mitchum bob (4 resultados)

PAPERBACK BLUE. General wear, torn spine DATE PUBLISHED: 1947 EDITION: 98.

First Edition. ROLLING STONE MAGAZINE, #130, 3-15-1973, first edition, vg+ in wraps. Tim Leary, Bob Dylan, Robert Mitchum, et.al.

Vintage oversize, double weight, borderless still photograph from the 1970 film, showing director David Lean as he imparts some advice to star Christopher Jones during a smoke break. Winner of two Academy Awards, for cinematographer Freddie Young and supporting actor John Mills. Nominated for two more, as well as ten BAFTA awards. Shot, struck, and mounted by the film's still photographer, Bob Willoughby, with his ASMP rubber stamp on the verso. Full provenance available. After studying with Saul Bass at the Kann Institute of Art in Los Angeles, photographer Robert Willoughby began working for magazines such as "Life," "Look," and "Harper's Bazaar" in the late 1940s. He spent the next 20-plus years as a set photographer for every major studio and magazine, with his images seen in print literally every week of his career. Willoughby's photographs are in the permanent collections of ten museums, including The National Portrait Galleries in Washington, DC and London, the Bibliotheque Nationale de France, The Museum of Modern Art, and The Tate Modern. 9.25 x 13.25 inches. Near Fine.

Early Draft script for the 1995 film, dated 2/21/94, nearly eight months before the beginning of the production. Manuscript post-it note in an unknown hand affixed to the front wrapper, apparently from a script reader, detailing themes and concepts gleaned from a first review of the script. In the late 19th century, a mild-mannered accountant goes on the run after killing a man, later befriending a Native American who believes he is the reincarnation of poet William Blake. Jim Jarmusch's sixth film, a dreamlike black-and-white Western, described by critic Jonathan Rosenbaum as an "acid Western." Nominated for the Palme d'Or. Shot on location in Arizona, Nevada, Oregon, Washington, and California. Clear plastic front wrapper, with a black rear wrapper. Title page present, dated 2/21/94, noted as copy No. 19 in manuscript ink, with a credit for Jarmusch. 117 leaves, with last page of text numbered 115. Xerographic duplication, rectos only. Pages Very Good plus, moderately foxed on the first and last leaves and page edges, wrapper Very Good, bound internally with three silver brads. Criterion Collection 919. Pitts 992. Rosenbaum 1000.