Morton ree (31 resultados)

spiral_bound. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: New. 1st.

5 vol. : vol.1: [4] pp. (brochure) ; vol. 2: [unpaginated] (envelope); vol. 3: [1] pp. (order form) ; vol 4: [unpaginated] (return envelope) ; vol. 5: [1] pp. (preview party invitation); 5 vol. : vol.1: 20.3 x 15.2 cm. (brochure) ; vol. 2: 20.8 x 16 cm. (envelope); vol. 3: 14 x 10.6 cm. (order form) ; vol 4: 11.5 x 15.8 cm. (return envelope) ; vol. 5: 10.6 x 14 cm. (preview party invitation); printed envelope; duotone; edition size unknown; unsigned and unnumbered; offset-printed Invitation to benefit exhibition "35 Artists Return to Artists Space," held at Artists Space, New York, December 4 - 24, 1981, and a preview party held December 3, 1981. Includes brochure, printed mailing envelope, preview party invitation card, ticket order form card, and return envelope. Artists include Auste, James Biederman, Jonathan Borofsky, Gary Bower, Troy Brauntuch, Farrell Brickhouse, Gary Burnley, Scott Burton, Cynthia Carlson, Charles Clough, R.M. Fischer, Hermine Ford, Don Gummer, Jack Goldstein, Mel Kendrick, Lois Lane, Tom Lawson, Robert Longo, Allan McCollum, Ree Morton, Matt Mullican, Judy Pfaff, Richard Prince, Judy Rifka, Walter Robinson, David Salle, Thomas Lanigan Schmidt, Barbara Schwartz, Cindy Sherman, Laurie Simmons, Charles Simonds, Jenny Snider, Donald Sultan, Anthony Thompson, and John Torreano. Invitation designed by Tara Collins. Very Good / Fine. Unmailed copy. Light yellowing of main envelope with light bumping of corners. Clean and unmarked. …

Softocover with metal spiral binding, 126 pages, very good condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. tan, spiral bound boards w/ black printing. 127 pages : illustrations (some color). content as follows: Catalog of an exhibition held at the Robert Hull Fleming Museum, University of Vermont, Burlington, Oct. 19, 1999-Jan. 23, 2000 and at the Rosenwald Wolf Gallery, The University of the Arts, Philadelphia, Mar. 20-Apr. 17, 2000. VG. light edge wear to covers. museum sticker on title pg. pgs clean & unmarked.…

Condición: As New. Unread book in perfect condition.

Condición: New.

13 pp.; 27.9 x 21.6 cm.; staple bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Essay text [no images] published in conjunction with the simultaneously held exhibitions "Sixth Anniversary Exhibition" held at Artists Space, New York, and "Ten Artists: Artists Space 1973-75," held at Neuberger Museum, Purchase, NY, both of which were on view September [22] - October [27], 1979. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one-person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Essay by Helene Winer. Features Helene Winer's thirteen-page text staple bound in corner. Very Good. Light edge wear including bumping and handling wear and light yellowing of page edges. Contents clean and unmarked.…

80 pp.; 22.9 x 15.2 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held May 31 - June 30, 1984. Organized by Linda Cathcart. Text by Linda Shearer, Susan Wyatt, and Linda Cathcart. Artists include Ericka Beckman, Gretchen Bender, Dara Birnbaum, Eric Bogosian, Jonathan Borofsky, Troy Brauntuch, Michael Brewster, Gary Burnley, Scott Burton, Michael Byron, Cynthia Carlson, James Casebere, Louisa Chase, Charles Clough, Arch Connelly, Marcia Dalby, Carroll Dunham, Nancy Dwyer, William Fares, R.M. Fischer, Hermine Ford, Stephen Frailey, Bobby G., Jack Goldstein, Don Gummer, David Haxton, Biff Henrich, Jenny Holzer, Rebecca Howland, Mel Kendrick, Jon Kessler, Jeff Koons, Barbara Kruger, Thomas Lanigan-Schmidt, Thomas Lawson, John Lees, Sherrie Levine, Robert Longo, Ree Morton, Matt Mullican, Nic Nicosia, Kevin Noble, Tom Otterness, Ken Pelka, Judy Pfaff, Ellen Phelan, Adrian Piper, James Pomeroy, Richard Prince, Walter Robinson, Tim Rollins, Ellen Rumm, Christy Rupp, David Salle, Cindy Sherman, Laurie Simmons, Charles Simonds, Michael Smith, Philip Smith, Ted Stamm, Donald Sultan, John Torreano, Roger Welch, Yunque, and Michael Zwack. Very Good / Fine. Light dusting to covers. Contents clean and unmarked.…

