mullin michael ed (7 resultados)

Paperback. Condición: Fair. [Interesting provenance: From the private library of renowned historian, Philip D. Morgan.] Softcover. Poor binding. Tears to spine. Text block weakened. Some pages loose. Sold with all faults. Contemporary signature of Morgan on front end page. From the professional library of Dr. Philip D. Morgan, a professor of History at Johns Hopkins University. Morgan specializes in the African-American experience, the history of slavery, the early Caribbean, and the study of the early Atlantic world. Morgan is the author of more than 14 books on Colonial America and African American history. He has won both the Bancroft Prize and the Frederick Douglass Prize for his book Slave Counterpoint: Black Culture in the Eighteenth-Century Chesapeake and Lowcountry (1998).

1st.ed. Dust jacket spine faded. Used - Very Good. VG hardback in VG dustjacket Used - Very Good. VG hardback in VG dustjacket.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Good. 1st Edition. 288pp. Owner's name blacked out on front endpaper. Clean unmarked contents. DJ lightly soiled with edgewear and 1" jagged closed tear top of spine. Now in protective mylar jacket.

Softcover. Condición: Very Good with no dust jacket. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. ; Contents: Jorens, Laurence Olivier's Richard III. Litton, Glenn, Diseased Beauty in Tony Richardson's Hamlet. Mullin, Tony Richardson's Hamlet: script and screen. Wilds, On film: Maximillian Schell's most royal Hamlet. Duffy, ade, Olivier, Richardson: visual strategy in Hamlet adaptation. Welsh, To see it feelingly: King Lear through Russian eyes. WIlds, One King Lear for our time: a bleak film vision by Peter Brook. Anderegg, Shakespeare on film in the classroom. Homan, A cinema for Shakespeare. Reviews. Film notes and queries. ; 9.0" tall; 94 pages.

Softcover. Condición: Very Good with no dust jacket. Binding is sound. Pages clean, off-white. Wrappers have fading at spine, address label on back, general light handling wear. ; Contents: Mullin, Guest editor's introduction. Homan, Criticism for the filmed Shakespeare. Hodgdon, Barbara, Kozintsev's King Lear: filming a tragic poem. Berlin, Peter Brook's interpretation of King Lear: "nothing will come of nothing." Kliman, Olivier's Hamlet: a film-infused play. McCreadie, Henry V: onstage and on film. Halio, Zeffirelli's Romeo and Juliet: the camera versus the text. Rothwell, Zeffirelli's Romeo and Juliet: words into picture and music. Bazerman, Time in play and film: Macbeth and Throne of Blood. Kinder, Throne of Blood: a morality dance. Poague, As You Like It and It Happened One Night: the generic pattern of comedy. Millard, Shakespeare on film: towards an audience perceived and perceiving. Staton, Shakespeare redivivus: supplementary techniques for teaching Shakespeare. Richmond, The synergistic use of Shakespearean film and videotape. Reviews. 9.0" tall; 89 pages.

Condición: Fair. Volume 1. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In fair condition, suitable as a study copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1200grams, ISBN:0853656339.

Prbds 256pp illus.Ex-Univers, cover corners sl bruised, otherwise internally Fine.