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Añadir al carritoSoftcover, 272 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.
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Publicado por Lionsgate 2010-10-19 00:00:00, 2010
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Añadir al carritodvd. Condición: Used - Good.
Idioma: Inglés
Publicado por Duke University Press, 2024. 9781478030577, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
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Añadir al carrito8vo. Original pictorial card covers (softback) (Fine in publisher's unopened shrinkwrap). Pp. 288 (no inscriptions).
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Duke University Press, US, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
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Añadir al carritoPaperback. Condición: New. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Librería: INDOO, Avenel, NJ, Estados Unidos de America
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Idioma: Inglés
Publicado por Duke University Press, North Carolina, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
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Añadir al carritoPaperback. Condición: new. Paperback. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of RenEe Stout, Radcliffe Bailey, and MarIa Magdalena Campos-Pons, Greene traces the intersection of the visuals sonic possibilities with the Black bodys physical, representational, and metaphorical use in art. She employs her concept of visual aesthetic musicality to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Baileys use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ras Afrofuturism to Stouts life-size cast of her own body that recalls funk musician Betty Davis to Campos-Ponss performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible. Focusing on the art of Renee Stout, Radcliffe Bailey, and Maria Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Publicado por Duke University Press Books, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
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Añadir al carritoPaperback. Condición: Brand New. 288 pages. 9.00x6.00x0.75 inches. In Stock.
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Publicado por Duke University Press Books, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
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Añadir al carritoPaperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Duke University Press Books, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
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Librería: Librairie Thé à la page, Montélimar, Francia
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Añadir al carrito"W.H.V. collection , 2009. 1 volume format DVD bon Format : DVD.
Publicado por W.h.v, 2017
ISBN 13: 3475001016881
Librería: Démons & Merveilles, Joinville, Francia
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Añadir al carritoCondición: Very Good. french édition - zone 2 Europe -en bon état. Envoi rapide et soigné dans enveloppe à bulles depuis France. 18x14x1cm. 2017. DVD. Chaque maison cache un secret les murs ont des oreilles mais la bouche cousue. Il faut poser longtemps la joue contre leur sein comme un docteur fiévreux pour les entendre respirer. A Dun-le-Palestel dans la Creuse la maison de famille du narrateur en a si gros sur le c?ur et tant à dire qu'on va la confesser pièce après pièce l'écouter se raconter souvenirs dérangés vérités arrangées les choses et les gens tels qu'ils furent les échos et les ombres qu'il en reste. Elle finira bien par lâcher cequ'elle sait. Elle sait l'histoire d'un père qui lui avait choisi de se taire. Very Good.
Librería: Books From California, Simi Valley, CA, Estados Unidos de America
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Añadir al carritohardcover. Condición: Fine.
Librería: moluna, Greven, Alemania
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Añadir al carritoCondición: New. Über den AutorNikki A. Greene is Associate Professor of Art History at Wellesley College.
Idioma: Inglés
Publicado por Duke University Press, North Carolina, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 59,17
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Añadir al carritoPaperback. Condición: new. Paperback. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of RenEe Stout, Radcliffe Bailey, and MarIa Magdalena Campos-Pons, Greene traces the intersection of the visuals sonic possibilities with the Black bodys physical, representational, and metaphorical use in art. She employs her concept of visual aesthetic musicality to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Baileys use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ras Afrofuturism to Stouts life-size cast of her own body that recalls funk musician Betty Davis to Campos-Ponss performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible. Focusing on the art of Renee Stout, Radcliffe Bailey, and Maria Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Duke University Press Okt 2024, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 33,42
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - Focusing on the art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Nikki A. Greene examines how Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture.
Idioma: Inglés
Publicado por Duke University Press, US, 2024
ISBN 10: 1478030577 ISBN 13: 9781478030577
Librería: Rarewaves.com UK, London, Reino Unido
EUR 27,30
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Añadir al carritoPaperback. Condición: New. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Librería: Brook Bookstore On Demand, Napoli, NA, Italia
EUR 109,79
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Idioma: Inglés
Publicado por Duke University Press, US, 2024
ISBN 10: 1478026340 ISBN 13: 9781478026341
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 123,61
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Añadir al carritoHardback. Condición: New. In Grime, Glitter, and Glass, Nikki A. Greene examines how contemporary Black visual artists use sonic elements to refigure the formal and philosophical developments of Black art and culture. Focusing on the multimedia art of Renée Stout, Radcliffe Bailey, and María Magdalena Campos-Pons, Greene traces the intersection of the visual's sonic possibilities with the Black body's physical, representational, and metaphorical use in art. She employs her concept of "visual aesthetic musicality" to interpret Black visual art by examining the musical genres of jazz and rap, along with the often-overlooked innovations of funk and rumba, within art historiography. From Bailey's use of multilayered surfaces of glitter, mud, and recycled materials to meditate on Sun Ra's Afrofuturism to Stout's life-size cast of her own body that recalls funk musician Betty Davis to Campos-Pons's performative and sculptural references to sugar that resonate with the legacy of Celia Cruz, Greene outlines how these artists use mediums such as molded glass sculptures, viscous wet plaster, and dazzling mannequin heads to enhance the manifestations of Black identity. By foregrounding the sonic elements of their work, Greene demonstrates that these artists use sound to make themselves legible, recognizable, and audible.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 116,66
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Librería: THE SAINT BOOKSTORE, Southport, Reino Unido
EUR 112,26
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Añadir al carritoHardback. Condición: New. New copy - Usually dispatched within 4 working days.
Idioma: Inglés
Publicado por Duke University Press Books, 2024
ISBN 10: 1478026340 ISBN 13: 9781478026341
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
EUR 119,40
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Añadir al carritoCondición: New. 2024. hardcover. . . . . .
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 132,82
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Idioma: Inglés
Publicado por MD Duke University Press, 2024
ISBN 10: 1478026340 ISBN 13: 9781478026341
Librería: Revaluation Books, Exeter, Reino Unido
EUR 125,65
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Añadir al carritoHardcover. Condición: Brand New. 271 pages. 9.25x6.25x1.00 inches. In Stock.