Miranda pierre (15 resultados)

Hard Cover. Condición: Good. No Jacket. First Edition. From an academic library with the usual stamps etc. Now in a library binding.

Novela(82-31) 451 Editores. Encuadernación en tapa Dura. Miranda, XoséÁlvarez de Colmenar, JuanBarret, Pierre. 24 cm. Libro del Camino de SantiagoTapa deslucida.Tapa ilustrada. Pags.261.Volúmenes. Libro usado.

22 x 30, sans pagination, nombreux dessins et illustrations, broché, bon état. dessins de Philippe Geluck et Royer.

Reliure Rigide Illustrée. Condición: Très Bon État. 416 pages en format 21 - 29.5 cm - nombreuses photographies. Miranda et Larose (ilustrador).

Couverture rigide. Condición: Très bon. # Broché: 642 pages # Parution: 20 janvier 2005 # Présentation de l'éditeur: La 5e édition de L'évaluation Clinique de la Fonction Musculaire présente une iconographie enrichie. Le lecteur y trouvera un nouveau chapitre sur les repères morphologiques et anatomiques. Ils permettent d'affiner le bilan palpatoire, de repérer les corps musculaires et les tendons. Les risques d'erreur sont ainsi diminués. La nouvelle présentation des dessins, schémas et planches d'innervation en couleur permet une lecture agréable et pédagogique. Ce livre, écrit en nouvelle nomenclature, fait référence aux équivalences française classique, latine et anglo-saxone (sous forme d'index en tableau). Il est destiné aux étudiants et professionnels médicaux et paramédicaux. Cet ouvrage de synthèse concerne l'évaluation analytique des muscles de la face, du tronc et des membres ainsi que les bilans musculaires lors des pathologies neurologiques d'origine centrale. Il constitue un ouvrage d'évaluation de référence pour les apprentissages de la médecine physique et de réadaptation afin d'orienter les thérapeutiques appropriées. # Biographie de l'auteur: Anne-Marie Chevalier, Kinésithérapeute, Cadre supérieure Service de rééducation, Hôpital Saint-Michel, Paris. Chargée d'enseignement. Alain Miranda : Kinésithérapeute, Cadre supérieur. Service de médecine physique et de réadaptation, Hôpital Raymond Poincaré, Garches, France. Chargé d'enseignement. Jean-Pierre Bleton : Kinésithérapeute, Cadre supérieur. Service de neurologie - Unité de rééducation fonctionnelle . Centre Raymond Garcin, Hôpital Saint-Anne, Paris. Chargé d'enseignement. Michèle Lacôte Coordinatrice et auteur. Ex-directrice de l'Ecole de Kinésithérapie Necker-Enfants malades (Paris).…

Couverture rigide. Condición: Neuf. 5ème Édition. # Broché: 642 pages # Parution: 20 janvier 2005 # Présentation de l'éditeur: La 5e édition de L'évaluation Clinique de la Fonction Musculaire présente une iconographie enrichie. Le lecteur y trouvera un nouveau chapitre sur les repères morphologiques et anatomiques. Ils permettent d'affiner le bilan palpatoire, de repérer les corps musculaires et les tendons. Les risques d'erreur sont ainsi diminués. La nouvelle présentation des dessins, schémas et planches d'innervation en couleur permet une lecture agréable et pédagogique. Ce livre, écrit en nouvelle nomenclature, fait référence aux équivalences française classique, latine et anglo-saxone (sous forme d'index en tableau). Il est destiné aux étudiants et professionnels médicaux et paramédicaux. Cet ouvrage de synthèse concerne l'évaluation analytique des muscles de la face, du tronc et des membres ainsi que les bilans musculaires lors des pathologies neurologiques d'origine centrale. Il constitue un ouvrage d'évaluation de référence pour les apprentissages de la médecine physique et de réadaptation afin d'orienter les thérapeutiques appropriées. # Biographie de l'auteur: Anne-Marie Chevalier, Kinésithérapeute, Cadre supérieure Service de rééducation, Hôpital Saint-Michel, Paris. Chargée d'enseignement. Alain Miranda : Kinésithérapeute, Cadre supérieur. Service de médecine physique et de réadaptation, Hôpital Raymond Poincaré, Garches, France. Chargé d'enseignement. Jean-Pierre Bleton : Kinésithérapeute, Cadre supérieur. Service de neurologie - Unité de rééducation fonctionnelle . Centre Raymond Garcin, Hôpital Saint-Anne, Paris. Chargé d'enseignement. Michèle Lacôte Coordinatrice et auteur. Ex-directrice de l'Ecole de Kinésithérapie Necker-Enfants malades (Paris).…

Couverture souple. Condición: Bon. Pas de jaquette. In 4 relié en bon état, 508 pages, 1982. Envoi soigné.

hardcover. Condición: As New. Hardback--no flaws.

