oliver stegmann (34 resultados)

hardcover. Condición: Very Good.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring.Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither colour nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films.For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus.Text in English and German.

gebundene Ausgabe. Condición: Wie neu. 183 Seiten; + 1CD-ROM Der Erhaltungszustand des hier angebotenen Werks ist trotz seiner Bibliotheksnutzung sehr sauber. Es befindet sich neben dem Rückenschild lediglich ein Bibliotheksstempel im Buch; ordnungsgemäß entwidmet. Sprache: Deutsch Gewicht in Gramm: 510.

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring. Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither colour nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films. For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus. Text in English and German. SELLING POINTS: . Striking black-and-white pictures taken from the sidelines of the circus ring . Challenging common stereotypes about the circus 58 b/w illustrations Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: New. In English.

Condición: New. Freedom, adventure, romance a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music intrepid acrobats in colourful costumes and garishly made-up clowns. Text in English and German.KlappentextrnrnFreih.

Hardcover. Condición: Brand New. bilingual edition. 117 pages. 11.50x8.25x0.75 inches. In Stock.

Buch. Condición: Neu. Neuware - Freiheit, Abenteuer und Romantik; ein staunendes Publikum, strahlende Kinderaugen, Trommelwirbel und schwungvolle Blasmusik; furchtlose Artisten in bunten Kostümen und grell geschminkte Clowns. Die Klischees der Zirkuswelt sind mannigfaltig und eingefahren.In einem Langzeitprojekt hat der Fotograf Oliver Stegmann über 15 Jahre in unterschiedlichen Zirkussen das Schauspiel hinter dem Vorhang fotografiert. Es sind stille Bilder, die mit den üblichen Klischees zu brechen versuchen. Immer wieder hat der Fotograf Momente der Selbstvergessenheit eingefangen. Bilder, wie sie der normale Zuschauer vom Rand der Manege aus niemals zu sehen bekommt.Stegmann interessierte vor allem die Atmosphäre gespannter Erwartung und höchster Konzentration, in der sich die Artisten vor ihren oft halsbrecherischen Auftritten befinden. Durch den Verzicht auf Farbe und Blitz gelangen dem Fotografen rätselhafte, an die Filmkunst des Expressionismus erinnernde Aufnahmen.Für seine Zirkusserie bediente sich Stegmann einer Bildsprache, die auf die enge Zirkuswelt selten so konsequent und souverän angewendet wurde. Damit fügt 'Circus Noir' dem Genre sowohl in der Themensetzung als auch in der gestalterischen und technischen Realisierung eine ganz und gar unromantische, auf den wahren Kern der Zirkusarbeit konzentrierte Facette hinzu.

Buch. Condición: Neu. Circus Noir | Dt/engl | Oliver/Dimitri, David/Amiet, Thomas u a Stegmann | Buch | 112 S. | Deutsch | 2021 | Verlag Kettler | EAN 9783862069057 | Verantwortliche Person für die EU: Verlag Kettler, Hoher Wall 34, 44137 Dortmund, m[dot]koddenberg[at]verlag-kettler[dot]de | Anbieter: preigu.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: new. Hardcover. Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring. Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither colour nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films. For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus. Text in English and German. SELLING POINTS: . Striking black-and-white pictures taken from the sidelines of the circus ring . Challenging common stereotypes about the circus 58 b/w illustrations Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. Text in English and German. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardback. Condición: New. Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colourful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring.Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither colour nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films.For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus.Text in English and German.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: New. In.

Condición: New. pp. 76.

Condición: New. Series: Gabler-Studientexte. Num Pages: black & white illustrations, bibliography. BIC Classification: KC; KJM. Category: (G) General (US: Trade). Dimension: 234 x 156 x 4. Weight in Grams: 118. . 1994. Paperback / so. . . . .

Condición: New. Series: Gabler-Studientexte. Num Pages: black & white illustrations, bibliography. BIC Classification: KC; KJM. Category: (G) General (US: Trade). Dimension: 234 x 156 x 4. Weight in Grams: 118. . 1994. Paperback / so. . . . . Books ship from the US and Ireland.

