Mizota sharon (12 resultados)

Hardcover. Condición: Very Good. No Jacket. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More, Spend Less.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. University of California Press, 2003. Book has light rubbing to covers, used stickers to bottom part of spine, bends and curling to outer bottom cover corner and a small grouping of pages, modest scuffs and light bends to edges and tips of corners. otherwise in very good condition, strong binding, clean and unmarked interiors; some cosmetic wear but an overall sturdy reading copy.…

Hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Fair.

paperback. Condición: New. In shrink wrap. Looks like an interesting title.

Soft cover. Condición: Very Good. Exhibition catalogue with 14 full page color reproductions and an essay. Text in French and English. Light rubbing to covers. No marks to inside pages. Stapled binding is sound. 28 pages. C6.

Hardcover. Condición: VG+. Hardcover with exposed spine sown in signatures and a halftone reproduction on front. 333 pp, generously illustrated with color reproductions. Text is in English. Contents as follows: Foreword / Carmen Winant -- Picturing ruin / Matthew Schum -- Journeyman -- Auratic workers -- Worker -- Here -- Still life -- The builder -- Going somewhere -- No place to start -- Esperando -- The picture builder: an interview with Rodrigo Valenzuela / Christian Viveros-Fauné -- Diamond box -- Goalkeepers -- Maria TV -- Civic duties -- Masks -- General song -- Barricades -- Prole -- Prole flages -- The unwaged -- Trophy room -- Sin héroes -- Animitas -- Instituciones : Future ruins ; Hedonic reversal -- El Sisifo -- Tertiary -- Ghost towns / Sharon Mizota -- Marginalia -- Zabriskie Point ; Work in its place -- American type -- Stature -- Journeyman/Stature. Abstract as follows: In all his work, Rodrigo Valenzuela positions contemporary art as an uprooting of superficial politics. If picturing ruins is as old as photography, then its many incarnations across the political spectrum are a starting point for the artist. Much of Valenzuela's work calls attention to photography?s affinity with destruction. It is a documentary mode and an embodied experience. The picturing of ruins is drawn out and contextualized in this first comprehensive catalogue of Valenzuela's Los Angeles-based studio artwork and photography.…

Paperback. Condición: New. Fresh Talk/Daring Gazes chronicles the blossoming of Asian American art and anticipates the growing democratization of American art and culture. Pairing work by twenty-four contemporary Asian American visual artists with responses provocatively drawn from cultural critics, other artists, activists, and intellectuals, this book explores themes of geographical movement, the sexuality of Asian bodies, colonization, miscegenation, hybrid forms of immigrant cultures, the loss of home, war, history, and memory. Elaine H. Kim's historical introduction charts the trajectory of Asian American art from the nineteenth century to the present, offering a comprehensive account of artists, major artworks, and major events. Commentaries by writers, artists, and cultural activists examine the work of visual artists such as Pacita Abad, Albert Chong, Y. David Chung, Allan deSouza, Michael Joo, Hung Liu, Yong Soon Min, Manuel Ocampo, PipoNguyen-Duy, Roger Shimomura, Carlos Villa, and Martin Wong. Prominent artists and critics such as Homi K. Bhabha, Luis Camnitzer, Enrique Chagoya, Gina Dent, Ellen Gallagher, Arturo Lindsay, Kobena Mercer, Griselda Pollock, Jolene Rickard, Faith Ringgold, Ella Shohat, Lowery Stokes Sims, Jaune Quick-to-See Smith, and Hulleah Tsinhnahjinnie offer thought-provoking reflections on each artist. Sharon Mizota's extended captions further elucidate the paintings, graphics, photography, installations, and mixed-media constructions under discussion.As a set of dialogues, simultaneously visual and textual, Fresh Talk/Daring Gazes encourages the cross-cultural conversation that is shaping the emerging art of Asian Americans and of the United States in general. Alternately personal, intellectual, aesthetic, and political, these essays and the art they consider provide unique perspectives on both the past and the future of American art. …