oliver tostmann (83 resultados)

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

hardcover. Condición: Good. Ships in a BOX from Central Missouri! May not include working access code. Will not include dust jacket. Has used sticker(s) and some writing or highlighting. UPS shipping for most packages, (Priority Mail for AK/HI/APO/PO Boxes).

Condición: acceptable. The book is complete and readable, with all pages and cover intact. Dust jacket, shrink wrap, or boxed set case may be missing. Pages may have light notes, highlighting, or minor water exposure, but nothing that affects readability. May be an ex-library copy and could include library markings or stickers.

hardcover. Condición: Very Good. Pretty much like new. No wear to speak of. No marks in text.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Hardcover. Condición: Very Good +. Estado de la sobrecubierta: Very Good +. Hardcover. Light rubbing to cover and light wear to back, top edge of cover but otherwise very sharp copy with clean, unmarked pages with excellent color pictures throughout. Binding is solid. Dust jacket has very light wear along top and bottom edged but otherwise presentable. Now with protective archival cover.

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

Condición: Good. . good. All orders guaranteed and ship within 24 hours. Before placing your order for please contact us for confirmation on the book's binding. Check out our other listings to add to your order for discounted shipping.

Estado de la sobrecubierta: dj. First Edition. First edition and first printing. Hardcover. 208 pages. Features essays and entries by Babette Bohn, Claude-Douglas Dickerson III, Jamie Gabbarelli, Hilliard Goldfarb, Lara Lea Roney, Joaneath Spicer, Eva Straussman-Pflanzer, and Oliver Tostman. Includes numerous illustrations. A clean and tight very near fine copy in cloth boards and in a very near fine dust jacket.

Hardcover. Condición: Very Good. Oversized hardback book (255 pages) illustrated with color photographs/reproductions of the works of Dali, Miro and Picasso and others. With exhibit brochure laid in. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULBDRM#3-R-Front) rareviewbooks.

Hardcover. black boards w/ red printing. 256 pgs w/ color, bw illustrations. blue, multi-color dustjacket w/ black printing. ".In this engrossing volume, essays by experts in the field and more than 130 color images showcase the experimental and international extent of Surrealist art during these years. Three of the book's featured artists, Dalí, Miró, and Pablo Picasso, were from Spain, where tensions between right and left after the formation of the republic in 1931 led, five years later, to full-blown civil war. The victory of General Francisco Franco's Nationalist forces over the Republicans in April 1939 was a blow to anti-Fascist hopes throughout the West. Picasso's 'Guernica', painted in response to the bombing of a Basque village in April 1937, was exhibited in Paris at the Exposition Internationale and made a strong case for the relevance of visual art in political discourse. With the onset of World War II in September 1939, brutal hostilities engulfed the whole continent and then the world. Unlike Picasso, who remained in Paris throughout the war, many artists became refugees, and some fled to safety in the Americas. Despite (or because of) the political and personal turmoil, this was a period of surprising brilliance and fertility: avant-garde artists on both sides of the Atlantic pushed themselves to engage artistically with the psychological forces propelling contemporary history. Tapping into classical mythology, folklore, and witchcraft iconography, artists found ways to communicate their feelings and fears in this 'time of distress,' implementing a wide spectrum of new techniques. In the 1930s and 1940s, monstrosities in the real world bred monsters on canvas, in sculpture, on film, and in the pages of journals and artists' books. 'Monsters & Myths' brings together the most vivid and potent of these creations, showing us war through the eyes of some of the twentieth century's most celebrated artists."--WorldCat. Good+ (spine lean; textblock & pgs firm & intact. light wear to boards & corners. dustjacket has an approx 2inch tear to front spine edge; edge-wear; creasing to front upper edge.).

Paperback. Condición: Brand New. 264 pages. 11.00x9.75x1.00 inches. In Stock.

Condición: New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2021. Hardcover. . . . . .

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Quarto. hardcover. Matte illustrated boards. 264 pages (some folded) : illustrations (chiefly color) ; 29 cm. Published on the occasion of the exhibition Paper, Color, Line: European Master Drawings from the Wadsworth Atheneum, on view at the Wadsworth Atheneum Museum of Art, Hartford, Connecticut, January 16-April 27, 2025./ Includes bibliographical references (pages 246-262) and index. "The Wadsworth Atheneum Museum of Art's rich collection of European drawings, watercolors and pastels is little-known and rarely seen. Since the mid-nineteenth century, the museum has acquired by purchase and gift a diverse group of nearly 1,250 European drawings of impressive quality. Paper, Color, Line: European Master Drawings from the Wadsworth Atheneum showcases some sixty highlights from the collection. Published on the occasion of an exhibition, this long-overdue catalogue is a unique survey of artists working in drawing media over a span of more than five hundred years. The museum's holdings are particularly strong in works from the nineteenth and twentieth centuries. Renowned drawings by Gustave Courbet, Edgar Degas and Henri de Toulouse-Lautrec are included, as well as highlights by Egon Schiele, Paul Klee and Joan Miró. The collection is distinguished by its theatrical designs, particularly those linked with the Ballets Russes, with contributions by Pablo Picasso, Léon Bakst and Natalia Goncharova. Significant works from the Renaissance to the Rococo by artists such as Giorgio Vasari, Carlo Maratti and Jean-Baptiste Greuze emphasize the timeless appeal of drawing and will complement the overview. The catalogue of the exhibition will be the first catalog devoted to European drawings at the Wadsworth Atheneum. It will present fresh research on the objects as well as on the history of collecting European drawings at the museum"--. VG+. Light bumping along front edge of spine, otherwise clean and unmarked.