Wraps. Condición: Near Fine. First Edition. Catalogue for an environmental art show held at Mount St. Mary's College Art Gallery, January 10 to February 20, 1977. One of only 600 copies printed by the college press, designed by Jim Murray. 7 x 9 in. grey printed folder housing 8 printed sheets featuring an introduction by Rita Yokoi, and seven artists sheets printed on both sides (containg artist bio on the front, and artist statement on the back) Artist include: Jo Hanson, Ree Morton, Ilene Segalove, Joyce Cutler Shaw, Nancy Youdelman, Connie Zehr (artist); Rachel Rosenthal (performance). Light fading to the folder at the edges, else a Near Fine copy, interior sheets are in Fine condition.…

30 pp.; 30.4 x 22.8 cm.; staple bound; black-and-white; edition size 2500; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with "10 Artists / Artists Space," held at Neuberger Museum, Purchase, NY, September 22 - October 27, 1979. Held in conjunction with the exhibition "Sixth Anniversary Exhibition" at Artists Space, New York, [same dates]. Essays by Helene Winer and Irving Sandler. The exhibition at the Neuberger Museum included larger works by the same group of artists showing at the Artists Space exhibition. Exhibition included artists who had had their first one-person shows in New York City at Artists Space. Artists included Laurie Anderson (selected by Vito Acconi), Jon Borofsky (selected by Sol LeWitt), Scott Burton (selected by Claes Oldenburg), Lois Lane (selected by Jackie Winsor), Ree Morton (selected by Nancy Graves), Judy Pfaff (selected by Al Held), Thomas Lanigan-Schmidt (selected by Christo), Barbara Schwartz (selected by Nancy Grossman), Charles Simonds (selected by a group of artists, who had shown at Artists Space the prior year), and John Torreano (selected by Chuck Close). Includes brief biography, exhibition histories, and lists of work included in the exhibition for each artist. Fine / Very Good. Light rubbing of edges with 2 cm. and 5 mm. areas of loss to edge of verso. Light bumping of top and bottom right corners of publication. Contents clean and unmarked.…

First Edition. First Edition. Published in conjunction with an exhibition at The Drawing Center between September 18 and December 18, 2009. Fine and unread in illustrated card wrappers.

Novela(82-31) Departamento de Actividades Editoriales del MNCARS. Encuadernación en tapa Blanda. Morton, Ree. 23 cm. Sé un lugar, sitúa una imagen, imagina un poema : Museo Nacional Centro de Arte Reina Sofía : [19 mayo al 28 septiembre 2015]Tapa deslucida.Tapa ilustrada. Pags.195.Volúmenes. Libro usado.…

spiral_bound. Condición: New. In shrink wrap. Looks like an interesting title.

Spiralbindung. Condición: New. This is a catalogue with full-page colour reproductions of sheets selected from Ree Morton s notebook and sketchbook from 1968 to 1977. Back material includes an exhibition checklist, a 3-page essay by Allen Schwartzman an afterword by Barbara Zucker, and .

Softcover, 208 pages; in English; very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

[8] pp. (folded); 20.3 x 22.8 cm. (folded); black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Folded exhibition booklet published in conjunction with show held October 8 - November 27, 1983. Organized by Lynn Gumpert, Ned Rifkin, and Marcia Tucker. Includes text by Marcia Tucker. Artists include Vito Acconci, John Baldessari, Douglas Davis, Eleanor Dube, Lauren Ewing, John Fekner, Howard Finster, Vernon Fisher, Alfred Jensen, Brad Melamed, Claire Moore, Adrian Piper, Earl Ripling, Allen Ruppersberg, Ed Ruscha, Irvin Tepper, Anne Turyn, Lawrence Weiner, William T. Wiley, Nicholas Africano, John Ahearn, Rigoberto Torres, Terry Allen, Joan Brown, Claudia Fitch, James Hill, Joseph Hilton, Luis Jimenez, Barry LeVa, Linda Montano, Ree Morton, Howardena Pindell, Mike Roddy, David Saunders, Pat Steir, Terry Sullivan, Jamie Summers, William Wegman, Grace Williams, Mr. Apology, Dara Birnbaum, Bruce Charlesworth, Robert Cumming, Jamie Davidovich, Keith Haring, Donald Lipski, Steve Miller, Richard Prince, Erika Rothenberg, Al Souza, Mark Tansey, Nancy Arlen, Lynda Benglis, Tom Butter, Ed Flood, Ron Gorchov, Al Held, Bill Jensen, Steve Keister, Brice Marden, Elizabeth Murray, David Reed, Dorothea Rockburne, Joel Shapiro, and Gary Stephan. Good. Rubbing of covers and edgewear. Sticker and sticker residue on recto cover.…

