moffat ivan (14 resultados)

Vintage full-color British front-of-house card from the UK release of the 1959 US film. Based on Glendon Swarthout's 1958 novel, about the 1916 US "war" against Pancho Villa, and the group of men who unceremoniously are awarded medals. Together they must return to the battlefront, along with a prisoner (Hayworth) who helped them before. 8 x 10 inches. Faint creasing and rubbing overall, else Near Fine.

Vintage British program for the 1965 film, published as a supplement to the September 1965 issue of Kinematograph Weekly, with film still photographs throughout and a four page center fold out. Based on the 1954 memoir "Skis Against the Atom" by Norwegian resistance soldier Knut Haudelid, and the 1962 novel "But for These Men" by John Drummand. Set in German-occupied Norway, Norwegian resistance fighter Knut Straud (Richard Harris) enlists the help of physicist Dr. Rolf Pedersen (Kirk Douglas) to destroy a German heavy water production plant, used in the production of an atomic bomb. Set and shot on location in Norway and England. 8.5 x 11 inches. 18 pages, side stapled. Very Good plus, with faint vertical creases, light toning at the extremities and some light creasing and rubbing to the wrappers.

Poster. Poster, oblong format, 22 x 28 inches, printed in color. Film starring Joan Collins, Jayne Mansfield, Dan Dailey. First edition (first printing). A near fine copy. Poster has been folded twice. Rear is scuffed.

Condición: Very Good. Original stapled illustrated souvenir theatre programme 10'' x 8''. 12 printed pages. In Very Good condition. Member of the P.B.F.A. THEATRE PROGRAMMES.

Original Pressbook for the 1957 film, based on John Steinbeck's 1947 novel. 13 x 16.5 inches. 16 pages, saddle stapled. About Near Fine. Horizontal fold as issued, with some light soil.

Paperback. Condición: Very Good. First Paperback Edition. 4to. pp 125. Film-script. Paperback. Bound in red wraps, lettered in black with a window opening on the front cover. Conception of Anthony Mann and property of Anna Mann. From the phone number 'GERrard 2087' Scripts Limited and the fact of this being property of Anthony Mann's widow, one can date this between 1968 and 1969. Anthony Mann died in 1967 and London phone numbers became numerical in the late 1960s. A civil war movie on the Union side set near the Mexican border. Apparently never made in to a feature. Anthony Mann was best known for El Cid (1961), Men in War (1957) and The Glenn Miller Story (1954). Slight marking to covers, otherwise very good.

Vintage borderless satin finish reference photograph of a young Dennis Hopper on the set of the 1956 Western film. Printed mimeo snipe and Warner Brothers stamp crediting photographer Floyd McCarthy on the verso. Based on the 1952 novel by Edna Ferber. James Dean's final film, for which he received a posthumous Academy Award nomination. Nominated for eight additional Oscars, including Best Picture, wining one for Best Director. Set in Texas, shot there on location and in Arizona and Virginia. From the archive of the PIX Agency, an American photo house that acted as an intermediary between emigre photographers (as well as those still living in Europe) and the American magazine and newspaper market between 1935-1969. 9.5 x 7.5 inches, archivally mounted in a white mat measuring 14 x 18 inches. About Fine. National Film Registry.

Paperback. Condición: Very Good. [Los Angeles]: Twentieth Century-Fox Film Corporation, 1968. 145 pp. and 140 pp. Two scripts bound with brass brads in blue covers, Revised Screenplay dated June 12, 1967 with Moffat credited as writer, and Final dated July 2, 1968 with Marcus credited as writer. Uneven sunning to covers of both scripts, with nicking and bumping to extremities of both. Titles written in felt tip pen on spine of both scripts. Text of Revised copy printed on pale green paper, with text of Final version printed on blue, pale green, and pink paper. Based on Lawrence Durrell's 1957 novel of the same name, Justine is a film best seen as a creation that is independent of the book. Initially the film was directed by Joseph Strick, but it is rumoured that he was fired for his behavior while filming on location. George Cukor was brought in to finish the film, which resulted in a film with a plot that is largely incomprehensible, yet texturally rich. . Single Sheet. Very Good.

