nemeth james j (7 resultados)

Soft cover. Condición: Near Fine. 1st Edition. Solid and tight binding. Edited by Ben Bova. Cover by Gaughan for "Earth, Air, Fire and Water" (pt. 1 of 3) by Stephen Nemeth & William Walling. Includes "A Mind of His Own" (novelette) by Joe Haldeman; "Wet Blanket" (novelette) by P. J. Plauger; "A Bonus for Dr. Hardwick" (novelette) by Brian C. Coad; "Violence on TV" by Glenn L. Gillette; "The Amphibious Cavalry Gap" by 'J. J. Trembly, as Told to James E. Thompson'. Science Fact: "The Artist and the Computer" by David L. Heiserman. Reader's Departments: "The Editor's Page: Crazy Ideas"; "The Analytical Laboratory"; "In Times to Come"; "The reference Library" by P. Schuyler Miller; "Brass Tacks". Illustrated by Jack Gaughan, Leo Summers, Mike Hinge, Rick Sternbach, and Schoenherr.

Soft cover. Condición: Near Fine. 1st Edition. Solid and tight binding. Edited by Ben Bova. Cover by Gaughan for "Earth, Air, Fire and Water" (pt. 1 of 3) by Stephen Nemeth & William Walling. Includes "A Mind of His Own" (novelette) by Joe Haldeman; "Wet Blanket" (novelette) by P. J. Plauger; "A Bonus for Dr. Hardwick" (novelette) by Brian C. Coad; "Violence on TV" by Glenn L. Gillette; "The Amphibious Cavalry Gap" by 'J. J. Trembly, as Told to James E. Thompson'. Science Fact: "The Artist and the Computer" by David L. Heiserman. Reader's Departments: "The Editor's Page: Crazy Ideas"; "The Analytical Laboratory"; "In Times to Come"; "The reference Library" by P. Schuyler Miller; "Brass Tacks". Illustrated by Jack Gaughan, Leo Summers, Mike Hinge, Rick Sternbach, and Schoenherr.

SingleIssueMagazine. Condición: Very Good. Vol. XCII, No. 6. Edited by Ben Bova. Cover art by Gaughan for "Earth, Air, Fire and Water" (pt. 1 of 3) by Stephen Nemeth & William Walling. Includes "A Mind of His Own" (novelette) by Joe Haldeman; "Wet Blanket" (novelette) by P. J. Plauger; "A Bonus for Dr. Hardwick" (novelette) by Brian C. Coad; "Violence on TV" by Glenn L. Gillette; "The Amphibious Cavalry Gap" by 'J. J. Trembly, as Told to James E. Thompson'. Science Fact: "The Artist and the Computer" by David L. Heiserman. Reader's Departments: "The Editor's Page: Crazy Ideas"; "The Analytical Laboratory"; "In Times to Come"; "The reference Library" by P. Schuyler Miller; "Brass Tacks". Illustrated by Jack Gaughan, Leo Summers, Mike Hinge, Rick Sternbach, and Schoenherr. Tanning; tiny corner chip. Book.

SingleIssueMagazine. Condición: Very Good. Vol. XCII, No. 6. Edited by Ben Bova. Cover art by Gaughan for "Earth, Air, Fire and Water" (pt. 1 of 3) by Stephen Nemeth & William Walling. Includes "A Mind of His Own" (novelette) by Joe Haldeman; "Wet Blanket" (novelette) by P. J. Plauger; "A Bonus for Dr. Hardwick" (novelette) by Brian C. Coad; "Violence on TV" by Glenn L. Gillette; "The Amphibious Cavalry Gap" by 'J. J. Trembly, as Told to James E. Thompson'. Science Fact: "The Artist and the Computer" by David L. Heiserman. Reader's Departments: "The Editor's Page: Crazy Ideas"; "The Analytical Laboratory"; "In Times to Come"; "The reference Library" by P. Schuyler Miller; "Brass Tacks". Illustrated by Jack Gaughan, Leo Summers, Mike Hinge, Rick Sternbach, and Schoenherr. Rubbing; tanning; minor creasing,. Book.

Paperback. Condición: Good. GOOD - Clean and solid. Has some highlighting or writing. 100% Money Back Guarantee on all Items. We believe in providing accurate grading on used books and excellent customer service.

Hardcover. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 1st Edition. Ix, 370 Pp. Hardcover, First Printing Indicated. Near Fine In Near Fine Jacket, Not Price-Clipped, Wear Along Top Of Rear Panel Of Dj. Inscribed By Aleta Wallach. Inscribed by Author(s).

Shooting final for the 1966 film. Copy belonging to actor Peter Haskell, with his manuscript annotations throughout and his shooting schedule laid in. Mary Ellen Bute's final film, and the first cinematic adaptation of James Joyce's masterfully complex work of fiction. Shot over a two year period, Bute was tasked with transforming Joyce's impenetrable prose without losing any of the work's surreal, lyrical essence. The subsequent film maintains the original novel's oneiric style. Bute and her husband, Ted Nemeth, were longtime collaborators, and Nemeth worked as both cinematographer and producer of the film. In 1965, it was honored at the Cannes Film Festival as Best Debut and remains Bute's sole feature length film. Shot on location in New York City and Dublin. Brown untitled wrappers. Title page present, dated March 4, 1963 and December 3, 1962, noted as Shooting Final, with credits for screenwriters Mary Ellen Bute, Romana Javitz, and T. J. Nemeth Jr and editor A.I.M.S. Street. 148 leaves, with last page of text numbered 139. Mimeograph duplication, with onionskin revision pages throughout. Pages Very Good plus, wrapper Very Good plus. Some pages detaching and wrapper slightly cracked. Bound internally with prong binding.