noten dries (21 resultados)

Condición: New.

Hardback. Condición: New. His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen, writes Dries Van Noten in the foreword to this two-volume series of images. Long revered for his personal photography of the world s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature s beauty. As beautifully described by fashion designer Dries Van Noten, The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral. In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece the tight crop of a marble head, or the folds of 15th-century drapery. I am delving into the idea that antiquity can be modern, Halard states in his interview with art curator Bice Curiger, I like to start with a specific object to turn it into another, transitory object. Halard s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks give power and beauty to these compelling images.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen, writes Dries Van Noten in the foreword to this two-volume series of images. Long revered for his personal photography of the world s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature s beauty. As beautifully described by fashion designer Dries Van Noten, The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral. In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece the tight crop of a marble head, or the folds of 15th-century drapery. I am delving into the idea that antiquity can be modern, Halard states in his interview with art curator Bice Curiger, I like to start with a specific object to turn it into another, transitory object. Halard s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks give power and beauty to these compelling images.

Hardback. Condición: New. His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen, writes Dries Van Noten in the foreword to this two-volume series of images. Long revered for his personal photography of the world s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature s beauty. As beautifully described by fashion designer Dries Van Noten, The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral. In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece the tight crop of a marble head, or the folds of 15th-century drapery. I am delving into the idea that antiquity can be modern, Halard states in his interview with art curator Bice Curiger, I like to start with a specific object to turn it into another, transitory object. Halard s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks give power and beauty to these compelling images.

Hardcover. Condición: Brand New. board book edition. 256 pages. 14.00x9.87x14.24 inches. In Stock.

Cloth binding, 20 cm, 7 / 59 pp. Ills.: kleurenillustraties. Cond.: zeer goed / very good.

Hardback. Condición: New. His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen, writes Dries Van Noten in the foreword to this two-volume series of images. Long revered for his personal photography of the world s most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature s beauty. As beautifully described by fashion designer Dries Van Noten, The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral. In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greece the tight crop of a marble head, or the folds of 15th-century drapery. I am delving into the idea that antiquity can be modern, Halard states in his interview with art curator Bice Curiger, I like to start with a specific object to turn it into another, transitory object. Halard s transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworks give power and beauty to these compelling images.

Buch. Condición: Neu. Neuware - The master photographer's compelling images of his two most intimate passions: art and flowers."His photography has an innate capacity to evoke emotion and tell stories that linger in the mind long after the image is seen," writes Dries Van Noten in the foreword to this two-volume series of images.Long revered for his personal photography of the world's most celebrated buildings and interiors, Halard strikes a new path with two new bodies of work. Confined to his house in Arles after a shoulder injury in early 2024, Halard began photographing the objects immediately surrounding him with his Polaroid camera. In turns traditional and abstract, the Flowers series is a captivating exploration of nature's beauty. As beautifully described by fashion designer Dries Van Noten, "The Polaroid captures a fleeting moment, blossoming into a lasting memory, while the real flower, vibrant and alive, ultimately withers away, reminding us that beauty can be both preserved and ephemeral."In the second series, Art, Halard has enlarged a select number of his Polaroids, which he then worked on top with paint, wax, and other materials to give the final results a strong, layered sense of history and memory. Many of the images are made of ancient statuaries or details of Renaissance paintings from Italy and Greecethe tight crop of a marble head, or the folds of 15th-century drapery. "I am delving into the idea that antiquity can be modern," Halard states in his interview with art curator Bice Curiger, "I like to start with a specific object to turn it into another, transitory object." Halard's transformation of the ephemeral into the permanent, in the case of his flowers; and the permanent into the ephemeral, in the case of his Classical-inspired artworksgive power and beauty to these compelling images.

Tapa Dura. Condición: New. La primera colaboración de Dries Van Noten con el artista data de 2016, tras descubrir el trabajo de Gill en Instagram (@buttonfruit). Meses de conversación sobre la posibilidad de trabajar juntos llevaron a la producción de una serie de pinturas sobre la destacada heredera italiana Marchesa Luisa Casati, una de las principales inspiraciones detrás de la colección Otoño/Invierno 2016 de Dries Van Noten. Las trece piezas, basadas en una variedad de fotografías de la ecléctica heredera, viajaron posteriormente con la colección y sirvieron de inspiración para crear las invitaciones para el desfile de moda. Casi 1200 invitaciones cobraron vida, creando recuerdos preciosos y únicos para los invitados. Libro, Book, Buch. Livre.

Hardcover. Condición: Very Good.

Hardcover. Condición: Fine. 1st Edition. Two hardcover fashion books, both Fine, no writing or marks. The women's volume is yellow cloth with yellow edges, the men's volume is navy. Titles blind-stamped on front and at spine. Exhibition was at the Place du Colonel Fabien, Paris, January 2009 for the men's collection, Boulevard de Malesherbes, Paris, March 2009 for the women's collection. 62 pages enumerated on the right side only for the women, even though many pages have images on both sides. 46 pages for the men's, with the same enumeration style. M02957.

Condición: Good. Original white half cloth, illustrated with numerous photographs in colour, 8vo. 56 + 64 total 120 pages.

Softcover. Condición: VG+. First Edition. 4to, 162pp. Printed wraps. Text in English and French. Numerous colour plates. Excellent Dries special, plus all the usual archival amazingness i.e. Kansai Yamamoto, Alaia, Per spook etc!

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. (2014.) (Paris.) 4to. Text in French. Considerable bumping and creasing to spine ends and corners of boards. Light scuffing to rear board. Some small dots of brown soiling to top edge of textblock. Noticeable bumping and creasing to d.j. spine ends and corners of d.j. Signifigant scraping and scuffing to d.j., leading to indentations in several spots. VG/VG.

Hardcover. Condición: Fine. 1st Edition. Gr.4° - 328pp - Color Photo-reproductions. 01-50 Golden anniversary Collection by Dries Van Noten (1958) Belgian fashion designer and an eponymous fashion brand, which he co-founded with CEO and business partner Christine Mathys. First edition, published 7000 copies, text in English language. Original black binding. In Fine condition.

2. S.l. ( Antwerpen ) , Dries van Noten, 2008 , oblong in-8°, 20 x 23 cm, ca. (120) nn pp, bound in supple publisher's yellow coloured cloth. The catalogue contains 55 full page coloured snapshots of female fashion models on the catwalk. The fashion section is preceded by a short introduction on the work of the belgian sculptor Pol Bury . Some of his sculptures are a permanent feature at this year venue for the fashion show ; ''The Cour d'Orléans at the Palais Royal in Paris ''.

4to, hb, wrappers, complete in 2 vols. (1-50, 51-100), 435 and 439 p. Impeccable condition.