odea william (37 resultados)

Condición: Good. 1961. First Published in GB. 184 pages. Illustrated dust jacket over brown cloth boards with lettering. Contains black and white illustrations. Pages and binding are presentable with no major defects. Minor issues present such as mild cracking, inscriptions, inserts, light foxing, tanning and thumb marking. Overall a good condition item. Boards have mild shelf wear with light rubbing and corner bumping. Some light marking and sunning. Gilt lettering is bright and clear. Unclipped jacket has light edge-wear with minor tears and chipping. Mild rubbing and marking.

Condición: Good. Light wear to boards. Content is clean and bright. DJ with some edge wear and creasing. Old tape marks to front/rear pages. Previous owner text to FFEP.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Series: A Science Museum illustrated booklet. Physical description: [48] pages, 20 color illustrations, 15 cm. Subjects: Aeronautics in art. Aeronautics - Collectibles. 3 Kg.

Hardback in Good condition. No Dust Jacket . 184 Pages. Blue cloth boards, spine sunned and slightly rubbed. Thirty two (32) illustrations. 1st Edition copy.

First Edition. Very good paperback copy; edges slightly dust-dulled and nicked. Remains particularly well-preserved overall; tight, bright, and clean. Series: A Science Museum illustrated booklet. Physical description: [48] pages, 20 color illustrations, 15 cm. Subjects: Aeronautics in art. Aeronautics - Collectibles. 1 Kg.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Red cloth Hardcover, in a very good Dust Jacket. Not ex. library. 184 pages, biblio, index. Contents clean, tight and bright. A nice clean copy. Book.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 184 pages; Description: 184 p. Illus. 23 cm. Subjects: Engineering --Meaning. Engineering --Manual. Notes: Includes index. 3 Kg.

184pp inc 32 illustrations, bibliog. Cloth, 22x15. Edges foxed, else good copy in dust wrapper. Theory behind engineering.

Paperback. Condición: Good. First Edition. Hartford, Connecticut: Wadsworth Atheneum, 1964. Hard to find 1964 museum catalogue from an exhibition of 250 examples of lighting history. Illustrated in black and white. Softcover, 54 pages. Edges heavily rubbed, binding sound, foxing to first and last few pages. Invitation to a reception and private opening of the exhibition laid in loosely at the front. . First Edition. Soft Cover. Good. 4to - over 9¾" - 12" tall.

First Edition. Fine cloth copy in a near fine, very slightly edge-nicked and dust-dulled dw, now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight, bright, clean and sharp-cornered. ; 184 pages; Description: 184 p. Illus. 23 cm. Subjects: Engineering --Meaning. Engineering --Manual. Notes: Includes index. 1 Kg.

Sheet music. Condición: Acceptable. Jerome H. Remick & Co., New York [Published Date: 1906]. Sheet Music (11 x 14"), Piano, vocals, 5 pages. Words by James O'Dea; Music by W. C. Powell (aka William C Polla); Cover art by Andre De Takacs (an early example of his work); Illustrated cover page of lady with flowers in here hair and flowering branches in the background in pink, brown and green. Page 2 has an advertisement with illustrated title page, and excerpts for My Irish Molly O by Wm Jerome and Jean Schwartz. Back cover has advertisement with illustrated title page, and excerpts for When the Mocking Birds are Singing in the Wildwood by Arthur J. Lamb and H. B. Blanke, with list of additional songs published by Jerome H. Remick & Co. First line verse: The Harvest Moon is Shining o'er the valley; First line of chorus: E-laine, - E - laine, - oh call me back a-gain. In acceptable condition with a few 1/2" or less nicks and tears and creasing along edges. Outside folded edge is starting to separate from the bottom but is still attached at the top and middle of the fold. Moderate overall aging and soiling to pages, but otherwise unmarked. NOT Ex-Library.William C. Polla (1876 - 1939) was an American composer, lyricist, arranger and publisher of popular music perhaps better known under his pseudonym, W.C. Powell. He was a prolific composer and wrote numerous popular songs, several ragtime works and some orchestral pieces.

Condición: Good. Most items will be dispatched the same or the next working day. A copy that has been read but remains in clean condition. All of the pages are intact and the cover is intact and the spine may show signs of wear. The book may have minor markings which are not specifically mentioned. Ex library copy with usual stamps & stickers.

