nash suzanne (40 resultados)

Paperback. Condición: New. Edited and co-ordinated by Sarah Lowndes, Like The Sea I Think is an enthralling collection of new marine writing from East Anglia gathered from library workshops and open submissions held across the region. It is wonderfully designed, as always, by Emily Benton, and available as a memento and inspiration for all those living by, inspired by, or curious about, the sea. It is our provider, our enemy, our defender, our gateway to the world; it defines our borders, informs our imaginations, it inspires our artists. The anthology features an incredible range of writing styles, subject matter, and authors; the youngest featured is 11, the eldest 87. The perfect companion on a Norfolk coastal walk punctuated by warm coffee shops and local pubs.The volume includes 55 contributions from Viv Allen . Roy Ballard . Molly Bernardin . Neil Bousfield . Erin Bradshaw . Bev Broadhead . Tess Carruthers . David Cochrane . Louise Cole . Ruthie Collins . Mireia Molina Costa . Jade Cuttle . Janet Ellis . Cathy Erlam . Rose Evison . Jessica D'Alton Goode . Rachel Goodman . Mirabel Greaves . Chloe Hambly . Cate McKay Haynes . Sarah Hudis . Barrie de Lara . Jeni Lawes . Imogen Lea . Patricia Jane Lee . Stephanie Lillie . Angie Maddigan . George Mahood . Pip Mattich . Hillary Mellon . Jane Mills . Lloyd Mills . Jess Morgan . Lindsay Nash . Molly Naylor . Eoghan O'Maolain . Anna Opara . Sebastian Owen . Maria Pavledis . Clare Peed . Jon Platten . Simeon Ralph . Thogdin Ripley . Holly Sandiford . Gaia Shaw . Graham Sillett . James Smart . Robert F.W. Smith . Katie Stockton . Ryan Thacker . Rebecca Tough . Sarah Walker . Elizabeth Lewis Williams . Rachel Wood . Suzanne Woolnough.

Paperback. Condición: New.

Soft cover. Condición: Very Good-. A little reading wear to covers. Otherwise a square, tight, unmarked book. Index. x, 345 pp.

Hardcover. Condición: Very Good. Very good copy in pictorial hardcover. Some fading to spine.

Paperback. Condición: new. New Copy. Customer Service Guaranteed.

hardcover. Condición: Good. Ex-library hardcover book, with dust jacket. Book has some light reader wear. Library stamps and stickers are present.

Soft Cover. Condición: Fine. First Edition; First Printing. Numerous illustrations. With texts by Christopher Marshall, Suzanne Nash, Harald E.L. Prins and Bunny McBride. Published on the occasion of the exhibition at Colby College Museum of Art, October 1 - November 22, 1989, and at the University of Maine, Presque Isle, January 14 - February 16, 1990. ; Tight, clean and crisp. No inscriptions. No remainder mark. Not ex-library. In excellent condition. ; 8vo 8" - 9" tall; 60 pages.

Softcover. Condición: Near Fine. First edition. Green wrappers. 123pp. Bottom corner on front wrapper lightly creased, near fine. Poetry and stories by Tim Nash, P.B. Newman, Hilary Masters, James Applewhite, Margaret Edwards, Tom Huey, Marianne Gingher, Carol Cox, Alexander Albright, John Whalen, Tim Tarkington, Louis Skipper, Mary Steinmetz LeDonne, Sally Carstarphen, Don Zigler, Ellen Levine, Robert Ruh, David Middleton, Suzanne B. Jordan, Joseph Maiolo, Scott Bates, W.S. Doxey, Alan Britt, and Jim Clark.

Softcover. A gray matte softcover book with French flaps. The title is printed in purple across the front cover and down the spine. The front cover features black-and-white illustrations. Pages: (13), 14-239, (1). Profusely illustrated with full-color and black-and-white images. An extraordinary figure, the first 20th century business woman, a self-made and emancipated woman, a visionary. There are no shortage of superlatives to describe the incredible rise to fame of Helena Rubinstein (1870-1965), dubbed the Empress of beauty by Cocteau, but her role as an experienced collector and a pioneer in the recognition of African and Oceanic arts in Europe and North America is often overlooked. Primarily amassed in Paris through her various encounters, "Madame's collection", now dispersed, comprised over 400 pieces of non-European art including precious Kota and Fang reliquary guardians, exceptional Baoulé, Bamana, Senoufo and Doghon pieces stood alongside works by contemporary painters and sculptors such as Chagall, Braque and Picasso, as well as the array of other spheres covered by the collection. "Businesswoman and founder of a vast cosmetics empire, Helena Rubinstein (1872-1965) spent much of her life assembling an eclectic art collection that made her one of the most important collectors and patrons of the first half of the 20th century. Including wonderful examples of African art, the dazzling ensemble also featured Amerindian, Pacific, and Indonesian artifacts. Following her death, the collections "Madame" had so dramatically displayed in her many homes were disposed of at several historic auctions. Testifying to the key place these objects occupied in Helena Rubinstein's existence and retracing their long journey, this book at last tells the true story of a major collection. Contents are as follows: Recollections of the Helena Rubinstein sale of African and Oceanic art / David Nash -- Madame's collection : Africa at its heart / Hélène Joubert -- Frederic-Henri Lem's mid-twentieth century case for African art and its study / Susan Elizabeth Gagliardi -- Equatorial African treasures from the Rubinstein collection / Charlotte Grand-Dufay -- Masks, mirrors, and mise en scène. The collection and the image / Yaëlle Biro -- Madame and me / Suzanne Slesin -- Helena Rubinstein: the power of an art collection / Julie Verlaine -- To collect "Au Féminin" / Susan Kloman -- A conversation with Estrellita B. Brodsky / Catherine Grenier. VG+: A book in excellent condition, with bright pages and solid binding.

