérôme Prieur - Congo par Philippe Grandrieux.

Hardcover. Condición: New. 1st Edition. New in wraps. Tear in the plastic wrap.

Paperback. Condición: New. Olivier Assayas is best known as a filmmaker, yet cinema makes only a late appearance in this volume. A Post-May Adolescence is an account of a personal formation, an initiation into an individual vision of the world. It is, equally, a record of youthful struggle. Assayas' reflective memoir takes the reader from the massive cultural upheaval of France in May 1968 to the mid-1990s, when the artist made his first autobiographical film about his teenage years, L'Eau froide. The movement of thought and creation known as Situationism is the golden thread that connects and, in part, inspires his memoir. This book also includes two essays by Assayas on the aesthetic and political legacy of Guy Debord, who played a decisive role in shaping the author's understanding of the world and his path towards an extremely personal way of making films. A Post-May Adolescence was first published in French in 2005. Its expanded English edition makes a valuable companion to the first English-language monograph on Assayas' body of work, Olivier Assayas, edited by Kent Jones, also published by the Austrian Film Museum.

Condición: Very Good. First edition in publisher's original cartoon illustrated card wrap covers [soft back]. 8vo. 8½'' x 5½''. Contains 36 printed pages of text with monochrome humorous cartoons throughout. Shallow rubs to the spine and in Very Good condition, no dust wrapper as issued. Member of the P.B.F.A. ISBN 0906780802 ARCHAEOLOGY.

Condición: fine. très bon état. Optez pour nos livres d'occasion en très bon état, et soutenez l'insertion sociale et l'écologie en leur offrant une seconde vie. 391981-2 - Wim Delvoye Introspective, Dannatt, Adrian, Yale University Press, 2012.

Hardcover. Condición: New.