[2] pp.; 12.7 x 17.7 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Two sided card / exhibition announcement published in conjunction with show held May 1 - June 5, 1993. Fine. Clean and unmarked as issued.

Soft Cover. Condición: Fine. First Edition. This is a fine softcover copy with a spiral wire binding, with no wear at all. Completely clean. This catalog was prepared to accompany the exhibition at the Fleming Museum of Art in Burlington, Vermont from October 19, 1999 to January 23, 2000. Illustrated color and black & white with many reproductions of pages from Ree Morton's notebooks. Essay by Allan Schwartzman. Checklist. 12" high X 9" wide, 127 pages. Large book, foreign shipping will be extra. This book will be securely wrapped and packed in a sturdy box and shipped with tracking. …

First Edition. First edition. Softcover. Published in conjunction with an exhibition that ran October 19, 1999 through January 23, 2000 at Robert Hull Fleming Museum and then March 20 through April 17, 2000 at Rosenwald Wolf Gallery. Features a facsimile of Morton's sketchbook and notebooks with color and black and white illustrations. Includes an essay by Allan Schwartzman. A clean near fine copy in spiral bound wrappers and with a small one inch square sticker from the Arts Club of Chicago affixed to the verso of the front cover else no other markings.…

726 pp.; 27 x 20.7 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show held June 6 - August 29, 1999. Essays by Vicente Todolí, João Fernandes, Miguel Wandschneider, Germano Celant, Robert Pincus-Witten, Antje von Graevenitz, Marita Sturken, Maria José Fazenda. Includes artists:Helena Almeida, Armando Alves, Giovanni Anselmo, António Areal, Richard Artschwager, John Baldessari, Manuel Baptista, Georg Baselitz, Eduardo Batarda, Lothar Baumgarten, Bernd & Hilla Becher, René Bertholo, Joseph Beuys, Mel Bochner, Christian Boltanski, Joaquim Bravo, Marcel Broodthaers, James Lee Byars, Fernando Calhau, Alberto Carneiro, Zulmiro de Carvalho, Manuel Casimiro, Lourdes Castro, António Charrua, Lygia Clark, Noronha Da Costa, José Escada, Öyvind Fahlström, Hans-Peter Feldmann, Robert Filliou, Robert Frank, Hamish Fulton, Gilbert & George, Imi Giese, Luis Gordillo, Dan Graham, José de Guimarães, Hans Haacke, Richard Hamilton, Ana Hartherly, Eva Hesse, Peter Hutchinson, Jörg Immendorff, António Manuel, Jorge Martins, Gordon Matta-Clark, Cildo Meireles, Mario Merz, Robert Morris, Ree Morton, Antonio Muntadas, Bruce Nauman, Rolando Sá Nogueira, Maria Nordman, Hélio Oiticica, Claes Oldenburg, Dennis Oppenheim, Blinky Palermo, António Palolo, Lygia Pape, A.R. Penck [Ralf Winkler], Jorge Pinheiro, Adrian Piper, Michelangelo Pistoletto, Sigmar Polke, Júlio Pomar, Vítor Pomar, Robert Rauschenberg, Paula Rego, Gerhard Richter, José Rodrigues, Joaquim Rodrigo, James Rosenquist, Dieter Roth, Susan Rothenberg, Edward Ruscha, Reiner Ruthenbeck, Julião Sarmento, António Sena, Richard Serra, Joel Shapiro, Nikias Skapinakis, Robert Smithson, Keith Sonnier, Ângelo de Sousa, Salette Tavares, Paul Thek, Francesc Torres, Richard Tuttle, Ana Vieíra, João Vieira, Pires Vieira, Andy Warhol, Lawrence Weiner, Gilberto Zorio, Vito Acconci, Eleanor Antin, David Askevold, Artur Barrio, Lynda Benglis, Chris Burden, Peter Campus, Merce Cunningham, Juan Downey, Valie Export, Hermine Freed, Anna Bella Geiger, Mako Idemitsu, Joan Jonas, Shigeko Kubota, David Lamelas, Paul McCarthy, Ana Mendieta, Susan Mogul, Nam June Paik, Charlemagne Palestine, Yvonne Rainer, Ulrike Rosenbach, Martha Rosler, Miralda Rossell, Gerry Schum, Paul Sharits, Michael Snow, T.R. Uthco, William Wegman, Hannah Wilke. Includes chronology, checklist and biographies for participating artists. Texts in English and Portuguese. Very Good. Light wear to covers and cover corners with light soiling from dust to page edges. Creasing of spine and 8 mm. tear to spine edge. Contents clean and unmarked. Due to very large size and weight additional shipping charges may be required.…

