Missal roman (23 resultados)

Hard Cover. Condición: Very Good. No Jacket. Revised edition approvec for use in the dioceses of Austriali and New Zealand. Red boards have only light wear. Pages are clean, text has no markings, binding is sound. Size: 8vo - 7¾" - 9¾".

Hardcover. Condición: Fair. 1099p. A red hardcover ex-library book in original binding. Label residue on spine; edges worn and corners bumped. Labels and stamps on endpapers; stamp on half-title page. Tab index. Pages stained and crinkled throughout; an acceptable reading copy.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: Good. [ No Hassle 30 Day Returns ][ Ships Daily ] [ Underlining/Highlighting: NONE ] [ Writing: NONE ] [ Edition: reprint ] Publisher: macmillan Pub Date: 1/1/2001 Binding: spiralbound Pages: 143 reprint edition.

hardcover. Condición: Good. ps.

Hardcover. Condición: Very Good. 1122p. A hardcover book in very good condition. Cover lightly shelf-worn. Edges and endpapers foxed, and pencil notes on a couple of blank endpapers in the back. Otherwise, text unmarked and binding tight. Post-Vatican II Catholic lectionary using the text of the New American Bible (NAB). Measures approx. 9" x 7".…

Full-Leather. Condición: Near Fine. Gilt titles to spine. Gilt and blind-stamped ruling on full black morocco leather hardcovers. Some light wear/rubbing to corners, less to edges of covers. All edges gilt. Moire endpapers. Otherwise a clean, tight and unmarked book. A very neat and tight little volume. xx,652p. Size: 24mo - over 5" - 5¾" tall. Book.…

Hardcover. Condición: Very Good. Second Typical Edition. 1971p. A dark red cloth hardcover book in very good condition with two attached ribbon bookmarks. Spine lightly creased; otherwise, text clean and binding tight. Volume 2 only (Year I, weekdays). All text is in English. Measures approx. 9.25" x 7.25". …

Full Leather. Condición: Very Good. Thick quarto; [66], 624, cxxvii, [4], 52. In a very fine early 19thc (?) binding of full black morocco, double gilt fillet border to boards, the spine with thick raised gilt-edged bands, gilt lettering direct. The boards are well attached and there is no cracking to the joints. All edges gilt, with nine page tabs and five silk page markers., one of which is detached. There is some browning to the gutter margin of the front endpaper.The text is rubricated and there are some engraved illustrations. A most impressive Latin missal, beautifully produced at the renowned Plantin Press in Antwerp. Extra postage may be required for overseas.…

Unknown. Condición: Very Good. Estado de la sobrecubierta: Good. Clean, unmarked. Clean Collectible Condition. Gift Quality. This book shows minimal sign of wear to the cover, binding, or pages. Dust jacket condition is Good. Secure packaging for safe delivery.

unknown_binding. Condición: Good. Vinyl cover--some spotting on outer page edge--otherwise excellent condition.

unknown_binding. Condición: Acceptable. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket. This is a used book. It may contain highlighting/underlining and/or the book may show heavier signs of wear . It may also be ex-library or without dustjacket.…

Hardcover. Religious binding in full blue calf with gilt filigree and blue watered silk endpapers; all edges gilt. publisher's label of Librairie A. Sauton, 41 rue du Bac, Paris, plus long inscription. Book.

Leather. Condición: Very good. 1182p. Altar size. A large hardcover book bound in red cloth with a gilt cross on the front. Near-fine condition; unmarked save for a diocesan library stamp on title page and label on rear endpaper. Binding tight and cover in fine shape. An English sacramentary for the Novus Ordo form of the Catholic Mass. Measures approx. 11.25" x 8.5".…

Hardcover. 1964 Edition. Very Good+ in boards. Text in Latin and English. Gilded text block edges. Several indexing tabs on gilded text block edges. Light rubbing on front panel.

