Ochmanek annie (19 resultados)

Paperback. Condición: Like New. Clean copy. May have remainder mark.

Condición: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Condición: Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good.

Paperback. Condición: Fine. 1st. x, 213 pages, illustrations; 23 cm. Tight, clean copy. First paperback edition. Essays by Robert Smithson, Rosalind E. Krauss, Elizabeth C. Baker, Karl Beveridge, Ian Burn, Brian Wallis, Lynne Cooke, Yve-Alain Bois, Ann Temkin, Mel Bochner, Joshua Shannon, Robert Slifkin, and Michael Meredith. *** "Artists, architects, art historians, critics, and curators explore the work of Donald Judd as both artist and critic in essays spanning all of Judd's career. Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art--in both his works and writings--that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as specific objects. Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic." - Publisher. Size: 8vo. Collectible.…

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Paperback. Condición: Very Good. No Dust Jacket. Clean and solid.; October Files; B&W Illustrations; 8vo; 213 pages.

Condición: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Condición: very_good. This is a well-cared-for used book with light signs of previous use. There may be minor cover wear, a faint crease, or slight spine wear, but overall it's in great shape and fully readable. Please note: -May contain library or rental stickers. -Supplemental materials e.g., CDs, access codes, inserts are not guaranteed. -Box sets may not include original exterior box. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading. …

Soft cover. Condición: Fine. Octavo. [x prelims] 213 pages. Several b&w photographs and illustrations within the text. Number 26 in the 'OCTOBER Files' series. Fine.

Paperback. Condición: As new. First Edition. MICHAEL ASHER is the catalog for this California conceptuual artist 2016 show at MOCA. It begins with his 19665 show of several checker sets and continues through his 2010 design for a billboard. Text by Stella Cilman, Annie Ochmanek, Jay Sanders. Unpaginated, color and bllack and white reproductions. 6 3/4" x 8 3/4". Paper. As new condiition. …

Condición: as new. Cambridge, Massachusetts : The MIT Press, 2021. Paperback. 209 pp. - Donald Judd (1928-1994) is one of the most influential American artists of the postwar era. Beginning in the 1960s, he developed new ideas about art-in both his works and writings-that challenged many of modernism's core tenets by resisting the categories of painting and sculpture. Judd described this work as specific objects. Critics labeled it minimalism. Perhaps because Judd's own critical writings provide a discursive framework for his work, some of the monographic essays on his work are not widely known. This volume collects critical and scholarly writings on Judd, examining his work as both artist and critic. Condition : as new copy. ISBN 9780262539456. Keywords : LITERATURE.…

Paperback. Condición: Brand New. 264 pages. 9.00x6.00x0.75 inches. In Stock.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 24-48 hours from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Oversized Hardcover. Condición: New.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Near Fine+ heavy oversize hardback, very light cosmetic soiling noted to text block edges, in a Fine- unclipped dust jacket, clean and unmarked. Heavy oversize book will require a variable shipping surcharge based on its final destination.…

Couverture rigide. Condición: Très bon.

Gebunden. Condición: New. This exhibition will be the first American retrospective of Donald Judd s work in thirty years. Due to the unprecedented archival access granted by the Judd Foundation to MoMA s curatorial team, this show presents a unique opportunity to assess Judd s caree.

Encuadernación de tapa blanda. Condición: Bien. Estado de la sobrecubierta: Bien. Essays "Passages: Claes Oldenburg, Paul Kaiser, and Robert Whitman on Robert Breer," by Claes Oldenburg, Paul Kaiser, and Robert Whitman; "Books: Malcolm Bull on Jacques Derrida's 'The Beast & The Sovereign,'" by Malcolm Bull; "Film: James Quandt on Steve McQueen's 'Shame,'" by James Quandt; "Film: Amy Taubin on Nuri Bilge Ceylan's 'Once Upon a Time in Anatolia,'" by Amy Taubin; "Film: Tony Pipolo on Jean-Marie Straub," by Tony Pipolo; "Vault: Martin Kemp on Leonardo da Vinci's 'The Virgin of the Rocks,'" by Martin Kemp; "Slant: Nasser Rabbat on the New Islamic Art Galleries at the Metropolitan Museum of Art," by Nasser Rabbat; "Slant: Saskia Sassen and Hans Haacke on the Spaces of Occupation," by Saskia Sassen and Hans Haacke; "Slant: Annie Ochmanek on Christopher D'Arcangelo," by Annie Ochmanek; "Top Ten," by Uri Aran; "Winter 2012 Exhibitions: 45 Shows Worldwide"; "Julia Robinson on 'Claes Oldenburg: The Sixties,'" by Julia Robinson; "Dark Matter: The Art of Liu Wei," by Pauline J. Yao; "Just What Was It.?: The Art of Richard Hamilton,'" by Hal Foster; "Surface Activation: The Amir Building at The Tel Aviv Museum of Art," by Sylvia Lavin; "Close-Up: Movement Research: Michael Ned Holte on Sharon Lockhart's 'Five Dances and Nine Wall Carpets' by Noa Eshkol," by Michael Ned Holte; "Fluid Dynamics: The Art of Adriana Varejão," by Carol Armstrong; "Openings: Christodoulos Panayiotou," by Aram Moshayedi. Reviews by Hal Foster, Sylvia Lavin, Michael Ned Holte, Sharon Lockhart, Carol Armstrong, Aram Moshayedi, Francesco Bonami, Elizabeth Schambelan, Daniel Marcus, Robert Pincus-Witten, Johanna Burton, David Frankel, Donald Kuspit, Suzanne Hudson, Frances Richard, Lauren O'Neill-Butler, Richard Deming, Eva Díaz, Ara H. Merjian, Emily Hall, Barry Schwabsky, Brian Sholis, Colin Lang, Michelle Grabner, John McKinnon, Gwen Allen, Sarah Lehrer-Graiwer, Catherine Taft, Travis Diehl, Anna Lovatt, T.J. Demos, Michael Archer, Steven Cairns, Paul Galvez, Claire Moulène, Jens Asthoff, John Beeson, Jurriaan Benschop, Noemi Smolik, Quinn Latimer, Marco Tagliafierro, Brigitte Huck, Kaelen Wilson-Goldie, Javier Hontoria, Pablo Llorca, Cathryn Drake, Midori Matsui, Angie Baecker, Lee Ambrozy, and María Gainza. Cover: Claes Oldenburg.…