Rilegato. Condición: come nuovo. prima edizione. Foreword by David Dimitri, Essays by Thomas Amiet and Thomas Wiegand Publisher: Verlag Kettler, 2021 Hardcover, 112 pp., 57 black & white photos in duotone Size: 21,5x29,7 cm Condition: New Language: English, German ISBN: 978-3-86206-905-7 From Publisher website: Freedom, adventure, romance; a spellbound audience, bright-eyed children, rolling drums, a brass band playing lively music; intrepid acrobats in colorful costumes and garishly made-up clowns. The same old stereotypes about the world of the circus are trotted out on many occasions. Over a period spanning more than 15 years, the photographer Oliver Stegmann visited different circuses to take photos of what happens behind the curtains. His muted images attempt to break the usual stereotypes. Again and again, the photographer captured protagonists in moments of unawareness, showing scenes that the audience would normally never get to see from the edge of the ring. Above all, Stegmann is interested in the atmosphere of tense expectation and utmost concentration when the artists are about to perform their hair-raising acts. Using neither color nor flash, he creates an enigmatic atmosphere reminiscent of expressionist films. For his circus series, Stegmann develops a kind of imagery that has rarely been applied to the small world of the circus as consistently and confidently as in this case. In terms of subject-matter, design, and production, Circus Noir takes a different approach to this genre by adding an entirely unromantic perspective that focuses on the true essence of what it means to work in a circus.

Condición: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Eine rechtsvergleichende Untersuchung des Schutzes der persönlichen Ehre durch das Deliktsrecht. Im deutschen Recht gelten für den Schutz der Ehre vor Tatsachenbehauptungen und vor Werturteilen unterschiedliche Maßstäbe. Die Abgrenzung beider Äußerungsarten in der Praxis ist allerdings oft schwierig. Oliver Stegmann untersucht vor diesem Hintergrund rechtsvergleichend das französische und deutsche Recht und sucht nach neuen Lösungsansätzen. - Die Einordnung einer Äußerung als Tatsachenbehauptung oder Werturteil entscheidet im deutschen Ehrenschutzrecht maßgeblich über die Zulässigkeit der Äußerung. Allerdings ist die Abgrenzung beider Äußerungsarten schwierig, die Ergebnisse der Einordnung sind schwer vorhersehbar und zuweilen kaum verständlich. Vor diesem Hintergrund vergleicht Oliver Stegmann das deutsche und französische Recht. Er untersucht insbesondere, ob das französische Recht eine verläßlichere Methode zur Abgrenzung beider Äußerungsarten bereithält als das deutsche. Überdies geht er der Frage nach, ob im französischen Recht andere Methoden existieren, die über die Zulässigkeit von Äußerungen entscheiden und ob es sinnvoll wäre, diese ins deutsche Recht zu übertragen. Anknüpfungspunkt der Untersuchung ist das Deliktsrecht - nicht ohne den für das Verständnis beider Rechtsordnungen unerläßlichen verfassungs- und strafrechtlichen Hintergrund zu berücksichtigen. XXXII,613 Seiten, broschiert (Studien zum ausländischen und internationalen Privatrecht; Band 120/Mohr Siebeck 2004). Statt EUR 129,00. Gewicht: 954 g - Softcover/Taschenbuch.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Inhaltsangabe1. Grundlagen der Produktionswirtschaft.- 2. Produktions- und kostentheoretische Grundlagen.- 3. Produktionsfaktoren.- 4. Charakterisierung und Planung des Produktionsprozesses.- 5. Produktionswirtschaft im Wandel der Marktsituation.- Lösungen der Aufgaben zur Selbstüberprüfung.- Verzeichnis der Abbildungen und Tabellen.- Stichwortverzeichnis.

Taschenbuch. Condición: Neu. Produktionswirtschaft | Oliver Stegmann (u. a.) | Taschenbuch | 66 S. | Deutsch | 1994 | Gabler Verlag | EAN 9783409921312 | Verantwortliche Person für die EU: Springer Gabler in Springer Science + Business Media, Tiergartenstr. 15-17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.

Paperback. Condición: New.

Paperback. Condición: New.