1961. (Hardcover) Very good in very good dust jacket. 184pp. Illustrations, bibliography, index. A previous owner's stamp on the front endpaper and the dust jacket is price-clipped. (Applied Science, Engineering).

Condición: New.

Paperback. Condición: Brand New. 1st edition. 230 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: New. In.

Condición: New.

Hardcover. Condición: Brand New. 264 pages. 9.68x6.87x7.09 inches. In Stock.

Condición: New.

HARDBACK RED. Condición: . JACKET: GOOD. General wear, worn DJ edges, worn top and base of DJ spine, good gilt lettering on spine, light foxing in front and rear pages, contains BW illustrations, tape marks in DJ interior DATE PUBLISHED: 1958 EDITION: 251.

Hardcover. Condición: Good. 1st Edition. 8vo. Pp xiii, 254. Plates. Original cloth, reasonable wear. An ex library copy but a good one; the only marks of librarianisation are a single numeral to the spine and an oval stamp to the paste-down endpapers front & back. Uncommon.

Hardcover. Condición: Good. Ex-library book, usual markings. Hardback with dust cover. Significant wear of the dust cover of the book. Clean text, sound binding. Quick dispatch from UK seller.

Hardcover. Condición: new. Hardcover. How was a billiards table lit in 1763, or the stage of the Red Bull playhouse in 1673? The earliest red and green traffic light was in London in 1868; but what was street lighting like in Paris in 1524, or San Jose, California, in 1885? How did the early U.S. settlers light their homes, and how did this compare with the homes of Sumeria 4500 years ago, or with Stone-age lighting 15000 years ago? How were 4000 candles lit in less than a minute at the crowning of an English king, and what did Notre Dame look like with 1600 fat candles burning at the funeral of a French one? How were early lighthouses lit, and how were they built? What light did they use in an operating theatre 2500 years ago, and what were the rules for the surgeon who used it? How did Michael Angelo paint at night, and were paintings of night scenes accurate?The answers to all these questions are to be found in The Social History of Lighting (originally published in 1958), representing the fruits of careful historical research over many years in a virtually unexplored field. We read with horror of conditions in slave ships, warships, and emigrant ships because we no longer realize that to have no light was absolutely normal below decks; just as it was equally normal not to work after dark. The effect of light, or the lack of it, on social history should provide much food for thought. It is fortunate that the subject is also full of surprises and entertainment value for the general reader as well as the historian. The author, to present effectively the numerous contemporary references upon which this study is based, made a series of tests involving lengthy vigils by the lights available in the past. The result is an authoritative work that will be invaluable professionally to historians, curators, and stage and screen producers. How was a billiards table lit in 1763, or the stage of the Red Bull playhouse in 1673? How did the early U.S. settlers light their homes, and how did this compare with the homes of Sumeria 4500 years ago. The answers to all these questions and many more are to be found in The Social History of Lighting (originally published in 1958). This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -How was a billiards table lit in 1763, or the stage of the Red Bull playhouse in 1673 The earliest red and green traffic light was in London in 1868; but what was street lighting like in Paris in 1524, or San Jose, California, in 1885 How did the early U.S. settlers light their homes, and how did this compare with the homes of Sumeria 4500 years ago, or with Stone-age lighting 15000 years ago How were 4000 candles lit in less than a minute at the crowning of an English king, and what did Notre Dame look like with 1600 fat candles burning at the funeral of a French one How were early lighthouses lit, and how were they built What light did they use in an operating theatre 2500 years ago, and what were the rules for the surgeon who used it How did Michael Angelo paint at night, and were paintings of night scenes accurate The answers to all these questions are to be found in The Social History of Lighting (originally published in 1958), representing the fruits of careful historical research over many years in a virtually unexplored field. We read with horror of conditions in slave ships, warships, and emigrant ships because we no longer realize that to have no light was absolutely normal below decks; just as it was equally normal not to work after dark. The effect of light, or the lack of it, on social history should provide much food for thought. It is fortunate that the subject is also full of surprises and entertainment value for the general reader as well as the historian. The author, to present effectively the numerous contemporary references upon which this study is based, made a series of tests involving lengthy vigils by the lights available in the past. The result is an authoritative work that will be invaluable professionally to historians, curators, and stage and screen producers. 304 pp. Englisch.