Nasar hammad (67 resultados)

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Standard-sized.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD PAPERBACK Standard-sized.

Paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: New.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Beige boards with color illustration and brown lettering; 112 pp. with numerous color illustrations. The project brings together a series of experimental paintings with individual works by each artist into a collaborative process. The twelve works were first exhibited in Rochdale, UK in 2003-2004. The artists all studied miniature painting at the Lahore National College of the Arts, and are: M. Imran Qureshi, Saira Wasim, Hasnat Mehmood, Nusra Latif Qureshi, Aisha Khalid, and Talha Rathore. Uncommon. VG- (with a few marks on back cover, corners may be bumped.).…

Condición: New.

Condición: As New. Unread book in perfect condition.

Softcover, 80 pages; very good condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy. 33 Artists (ilustrador).

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority. 33 Artists (ilustrador).

Paperback. Condición: New. Making New Worlds: Li Yuan-chia and Friends is the first book to document the extraordinary activity at the LYC Museum and Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts - by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer and Harriet Aspin, Nicola Simpson and Diana Yeh - that trace the diverse threads and ramifications of Li's practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.…

Condición: New.

Paperback. Condición: New. Making New Worlds: Li Yuan-chia and Friends is the first book to document the extraordinary activity at the LYC Museum and Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts - by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer and Harriet Aspin, Nicola Simpson and Diana Yeh - that trace the diverse threads and ramifications of Li's practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century.…

Paperback. Condición: new. Paperback. Making New Worlds: Li Yuan-chia & Friends is the first book to document the extraordinary activity at the LYC Museum & Art Gallery in Banks, Cumbria between 1972 and 1983. The LYC was the singleminded effort of the artist Li Yuan-chia, who moved to the rural North of England by way of London, Bologna, Taipei and Guangxi, China. At the LYC, Li organised exhibitions, published books, exhibited archealogical artefacts, arranged workshops and welcomed an array of visitors from local and international artists and art workers to nearby residents and travellers, many of whom became friends. In this book, which accompanies an exhibition of the same name at Kettle's Yard, the curators Hammad Nasar, Amy Tobin and Sarah Victoria Turner, establish Li's work at the LYC as a form of worldmaking, connecting his cosmic conceptual art practice, to his interest in participation and friendship as well as his engagement with nature and the landscape. Nasar, Tobin and Turner's account is accompanied by nine short texts by Elizabeth Fisher, Ysanne Holt, Annie Jael Kwan, Lesley Ma, Gustavo Grandal Montero, Luke Roberts, Nick Sawyer & Harriet Aspin, Nicola Simpson and Diana Yeh that trace the diverse threads and ramifications of Li's practice historically and in the present. Richly illustrated, Making New Worlds offers a provocative new way of thinking the history of British art in the 20th century. AUTHORS: Hammad Nasar is a curator, writer, researcher and strategic advisor. He is presently Senior Research Fellow, Paul Mellon Centre (London). Earlier he was Lead Curator, Herbert Art Gallery & Museum (Coventry); Executive Director of the Stuart Hall Foundation, London; Head of Research & Programmes at Asia Art Archive, Hong Kong; Principal Research Fellow, UAL Decolonising Arts Institute, and co-founded Green Cardamom, London. His most recent exhibitions include British Art Show 9, Turner Prize (2021), Speech Acts: Reflection-Imagination-Repetition (2018-19) and Rock, Paper, Scissors: Positions in Play the UAE's pavilion at the 57th Venice Biennale (2017). He was awarded an MBE for services to the arts in 2023. Sarah Victoria Turner is an art historian, curator and writer. She is Acting Director at the Paul Mellon Centre for Studies in British Art in London, which is part of Yale University, and has taught art history at the University of York and the Courtauld Institute of Art in London. Sarah is a Fellow of the Royal Society of Arts. She is the founding co-editor of British Art Studies, an award-winning digital arts publication. Amy Tobin is associate professor in the Department of History of Art, University of Cambridge and curator, contemporary programmes at Kettle's Yard. Her research addresses histories of collaboration and collectivity in modern and contemporary art. She has published widely, her book on the women's art movement is published by Yale University Press. SELLING POINTS: . The first book to focus on the LYC Museum & Art Gallery, rather than Li Yuan-chia's practice as a whole . A fresh account of 20th century British art centering diverse artists and cultural figures including Li, as well as Audrey Barker, Thetis Blacker, Lygia Clark, Delia Derbyshire, Andy Goldsworthy, Madelon Hookyaas and Elsa Stansfield, dom sylvester houedard, Claire Langdown, Liliane Lijn, David Medalla, David Nash, Winifred Nicholson, Mira Schendel, Takis and Shelagh Wakely . A standalone history of the LYC that accompanies an exhibition of the same name at Kettle's Yard, Cambridge (11 November 202318 February 2024) . This book traces the impact of Li's practice at the LYC, and beyond, on the contemporary moment and in relation to contemporary artistic and curatorial work . Richy illustrated with reproductions of works in the exhibition and beyond, as well as rarely seen archival material . A new approach to an artist who is quickly Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: As New. Softcover, 240 pages; as new condition, clean and crisp; no internal marks. Foreign shipping may be extra. 33 Artists (ilustrador).

Paperback. Condición: Acceptable. Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. PAPERBACK Standard-sized.

Softcover. Condición: VERY GOOD. Herbert F. Johnson Museum of Art (Green Cardamom), 2012. Lines of Control: Partition as a Productive Space. Unmarked. Clean, unmarked graphics and text. Softcover, clean & bright, light edge, corner, shelf wear. No rips, chips, stains or tears. Binding solid, tight. Ships from USA, quickly & with care. _____________________________________________________________________________________________________________________________ SYNOPSIS & HISTORY: Lines of Control: Partition as a Productive Space by Iftikhar Dadi and Hammad Nasar. Catalogue of an exhibition at the Herbert F. Johnson Museum of Art, Cornell University, curated by Hammad Nasar, Iftikhar Dadi, Ellen Avril, and Nada Raza, with 12 essays, profiles and full color photographs of works by 33 artists. 33 artists (ilustrador). …

Hardcover without dustjacket as issued, 112 pages; in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: As New. Unread book in perfect condition.

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Condición: New. 2024. paperback. . . . . .

Paperback. Condición: Good. No marks. Light cover wear. Excellent text. 33 Artists (ilustrador).

paperback. Condición: New.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.