[4], 488, [1]*-104*pp. Title in red and black. Text within ornamental border. With a half-title, frontispiece, and a further four plates. Handsomely bound Tapein (stamp-signed to front turn-in) in twentieth-century black crushed morocco, lettered in blind to spine, brown morocco inlay to upper board depicting Joan of Arc in profile adjacent to gilt fleur-de-lis, A.E.G., gilt dentelles, cream silk moirà endpapers, lettered in gilt to recto of FFEP 'J. B. 10 MAI 1903'. A trifle rubbed. Very occasional light spotting. An exquisitely bound late nineteenth-century Continental edition of the Roman Missal, published for the use of the Diocese of Rouen. The Roman Missal, with origins in the high middle ages, is the liturgical book from which the text and rubrics for the celebration of Catholic Mass, with both prayers and music. One of the major advances of the Council of Trent, the Catholic counter to the Protestant Reformation, was to standardise the Missal. Pope Pius V, acting on the concilliar deciion, formalised this in his Quo Primum on 14 July 1570 - insisting that the standard form of the Missal was used throughout the Church except where a local missal could be proved to be of two centuries antiquity. Perhaps one of the most controversial Counter-Reformation decisions made at Trent, the use of a standard Missal prevented the celebration of the Mass in vernacular languages and signified a further strengthening of Papal authority: particularly as all printed editions were prefaced by the Pope's order of standardisation. The Missal of Pius V was further edited by Clement VIII in 1604, and later by Urban VIII in 1634. Size: 12mo.…

2 works in 1 volume. Plantin edition of the revised Roman Missal, produced in line with the Council of Trent's directives. This imposing folio exemplifies the Tridentine tradition established after the council (1545-1563), when the Roman Church, responding to the Reformation, sought to standardise the liturgy. In 1570 Pope Pius V (1504-1572) promulgated the reformed Missale Romanum, establishing the text and ceremonial form of the Mass that would govern the Latin Church for centuries. Subsequent revisions under Clemens VIII (1536-1605) and Urban VIII (1568-1644) refined but did not alter its essential structure.From 1571 until the mid-18th century the press founded by Christophe Plantin (1520-1589) held a significant monopoly on the production and sale of authorised liturgical work for the Spanish Netherlands and, effectively, much of the Spanish Empire. The present Missale Romanum has been bound together with the Missae propriae sanctorum Hispanorum (1737), a collection of masses for Spanish saints. It contains the specific texts and music intended for the celebration of these saints, reflecting its use in Iberian or Spanish-influenced territories. The beautiful red morocco binding, richly gilt in the rococo manner, was also most likely made in Spain or Portugal.The front joint is slightly weakened, but the structural integrity of the work is still intact, a hole at the head and foot of the spine, the edges and corners of the boards are slightly scuffed, the boards are somewhat stained, lacking the clasps. The leaves are somewhat browned, with occasional foxing, a few pages retaining traces of yellow wax. Otherwise in good condition.l Imhof, 'Plantin's 1574 Missale Romanum in octavo', in: De Gulden Passer, 73 (1995), pp. 67-82; STCV 12923535; Ad 2; WorldCat 804759478 (0 copies); not in STCV. Contemporary elaborately gold-tooled red morocco with (remnants of) brass catch and anchorplates along the fore edge, gilt and gauffered edges with intricately made tabs along the fore edge, gold-tooled board edges, marbled endpapers. With 20 full-page engraved plates by Cornelius Galle, 10 engraved frames surrounding the text, and vocal music printed on pp. 153-155, 196-197, 199-207, 220-233, 235-237, 240-272, 286-288, 290-292, and xvii. The text is printed in red and black, with historiated initials hand-coloured in red, an engraved vignette on the title page of each work, and several woodcut tailpieces throughout, of which 3 printed in red. Pages: [64], 628, cxxviij, [4], [2], 30, [4], 24; 28, [12] pp. With: (2) [SPANISH MISSAL]. Missae propriae sanctorum Hispanorum, qui generaliter in Hispania celebrantur. ex apostolica concessione, & auctoritate S. Pii V. Gregorii XIII. Sixti. V. Clementis VIII. & Urbani. VIII. aliorumque summorum pontificum. Antwerp, ex architypographia Plantiniana [= Joannes Jacobus Moretus], 1737.…