First Edition. [Movie memorabilia] Original Final Shooting Script for the film adaptation based on the award-winning novel by Lionel Shapiro, starring Robert Taylor, Richard Todd (who had participated in the Normandy landings), Dana Wynter, and Edmond O'Brien. Octavo (29 x 23cm), pp.150, mimeograph, bound in textured salmon-coloured printed wrappers, fastened internally with three metal pins. [Together with] FIRST UK EDITION book (Collins, 1956), hardback in jacket. Script; contents clean and fresh, preliminary tipped-in leaf clipped, oversized covers an little worn to unsupported edges. Book; edges spotted, ink inscription, jacket dusty with a few short tears. Lionel Shapiro was a Canadian journalist and novelist. As war correspondent for The Montreal Gazette, he landed at the Allied invasion of Sicily, Salerno and Juno Beach on D-Day with the Canadian forces. The Sixth of June (filmed as D-Day. The Sixth of June), was a romantic 'love triangle' story set against the events of Operation Overlord. Script marked copy 178, indecipherable pencil surname to cover (possibly that of Lee Garmes, director of photography).

Vintage French petite poster for the 1956 American film. Based on the 1955 novel by Lionel Shapiro, about an Allied commando unit headed towards the Normandy coast in the hours before D-Day, with two of its members reflecting on their shared love for one woman. Approximately 21.5 x 14.5 inches, folded. Very Good, with three light bruises on the top edge.

Collection of 12 vintage promotional photographs from the 1962 film. Based on the 1934 novel by F. Scott Fitzgerald. The tables are turned when a psychiatrist (Jason Robards) who marries a patient (Jennifer Jones) becomes more and more dependent on her as she regains her strength. David O. Selznick had originally intended the film as a vehicle for his wife Jennifer Jones, but financial difficulties forced Selznick to sell the property, though he was still able to guarantee a role for Jones. Director Henry King's last film, nominated for an Academy Award. Set in Switzerland and on the French Riviera, shot on location in France, Italy, and Switzerland. 8 x 10 inches. All photos in Near Fine or better condition.

Two vintage studio still photographs from the 1962 film. Based on F. Scott Fitzgerald's fourth and final novel, published in 1934, about an esteemed psychiatrist who sacrifices his career to marry his patient, an emotionally unstable young woman. Director Henry King's final film. Set and shot on location in France, Italy, and Switzerland. 10 x 8 inches. One Fine, one Near Fine, with light wear to the finish.

Vintage photograph from the set of the 1956 film, showing James Dean in rehearsal with Elizabeth Taylor. With the stamp of still photographer (and Dean's close friend) Sanford Roth on the verso. Based on the 1952 novel by Edna Ferber, about the life of a Texas cattle rancher and his family. James Dean's final film, for which he received a posthumous Academy Award nomination. Nominated for eight additional Oscars, including Best Picture, winning one for Best Director. Brooklyn-born photojournalist Sanford Roth was best known for his portrait photography, capturing iconic, intimate images of artists and actors throughout his decades-long career, including Marc Chagall, Joan Crawford, Albert Einstein, Henri Matisse, and Elizabeth Taylor, among many others. 5.5 x 7 inches. Near Fine. National Film Registry.

Vintage reference photograph of director George Stevens promoting the 1956 film. Stamp crediting photographer Floyd McCarthy on the verso, partially obscured by a mimeo snipe. Based on the 1952 novel by Edna Ferber. James Dean's final film, for which he received a posthumous Academy Award nomination. Nominated for eight additional Oscars, including Best Picture, wining one for Best Director. Set in Texas, shot there on location and in Arizona and Virginia. 8 x 10 inches. Very Good plus, with some edgewear and creasing. National Film Registry.