Paperback. Condición: Brand New. 366 pages. 9.00x6.00x0.75 inches. In Stock.

Condición: Very Good.

Paperback. Condición: Brand New. reprint edition. 246 pages. 9.21x6.14x0.55 inches. In Stock.

Paperback. Condición: New. Edited and co-ordinated by Sarah Lowndes, Like The Sea I Think is an enthralling collection of new marine writing from East Anglia gathered from library workshops and open submissions held across the region. It is wonderfully designed, as always, by Emily Benton, and available as a memento and inspiration for all those living by, inspired by, or curious about, the sea. It is our provider, our enemy, our defender, our gateway to the world; it defines our borders, informs our imaginations, it inspires our artists. The anthology features an incredible range of writing styles, subject matter, and authors; the youngest featured is 11, the eldest 87. The perfect companion on a Norfolk coastal walk punctuated by warm coffee shops and local pubs.The volume includes 55 contributions from Viv Allen . Roy Ballard . Molly Bernardin . Neil Bousfield . Erin Bradshaw . Bev Broadhead . Tess Carruthers . David Cochrane . Louise Cole . Ruthie Collins . Mireia Molina Costa . Jade Cuttle . Janet Ellis . Cathy Erlam . Rose Evison . Jessica D'Alton Goode . Rachel Goodman . Mirabel Greaves . Chloe Hambly . Cate McKay Haynes . Sarah Hudis . Barrie de Lara . Jeni Lawes . Imogen Lea . Patricia Jane Lee . Stephanie Lillie . Angie Maddigan . George Mahood . Pip Mattich . Hillary Mellon . Jane Mills . Lloyd Mills . Jess Morgan . Lindsay Nash . Molly Naylor . Eoghan O'Maolain . Anna Opara . Sebastian Owen . Maria Pavledis . Clare Peed . Jon Platten . Simeon Ralph . Thogdin Ripley . Holly Sandiford . Gaia Shaw . Graham Sillett . James Smart . Robert F.W. Smith . Katie Stockton . Ryan Thacker . Rebecca Tough . Sarah Walker . Elizabeth Lewis Williams . Rachel Wood . Suzanne Woolnough.

Paperback. Condición: New.

Condición: New. Satisfaction Guaranteed or your money back.

Condición: New.

Hardcover. Condición: Brand New. 244 pages. 9.25x6.12x0.56 inches. In Stock.

Condición: New.

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 340 pages. 9.00x6.00x0.81 inches. In Stock.

Paperback. Condición: New. Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process. The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works. The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Leopoldine as sacrificial muse and figure for poetic language, is traced through the six books.The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &Uumlber den AutorSuzanne NashKlappentextrnrnVictor Hugo s work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he in.

Paperback. Condición: New. Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process. The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works. The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Leopoldine as sacrificial muse and figure for poetic language, is traced through the six books.The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Paperback. Condición: New. Questioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process.The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works. The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Léopoldine as sacrificial muse and figure for poetic language, is traced through the six books. The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory.Originally published in 1977.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Paperback. Condición: new. Paperback. Questioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. Questioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry. Originally published in 1983. The Princeton Legacy Librar This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Paperback. Condición: New. Questioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry. Originally published in 1983. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Hardback. Condición: New. Victor Hugo's work presents the reader with a paradox nowhere more apparent than in the collection of more than 150 lyric poems entitled Les Contemplations. Although he insisted upon structural unity, his complex artistic creations often seem disordered and digressive. Suzanne Nash examines this contradiction, and she proposes here a new approach to Les Contemplations that reveals how it may be read as a unified allegory of Hugo's understanding of the creative process. The author's reading heightens the subtleties of individual poems by placing them within the context of the collection. She clarifies the poet's use of rhetorical devices and. illuminating Les Contemplations as a metapoetic creation, shows how it can serve as a guide to Hugo's other works. The first two chapters present evidence of Hugo's narrative intention, place his work within an allegorical tradition, and describe the structure of the allegory. One poem, Pasteurs et troupeaux, is analyzed as a paradigm for the whole, and a single theme, that of Leopoldine as sacrificial muse and figure for poetic language, is traced through the six books.The author demonstrates Hugo's narrative purpose in his use of rhetorical forms and examines (according to predominance of themes, images, and technical devices) the six chapters as steps in the religio-poetic allegory. Originally published in 1977. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Questioning the view that the work is not representative of the poet's mature accomplishment, Suzanne Nash argues that the revisionary process involved in its creation led Valery to reflect on problems fundamental to poetic production and thus provided inspiration for all his later poetry.Originally published in 1983.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.