Paperback. Condición: New. Casting aside the orthodoxies of 1970s Minimalism in favor of a wittier, decorative, more "impure" art, Ree Morton (1936-1977) synthesized a vast repertoire of materials and erudition to produce sculptures, drawings and installations that have delighted an ever-swelling army of fans. Between 1971 and 1977, Morton made signature use of celastic, a material that resembles fabric when sculpted, and which enabled her to devise bizarre takes on domestic crafts of the "bless this house" variety. Yet none of her work is kitsch or folksy, and an Eva Hesse-style biomorphism and relish of surface and mass always prevails (Hesse was a crucial touchstone for Morton). Works 1971-1977, which accompanies a survey at the Generali Foundation, Vienna (the first since the New Museum's 1980 exhibit) is the first thorough monograph on Morton. Alongside the work itself, it reproduces the artist's numerous notebooks and sketchbooks, and an immense number of her own documentary photographs, which reconstruct the genesis of both existing works and works that have either been destroyed or can no longer be located. Essays by Diana Baldon, Sabine Folie, Susanne Neubauer and Helen Molesworth address Morton in context, against the backdrop of 1970s installation art, and Ilse Lafer provides an extensive chronological biographical and bibliographical survey.…

Paperback. Condición: New. Published on the occasion of The Drawing Center's exhibition, Ree Morton: At The Still Point of the Turning World highlights Morton s influential body of work, remarkably all produced in a single decade between her decision to turn to art full-time in the late 1960s and her tragic death in an automobile accident in 1977, shortly before her 41st birthday. While reflecting many of the currents of Postminimal art of the 1970s, Morton's work also looked to a pioneering use of personal narrative, intimacy, humor, and poetic imagination. Yet the scope of her artistic production remains largely unrecognized, as does her vital contribution to feminist art practice and the importance of drawing to her development as an artist. This publication, number 87 in the Drawing Papers series, features 58 color plates, a conversation between Cornelia H. Butler, Joao Ribas, and Allan Schwartzman, as well as Lucy Lippard's new introduction to her 1973 essay At the Still Point of the Turning World.…

Paperback. Condición: New.

Softcover, 108 pages, very good condition except covers have light rubbing and edgewear and a few light creases; no internal marks. Foreign shipping may be extra.

[2] pp.; 8.8 x 13.9 cm.; monochrome; edition size unknown; unsigned and unnumbered; offset-printed Double sided postcard / announcement published in conjunction with exhibition held September 22 - October 27, 1979. Artists included Laurie Anderson, Jon Borofsky, Scott Burton, Lois Lane, Ree Morton, Judy Pfaff, Thomas Lanigan-Schmidt, Barbara Schwartz, Charles Simonds, and John Torreano. Very Good. Mailed copy with address sticker and mailing wear. Light bumping of corners with a 2.9 cm. bend to corner. Light yellowing of verso edge from age. …

108 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981 and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. Text by Allan Schwartzman, Kathleen Thomas, JoAnne Akalaitis, Laurie Anderson, Scott Burton, Cynthia Carlson, Nancy Graves, Janet Kardon, Linda Morton, Elizabeth Murray, Richard Nonas, Jan Porter, Jim Roche, Sheila Rockefeller, Robert Rohm, Jeff Way, Barbara Zucker, Rosemary Mayer, Lucy R. Lippard, Marcia Tucker, Nancy Foote, Carol Squiers, Jeanne Silverthorne, and Arlene Slavin. Also includes chronology, selected bibliography, and list of works in the exhibition. Black-and-white and color illustrations throughout. Very Good. Light rubbing of covers. Few inked notes in text throughout. Contents otherwise clean and unmarked. …

