muriel schwartz (10 resultados)

Condición: good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present.

Softcover. Condición: Bon. Petite(s) trace(s) de pliure sur la couverture. Pages cornées. Couverture différente. Edition 2018. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Slightly creased cover. Dog-eared pages. Different cover. Edition 2018. Ammareal gives back up to 15% of this item's net price to charity organizations.

Condición: good. Envoi rapide et soigné.

Condición: very good. Photo non contractuelle. Envoi rapide et soigné.

Soft cover. Condición: Very Good. 1st edition. Near VG. 8vo, 64pp, printed wrappers. Uncommon original copy of this 1939 issue. Issue leads with Come, Little Birds by Robinson Jeffers and includes a Delmore Schwartz piece on Jeffers. Unmarked copy with library label and stamp to front cover, crease to back cover. Not Signed.

Soft cover. Condición: Very Good. 1st edition. VG. 8vo, 216pp, printed wrappers. Issue includes Raymond Chandler's story English Summer, illustrated by Edward Gorey, as well as letters by Delmore Schwartz (and to Schwartz from Auden), other prime content. Subscription card laid in. Tight and unmarked copy, sunning at spine. Not Signed.

Hardcover. Condición: Fine. 1st Edition. Chicago: Miscellaneous Graphics, 2012. 24mo, 16 p., original patterned boards. First and only edition of this keepsake book commemorating the founding of the Herbert Hoover Presidential Library in West Branch Iowa, with Herbert Hoover 5 cent stamp affixed to verso of title page. One of only 100 copies printed, this copy being No. 60, typeset in minion Pro on Mohawk Superfine, and designed and bound by Muriel Underwood and signed by her on the colophon. The book is also signed by Thomas Schwartz, Director of the Herbert Hoover Library on the fpep. Light fraying to top of spine, small scuff mark to rear board, else VG+. Scarce. Signed by Author.

Paperback. pp. 359-480, essays, reviews, poetry, fiction, art, very good paperback literary arts journal in wraps. Isherwood reviews "The Grapes of Wrath". Warren reports of poetry in the US. Surrealism as a Public Art with illustrations.

Condición: Used: Very Good. Occasion - Très Bon Etat - Objectif bac - toutes les matières Seconde (2017) - Grand Format.

First edition, signed limited issue of the second in a series of wartime poetry anthologies selected by Oscar Williams, this being the first to be issued as a signed limited edition. Octavo, original three quarter buckram over marbled boards, top edge gilt. One of 26 lettered copies available for sale and signed by 31 of the 32 contributors (W. R. Rogers is absent as is the case with all copies), this is copy V (of 58 as 32 copies were reserved for the contributors). Signed by Conrad Aiken, Kenneth Allott, W. H. Auden, George Barker, John Peale Bishop, R. P. Blackmur, Hugh Chisholm, Gene Derwood, Richard Eberhart, William Empson, Jean Garrigue, Horace Gregory, Alfred Hayes, Ruth Herschberger, Randall Jarrell, Robinson Jeffers, C. Day Lewis, Archibald Macleish, Louis Macneice, Marianne Moore, Howard Nemerov, Frederic Prokosch, Muriel Rukeyser, Delmore Schwartz, Winfield Townley Scott, Karl Shapiro, Theodore Spencer, Stephen Spender, Wallace Stevens, Dylan Thomas, Robert Penn Warren, and Oscar Williams. In near fine condition with a remnant of the original glassine. Housed in the original publisher's slipcase which is in very good condition. Rare and desirable in the original binding. "Poetry is an unacknowledged war industry. It is a known but unmitigated error of many intelligent people to look down on poetry as if it were a feather in the hat on a stormy day, curlicues on the fringe of nothing, play for an idle moment between major issues. Hence the infinite indifference to poetry in a society badly in need of it, but offering to it, as to Christianity, a meaningless lip service. Poetry is a necessity wearing the trapping of a luxury. It is a way to live, and a way to evaluate that way. It is a way of seeing, and therefore of believing" (Oscar Williams, Introduction).