Nilson tomas (6 resultados)

Göteborg 2006. 308 pp. Soft cover. Fine condition. (Gothenburg Studies in Modern History).

Chalmers Tekniska Högskola, Göteborg 2006. 209 sidor. Häftad. Gott skick.

Göteborgs universitet. Historiska institutionen, 2004. 319 sidor. Häftad. Gott skick. (Avhandlingar från Historiska institutionen i Göteborg 41).

Paperback. Condición: Very Good. 2019 Palgrave paperback edition. Light reading wear else very good condition. Contents: Chapter 1: Introduction by Brad Beaven, Karl Bell, and Robert James; Chapter 2: Strangers Ashore: Sailor Identity and Social Conflict in Mid-Eighteenth-Century Cape Town by Nigel Worden; Chapter 3: 'Hail, Tyneside Lads in Collier Fleets': Song Culture, Sailing and Sailors in North-East England by Paul Gilchrist; Chapter 4: 'They Are Without Christ and Without Hope': 'Heathenism', Popular Religion, and Supernatural Belief in Portsmouth's Maritime Community, c.1851-1901 by Karl Bell; Chapter 5: Hey Sailor, Looking for Trouble? Violence, Drunkenness and Disorder in a Swedish Port Town: Gothenburg 1920 by Tomas Nilson; Chapter 6: On the Margins of Empire: Antipodean Port Cities and Imperial Culture c. 1880-1939 by John Griffiths; Chapter 7: Encounters on the Waterfront: Negotiating Identities in the Context of Sailortown Culture by Tytti Steel; Chapter 8: Ports and Pilferers: London's Late Georgian Era Docks as Settings for Evolving Material and Criminal Cultures by William M. Taylor; Chapter 9: From Jolly Sailor to Proletarian Jack: The Remaking of Sailortown and the Merchant Seafarer in Victorian London by Brad Beaven; Chapter 10: 'If there's one man that I admire, that man's a British tar': Leisure and Cultural Nation-Building in a Naval Port Town, c. 1850-1928 by Robert James; Chapter 11: The Use of 'Local Colour' and History in Promoting the Identity of Port Cities: The Case of Durban, c.1890s-1950s by Vivian Bickford-Smith; Chapter 12: To Be a Sailor's Wife: Ideals and Images of the Twentieth-Century Seafarer's Wife in the Aland Islands by Hanna Hagmark-Cooper; Chapter 13: Hull, Fishing and the Life and Death of Trawlertown: Living the Spaces of a Trawling Port-City by Jo Byrne; Chapter 14: Doing Urban History in the Coastal Zone by Isaac Land.…

[3] pp.; 73 x 18.3 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Poster for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman and Carolee Schneemann. Good. Folded in eight, as issued, for mailing. Mailed copy with mailing marks and wear. 2.4 cm. dog-ear to bottom right corner of recto with bumping, light bumping of bottom left corner, and 1.2 cm. dog-ear to upper right corner with 7.7 cm. area of bumping. Multiple light fingerprint marks on verso.…

[1] pp.; 58.2 x 27.6 cm.; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Program for the Fourth Annual New York Festival of the Avant Garde held at The Central Park Conservatory Pond, New York, September 9, 1966, from 6am until midnight. Organized by Charlotte Moorman. Performances and contributions by Charlotte Moorman, Yoko Ono, Benjamin Patterson, Larry Loonin, Frederic Rzewski, Pietro Grossi, Leo Nilson, Ralph Lundsten, Don Heckman, Dick Higgins, La Monte Young, Robert Moran, Philip Corner, Toshi Ichiyanagi, Takehisa Kosugi, Hans G. Helms, Jackson Mac Low, Spencer Holst, David Hazleton, Emmett Williams, Mordecai-Mark Mac Low, Richard Huelsenbeck, David Anton, Jerome Rothenberg, Carol Berge, Diter Rot, Ludwig Gosewitz, Lamberto Pignotti, Chieko (Mieko) Shiomi, Bazon Brock, Tomas Schmit, Kurt Schwitters, Allan Kaprow, Alison Knowles, Bob Watts, Christo, Stefan Wolpe, Kenji Kobayashi, Howard Lebow, Cecil Taylor, Jimmy Lyons, Ken McIntyre, Mike Mantler, Henry Grimes, Allan Silva, Tony Williams, Jacob Glick, Shigeko Kubota, Allison Knowles, Jerry Agel, James Tenney, Joseph Beuys, Karlheinz Stockhausen, Karl Erik Welin, George Jeffers, Earle Brown, Giuseppe Chiari, Bill Dixon, Judith Dunn, Wolf Vostell, Robert Breer, Gary Harris, Elaine Summers, Hans Richter, Takahiko Iimura, USCO, George Brecht, John Cage, Charles Frazier, Jim McWilliams, Robert Burridge, Robert Ashley, Al Hansen, Bici Hendricks, Geoffrey Hendricks, Barbara Moore, Peter Moore, Gordon Mumma, Max Neuhaus, Nam June Paik, Lil Picard, Raffaele, Ely Raman, and Carolee Schneemann. Designed by George Maciunas. Good. Folded in sixteen with wear along fold lines and light soiling on verso along fold lines. 1.6 cm. dog-ear to bottom right corner and bumping of bottom left corner and edge. Light bumping of upper left corner of recto and 6 cm. area of light soiling to verso.…