108 pp.; 20.3 x 22.8 cm.; glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the New Museum of Contemporary Art, New York, February 16 - April 17, 1980. Traveled to the Contemporary Arts Museum, Houston, May 16 - June 29, 1980; the University of Colorado Museum, Boulder, September 12 - October 16, 1980; the Albright-Knox Art Gallery, Buffalo, January 16 - March 1, 1981 and the Renaissance Society at the University of Chicago, Chicago, March 15 - April 19, 1981. Text by Allan Schwartzman, Kathleen Thomas, JoAnne Akalaitis, Laurie Anderson, Scott Burton, Cynthia Carlson, Nancy Graves, Janet Kardon, Linda Morton, Elizabeth Murray, Richard Nonas, Jan Porter, Jim Roche, Sheila Rockefeller, Robert Rohm, Jeff Way, Barbara Zucker, Rosemary Mayer, Lucy R. Lippard, Marcia Tucker, Nancy Foote, Carol Squiers, Jeanne Silverthorne, and Arlene Slavin. Also includes chronology, selected bibliography, and list of works in the exhibition. Black-and-white and color illustrations throughout. Very Good. Rubbing of cover edges, 1.5 cm. and 5 mm. surface tearing of bottom edge of spine and 9 mm. tear/bumping to top edge of spine. Glue binding in a volatile state due to age, and shows signs of cracking/releasing. Contents clean and unmarked. …

Soft Cover. Condición: Near Fine. This is a near fine softcover copy with virtually no wear. The red covers are clean and unmarked. The spine is not faded or creased, binding firm. Completely clean inside. This catalog was prepared to accompany the exhibition at the New Museum from February 16 to April 17, 1980. The exhibition then travelled to the Contemporary Art Museum in Houston, and the University of Colorado Museum, the Albright Knox Art Gallery and finally the Renaissance Society in Chicago in 1981. Curated by Allan Schwartzman and Kathleen Thomas. This retrospective took place just a few years after Ree Morton's tragic death in the spring of 1977. Illustrated mostly in black & white. Chronology. Exhibition history. Bibliography. 8" high X 9" wide, 108 pages. This book will be securely wrapped and packed in a sturdy box and shipped with tracking.…

Condición: Folded for mailing. VG / VG+. 40,5x51 cm Exhibition poster doubling as invite published in conjunction with one - the last - out of only a handful of solo exhibitions by Lee Morton during her brief lifetime. Morton's groundbreaking work treads through the nebulous postminimal 1970s landscape with a distinct feminist sensibility. Interesting example mailed to the artist Ira Joel Haber. Poster features one of her pieces in celastic - material she discovered In 1974 - a malleable textile more commonly used in theatre, which she sculpted into decorative, sentimental forms, such as ribbons, banners and flowers, that carry traditional associations with the feminine. Rare. Interesting example mailed to artist Ira Joel Haber. VG+ ~ During a prolific career that ended prematurely in a fatal car accident, Ree Morton produced a significant body of work that adds complexity to Postminimal art of the 1970s. Her deeply personal sculpture and installations played with space, language, decoration, feminine tropes, metaphor, and color. Morton began her art studies in 1966, after training to be a nurse, marrying a naval officer, and becoming a mother to three children. She received a BFA in 1968 from the University of Rhode Island and an MFA from the Tyler School of Art at Temple University in 1970. Emboldened by the growing feminist movement, she explored the possibilities of what she termed a "female sensibility," both embracing and skewering the trappings of conventional womanhood. The imagery, palette, and objects in Signs of Love, perhaps her most significant work, are unapologetically sentimental and lighthearted. The work's decorative ribbons, garlands, and banners-key motifs in her art-were crafted from Celastic (.). Although the work reflects the influence of artists such as Florine Stettheimer, Claes Oldenburg, and Eva Hesse, it also retains a distinctive originality through its free-association involving form, poetry, and symbolism. Morton once said, "A work of art has a unique quality . . . of clarifying and concentrating meaning contained in scattered and weakened ways the material of other experience." Signs of Love was included in the Whitney Biennial in 1977, the year of Morton's death. [whitney].…