Hardcover. 12mo. Rebound in full brown velour over heavy boards (likely late 19th century). (94pp), 735pp, (1p), i-cxxxvj. Small title page engraving and single full-page engraving (unnumbered p. 94). Overall very good. Binding a bit edgeworn and rubbed, with a few spots, but strong; text block tightly cropped as is typical, but tight and quite nice, with corner or edge chips on title page (not affecting text), unnumbered p. 33-34 (slightly affecting several words) and pp. 367-72 (not affecting text); cloth fore-edge tabs marking leaf 363-64 and 365-66; old but neat archival paper gutter reinforcements to inner hinges; 19th c. bookplate on inner flyleaf of Wisconsin religious academy, couple of pencilled 19th c. ownership signatures on facing leaf and miniscule Wisconsin convent inkstamp at bottom of title page and one text page. Fairly attractive, quite handleable later printing of the Council of Trent's 1570 official issue, as authorized by Pope Pius V and corrected by Pope Clement VIII in 1604, but preceding the further revisions authorized by Pope Urban VIII in 1634. The Roman Missal contains, in two-column large typeface format with extensive varying-sized historiated initials, numerous texts for the celebration of the most common liturgy and Mass of the Catholic Church, with numerous hymns scattered throughout. Many portions throughout printed in red. Interestingly, on display at Moseley Old Hall in Wolverhampton in central England is a copy of this same Paris 1623 prayer book, believed to be the edition that a Father Huddleston possibly used to convert Charles II to Catholicism on his deathbed when the King summoned the Benedictine priest to his bedside at Whitehall Palace in London in 1685.…

xli, 502, 60, 24pp, [2]. With a half tile. Printed in red and black. Elaborately bound in contemporary richly gilt-tooled red morocco, device of seated christ proffering book with Greek letters alpha and omega within ornate border to both boards, A.E.G., with eight divisional red moire cloth tabs (one partially perished), gilt dentelles, decorated endpapers. Slightest of rubbing to extremities. Internally immaculate. An exquisitely bound late nineteenth-century Continental edition of the Roman Missal. The Roman Missal, with origins in the high middle ages, is the liturgical book from which the text and rubrics for the celebration of Catholic Mass, with both prayers and music. One of the major advances of the Council of Trent, the Catholic counter to the Protestant Reformation, was to standardise the Missal. Pope Pius V, acting on the concilliar deciion, formalised this in his Quo Primum on 14 July 1570 - insisting that the standard form of the Missal was used throughout the Church except where a local missal could be proved to be of two centuries antiquity. Perhaps one of the most controversial Counter-Reformation decisions made at Trent, the use of a standard Missal prevented the celebration of the Mass in vernacular languages and signified a further strengthening of Papal authority: particularly as all printed editions were prefaced by the Pope's order of standardisation. The Missal of Pius V was further edited by Clement VIII in 1604, and later by Urban VIII in 1634. Size: Large 8vo.…

