museum blaffer art (6 resultados)

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Small 4to; stiff pictorial wraps with decorative inside covers; softcover; 96 pages; color and black and white illustrations; with support of the Cooper-Hewitt Museum, The Smithsonian Institution's National Museum of Design in New York, under the High Patronage of Mme. Minister Hertha Firnberg, the Austrian Federal Ministry for Science and Research, Vienna; lightly sunned covers else a very good clean tight copy.

hardcover. Condición: Very Good. With very good dust jacket. Very Good hardcover with light shelfwear - NICE! Oversized.

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Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardcover. 4to. Blaffer Art Museum, University of Texas Press, Austin, TX. 2012. 165 pgs. Illustrated with Color Plates. First Edition/First Printing. DJ has light shelf-wear present. Bound in paper-covered boards. Boards have light shelf-wear present to the extremities. No ownership marks present. Text is clean and free of marks. Binding tight and solid. Andy Coolquitt makes objects and environments that exist in symbiosis with human relationships. During the 1990s, his life and work revolved around an expansive studio/artist commune/performance space/living sculpture/party place on the east side of Austin, Texas, where he continues to live, work, and host events. Intrigued by social contracts, Coolquitt creates artwork that facilitates conversation and interaction, augmenting the energy and frictions generated by individuals forming a community. He chooses materials that show the wear and tear of practical use, and, over the years, he has refined an artistic practice based on the collection, study, and reuse of things scavenged from the streets around him. Since his 2008 solo exhibition iight in New York City, Coolquitt's work has gained a wide national and international audience. Andy Coolquitt is the first comprehensive monograph on the artist's work. Published in conjunction with a solo museum exhibition at Blaffer Art Museum, this volume displays the full range of Coolquitt's work over the past twenty-five years, including images of site-specific installations that no longer exist. Accompanying the color plates are an introduction and chronology of the artist's work by exhibition curator Rachel Hooper, an essay tracing Coolquitt's connections to other contemporary artists and designers by Frieze magazine senior editor Dan Fox, an in-depth exploration of Coolquitt's concepts and process by art writer Jan Tumlir, an interview with Coolquitt by director and chief curator of White Columns Matthew Higgs, and Coolquitt's biography and bibliography. EB; 12.10 X 10.30 X 0.90 inches; 185 pages.

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