Hardcover. golden-rod cloth boards w/ brown stamped spine printing. 208 pgs w/ primarily color illustrations. dark pictorial dustjacket w/ light blue & white printing. Remains a nice, sharp and bright copy. "A brand new look at the extraordinary accomplishments of early modern Italian women artists. This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here--ranging from historical subjects to portraits and still lifes--offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media-from paintings to prints-the fascinating stories of early modern Italian women artists are revealed."--Provided by publisher/WorldCat. VG-/VG (matching indentations to upper boards. abrasion to upper textblock w/ light rubs, chips to upper pg edges. dustjacket has deep crease to back, upper edge; scuffs, scratches & rubbing to spine edges).

Condición: As New. Unread book in perfect condition.

Condición: good. May show signs of wear, highlighting, writing, and previous use. This item may be a former library book with typical markings. No guarantee on products that contain supplements Your satisfaction is 100% guaranteed. Twenty-five year bookseller with shipments to over fifty million happy customers.

Hardcover. Condición: New. Yale University Press, 2021. New book still in shrink wrap.

Condición: New.

Condición: New. "Accompanies the exhibition Donatello, Michelangelo, Cellini: Sculptors Drawings From Renaissance Italy curated by Oliver Tostmann and Michael W. Cole at the Isabella Stewart Gardner Museum, Boston, 23 October 2014-23 January 2015"--from title page verso. Editor(s): Cole, Michael. Num Pages: 256 pages, 100 colour illustrations. BIC Classification: 1DST; ACND; AFF. Category: (G) General (US: Trade). Dimension: 280 x 239 x 22. Weight in Grams: 1140. . 2014. Paperback. . . . .

Condición: New. 2021. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured hereranging from historical subjects to portraits and still lifesoffer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse mediafrom paintings to printsthe fascinating stories of early modern Italian women artists are revealed.Distributed for the Detroit Institute of ArtsExhibition Schedule:Wadsworth Atheneum, Hartford, CT (September 30, 2021January 9, 2022)Detroit Institute of Arts (February 6May 29, 2022) A brand new look at the extraordinary accomplishments of early modern Italian women artists Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: new.

Paperback. Condición: New. The self-portrait of Baccio Bandinelli in the Isabella Stewart Gardner Museum, Boston, shows the sculptor pointing not to a work of marble or bronze, but to a drawing. Bandinelli was particularly proud of his skills as a draftsman, and he was prolific in his production of works on paper. This set him apart from contemporaries in his profession; many Renaissance sculptors left us no drawings at all. Accompanying an exhibition at the Gardner Museum, this publication will put Bandinelli's portrait in context by looking at the practice of drawing by sculptors from the Renaissance to the Baroque in Central Italy. A focus of the book will be Bandinelli's own drawings and the development of his practice across his career and his experimentation with different media. Bandinelli's drawings will be compared with those of Michelangelo and Cellini. The broader question considered, however, is when, how and why sculptors drew. Every Renaissance sculptor who set out to make a work in metal or stone would first have made a series of preparatory models in wax, clay and/or stucco. Drawing was not an essential practice for sculptors in the way it was for painters, and indeed, most surviving sculptors' drawings are not preparatory studies for works they subsequently executed in three dimensions. By comparing both rough sketches and more finished drawings with related three-dimensional works by the same artists, the importance of drawing for various individual sculptors will be examined. When sculptors did draw, it often indicated something about the artist's training or about his ambitions. Among the most accomplished draftsmen were artists like Pollaiuolo, Verrocchio and Cellini, who had come to sculpture by way of goldsmithery, a profession that required proficiency in ornamental design. Artists who sought to become architects, meanwhile - the likes of Michelangelo, Giambologna and Ammanati - similarly needed to learn to draw, since architects had to provide plans, elevations and other drawings to assistants and clients and had to imagine the place of individual figures within a larger multi-media ensemble. Certain kinds of projects, moreover - fountains and tombs, for example - required drawings to a degree that others did not. Sections on the Renaissance goldsmith-sculptor and sculptor-architect will allow comparison of the place drawing had in various artists' careers. Beginning with a chapter dedicated to the importance of draftsmanship in the education of sculptors, showing works by Finiguerra, Cellini Bandinelli and Giambologna, the book will be split up into chapters dealing with the various challenges sculptors faced while drawing objects in the round, reliefs, and architectural structures. A central section will focus on Bandinelli, demonstrating the importance drawing held for him while he was preparing sculptures and as an independent token of his artistry.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. A brand new look at the extraordinary accomplishments of early modern Italian women artists This generously illustrated volume surveys a sweeping range of early modern Italian women artists, exploring their practice and paths to success within the male-dominated art world of the period. New attention to archival documents and detailed technical analyses of the beautiful paintings featured here-ranging from historical subjects to portraits and still lifes-offer new insight into the ways these women worked and their accomplishments. Essays and catalogue entries by an international team of distinguished art historians examine the works of Artemisia Gentileschi, Sofonisba Anguissola, Lavinia Fontana, Fede Galizia, Elisabetta Sirani, Giovanna Garzoni, Rosalba Carriera, and other less known Italian women artists. Through these works of art in diverse media-from paintings to prints-the fascinating stories of early modern Italian women artists are revealed.Distributed for the Detroit Institute of ArtsExhibition Schedule:Wadsworth Atheneum, Hartford, CT (September 30, 2021-January 9, 2022)Detroit Institute of Arts (February 6-May 29, 2022).