Folio (362 x 245 mm). Collation: ã6 ê6 î4 (i4 blank) õ6 ?6 ãã6 êê4; A-Z Aa-Yy6. [38], 228, 42 leaves. Double column, printed in red and black, double rule page-borders throughout. 57 pages with printed music (staves red-printed). Woodcut title illustration of Saints Peter and Paul, seven full-page woodcuts (the first in two blocks: a woodcut border and small Annunciation cut), five small woodcut vignettes including two repeats, and approximately 368 historiated initials in various sizes and from various series. Small tear to corner of title-leaf, occasional foxing, very occasional offsetting of red ink, small stains in gutters in quire O, finger-soiling in Canon (quire X), small rust-hole in f. 212 (NN2) affecting 3 letters, last few leaves with narrow marginal dampstain and slight creasing to upper fore-corners. Bound in contemporary French gold-tooled and -stamped light brown goatskin, covers paneled with double fillets, inner panel with fleurons at outer corners, inner corners with large stamp of leafy branches emerging from a small medallion with winged cherub?s head, large central oval medallion of the Crucifixion on upper cover and Annunciation on lower cover, smooth spine (with recessed cords) decorated with overall double fillet panel with tiny fleurons at corners, gilt edges, plain endpapers, remains of numerous fore-edge tabs in paper, pale green or pink silk, and black silk for the Mass for the Dead. Corners bumped, slight wear, front cover slightly rubbed, a few small holes to lower cover, foxing to endpapers. Provenance: contemporary inscription in French on front flyleaf listing ?Messes pour tous les iours de la sepmaine? (Masses for every day of the week); loosely inserted armorial papercut, unidentified arms (lion rampant, on a chief three roses). Unrecorded issue of an imposing post-Tridentine Missal, in a fine Parisian gold-tooled binding. The woodcut illustrations of this copy differ from the other known copies of this edition, which are illustrated with engravings. The binding tools appear on other books published by the same publishing consortium, and have been associated with religious lay confraternities founded by Henri III in the 1580s. This exceptional copy is of interest for the history of publishing, printing, illustration, and binding; it raises questions about the very concept of an edition, about the transmission of images, and about the relations between printer-publishers, bookbinders, and book buyers in the hand-press period. In 1570, with the papal bull ?Quo primum,? Pope Pius V imposed uniformity on the rites of Mass, previously a hodge-podge of different local traditions. That bull was printed in all subsequent missals; it is accompanied here by papal and royal privileges which supply crucial information concerning the publishing history of this edition. Jacques Kerver was the first French libraire to obtain a privilege for the publication of liturgical works. When he died in 1583, the privilege passed to his widow, who ceded it to a consortium of booksellers: Sebastian Nivelle, Guillaume Chaudière, Guillaume de la Noue, Michel Sonnius, and Thomas Brumen (cf. Renouard, Imprimeurs et libraires parisiens du XVIe siècle, IV, 22). That privilege expired on 22 December 1595. This edition includes Papal and Royal renewals of the Kerver privilege for the printing of ?sacred books? (Missals, Breviaries, and Offices of the Virgin), granted respectively by Clement VIII and Henri IV, both on 4 April 1596. For Thomas Brumen, who had died in 1588, the Royal privilege substitutes his son-in-law and heir Jean Corbon II, and adds the names of Claude Chapelet, identified as bookseller to the Academy, and Jamet Mettayer and Pierre L?Huillier, respectively Royal printer and Royal bookseller (Mettayer was also the official printer for the Royal confraternities). The preliminary matter further includes the reformed (Gregorian) Paschal calendar for the years 1582 to 1700, a table of moveable feasts for 1589 to 1.…

leather_bound. Condición: Good.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

10. Mechliniae (Mechelen), P.J.Hanicq, 1846, in-folio, 40 x 26,5 cm, (8)(title printed in red & black andwith engraved vignet) + full page wood engraving (canon plate, printed by Buschmann, engraved by Brown, designed by Van Lerius) + 350 pp + lxxxiii + xviii + iipp, with wood engraved initials (40 x 40 mm), all pages printed within triple typographicals fillets, contemporary full red morocco, large floral ornament on both covers, with central floral cross, within fine double fillet and thick blindtooled fillet, raised back with gilt ornaments, all edges gilt, white satin paper endleaves, very fine binding with only some traces of wear at corners and someunimportant scratches, interior spotless. Superb copy of this monumental edition from the famous Hanicq press in Mechelen. (Liturgical typography, missal, evangelarium).…