Mosseri marlio anne (6 resultados)

Hardcover without dustjacket as issued, 230 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Cloth. Condición: Near Fine. Estado de la sobrecubierta: No Jacket, As Issued. 232 pages 182 illustrations 175 in color. Minor rubbing and wear to the cover and edges. Some fading to the spine. Illustrated board. List of Works. Biography. Book.

Hardcover. Condición: Sehr gut. Estado de la sobrecubierta: Sehr gut. 1. Auflage. Z : 232 pages, 176 color and 7 b/w illustrations - First-ever monograph on Japanese artist Minoru Onoda, a distinguished member of the radical Gutai artistic movement in the 1960s and 1970s.

Cloth. Condición: Fine Condition. No Jacket, As Issued. 230 pages 221 illustrations in color. Introduction by Anne Mosseri-Marlio. List of Works. Biography.

Hardcover. Condición: Gut. 230 S. Ehem. Bibliotheksexemplar mit Signatur und Stempel. GUTER Zustand, kaum Gebrauchsspuren. Ex-library with stamp and library-signature. GOOD condition, few traces of use. 9783858818218 Sprache: Deutsch Gewicht in Gramm: 1700.

4°, 230 S., 175. farb. Abb., Kart., Tadell. Edited by Anne Mosseri-Marlio. With essays by Edward M. Gómez, Astrid Handa-Gagnard, Shoichi Hirai, Koichi Kawasaki, and Takesada Matsutani.Frst-ever monograph on Japanese artist Minoru Onoda, a distinguished member of the radical Gutai artistic movement in the 1960s and 1970s.Minoru Onoda is best known as a member of Gutai, Japan?s first postwar radical artistic movement, which challenged what it saw as the rigid, reactionary ideologies of the art of the time and initiated new ones that redefined the relationships among matter, time, and space. Concurrently to the inception of Gutai, Onoda became enchanted by concepts of repetition, producing paintings and drawings with amalgamations of gradually increasing dots and organically growing shapes. But less is known in the West about Onoda?s early and late-career work.At long last, this first-ever full monograph on Minoru Onoda introduces him as an artist in his own right. Apart from his role with Gutai, the book mines Onoda?s sketchbooks and completed works to explore his creative process over time, from his artistic education in the late 1950s at the Osaka Institute of Fine Arts and the Osaka School of Art to his later works following the 1972 disbanding of Gutai, which see the artist moving toward a monochrome and more conceptual style. Alongside critical essays by Edward M. Gómez, Astrid Handa-Gagnard, Shoichi Hirai, Koichi Kawasaki, and Takesada Matsutani, are 175 full-color illustrations. 2800 gr. Schlagworte: Kunst - Monographien.…