Rilegato. Condición: nuovo. Estado de la sobrecubierta: nuovo. prima edizione. The Great Hours of Anne of Brittany. Commentary only,edited by Marie-Pierre Laffitte,Georges Minois,Michèle Bilimoff and Carlos Miranda Garcia-Tejedor .Barcelona 2018 Moleiro Publisher Pages 400 Ills. col.Hardback Language : english,Spanish and French text.…

Paperback. Condición: Very Good +. Book. 265 x 210 mm, 36 pp. in printed stapled wraps. Winter/Spring 1966. Front cover image in colour, contents illustrated with both colour and b/w images. Three issues of Image (usually a 'careers' magazine for young graduates) were effectively taken over by important Cambridge academics of the day, all with a specific interest in concrete poetry and kinetic art: Philip Steadman, Stephen Bann and Reg Gadney. The issues of Image dedicated to kinetic and concrete poetry were particularly noteworthy for their commitment to translation and reprinting 'lost' texts, an imaginative use of layout and photography, and enlightening academic essays on their given subjects. Symbiotic of its artistic agenda, this issue brings together a comprehensive, edited selection of the writings of the Groupe Recherche d'art Visuel (Paris, 1960-65) - many of which had hitherto never been published in translation, and the majority of which were first published in ephemeral catalogues or leaflets. Edited and translated by Stephen Bann and Reg Gadney, their introduction to the manifesto-texts of the Groupe Recherche d'art Visuel reads: 'These writings are not a prescription for kinetic art, nor are they sufficient to define the position of the GRAV on the modern scene. They are the product of a radical reappraisal of the relationship between artist, work and spectator and as such they have a unique interest.' From 1960 is a text declaring the aims of the GRAV, entitled 'Act of Foundation'; from 1961: a statement made by GRAV on the occasion of an exhibition of kinetic art at the Museum of Modern Art in Stockholm ('We prefer to consider the artistic phenomenon as an exclusively visual experience on the level of physiology rather than of emotion'); from September 1961: a secondary manifesto entitled 'Enough of Mystification', from 1962: extracts from 'Individual Declarations' by the artists of GRAV; from 1962/3: an extract from a text by Le Parc, entitled 'On the Subject of Art-Spectacle', and a text distributed for the opening of the 3rd Paris Biennale in October 1963; also from 1963, a text entitled ''Instability'-The Labyrith' and a talk by Le Parc at Rimini Congress. A series of questionnaires, from Bann, Gadney and Ohio University, conducted in 1965 (and translated by Annette Kobak), is also included. This issue also features an essay by the art historian and Image contributing editor, Stephen Bann, entitled 'Kinetic Art and Poetry' (a particular attention is given to Ian Hamilton Finlay's kinetic poetry); together with a text by Frank Popper entitled 'Mueller's Machine 'M'', examining the work by Hans-Walter Mueller Machine M, that was shown at the Fourth Biennale of Paris, as well as photographs of Edina Ronay, young actress-daughter of Hungarian gourmet, Egon Ronay. Rare, our last copy. Condition: light wear to front cover, light soiling to left edge of cover and crease to bottom corner, internally fine. Overall: Very good+.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Reprinted from 1819 edition. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set and contains approximately 26 pages. IF YOU WISH TO ORDER PARTICULAR VOLUME OR ALL THE VOLUMES YOU CAN CONTACT US. Resized as per current standards. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Language: French.…

Couverture rigide. Condición: Neuf. Estado de la sobrecubierta: Neuf. prima edizione. Title: [JEAN BOURDICHON] The Great Hours of Anne of Brittany. Bibliotheque nationale de France, Paris. Shelf-Mark: Lat. 9474 Author: : Description: Barcelona: Moleiro, 2008. 30cm., facsimile of 476pp. with 49 full-page miniatures, 337 marginal illuminations, separate commentary volume. ^Available December 2008^. Summary: The Great Hours of Anne of Brittany is undoubtedly a masterpiece of French painting, as is fitting for a manuscript intended for someone who was twice queen of France: with Charles VIII and then Louis XII. The folios of this codex feature veritable paintings rather than the miniatures usual in this type of book. Jean Bourdichon painted almost fifty full-page scenes with gold frames upon a ground of parchment dyed black. These miniatures are comparable to paintings on canvas or board not only because of their dimensions but also because of their foregrounds, use of perspective, pictorial technique, realism of the portraits, etc. The Nativity (f. 51v) is one of the most outstanding night scenes ever painted in a book of hours. The supernatural light cast by the star of Bethlehem magically illuminates an image conveying a clear, theological message. Master Bourdichon¿s talent stands out again in the Flight to Egypt (f. 76v), whose light, atmosphere and dark background of rocky mountains recall Leonardo da Vinci¿s Virgin of the Rocks. The play of light and shade in a starry night is also masterful in the scene of Judas¿ kiss (f. 227v); the lamps and torches guide the spectator¿s gaze so that no detail of the tragic scene is overlooked. Bourdichon enhances the intriguing luminosity of his colours by delicate brushstrokes of gold that highlight garments, weapons, hair, angels¿ wings, etc. Also noteworthy is the remarkably innovative nature of the calendar featuring not just marginal scenes but full-page paintings interrupted by the framed text beneath the sign of the zodiac of each month. This arrangement was apparently not used in French miniatures prior to Jean Bourdichon except in two manuscripts. The magnificent herbal in the margins of the text folios makes this manuscript a peerless book of hours. The margins of this codex constitute a comprehensive, botanical treatise of more than 330 plants, with their scientific names in Latin at the top of the image and their common names in French at the bottom. Furthermore, this veritable herbal is dotted with brightly-coloured insects and small animals that enhance the beauty and originality of each miniature. This is, in short, two codices in one: a spiritual book for meditation and prayer, and a natural encyclopaedia; a book of hours and a botanical treatise. Master Bourdichon was court painter to Louis IX, Charles VIII, Louis XII and Francis I, and his paintings clearly contributed to the Gothic to Renaissance evolution. Following the death of the duchess of Brittany in 1514, her Great Hours enthralled Louis XIV who transferred them to the "curiosities cabinet" at the palace of Versailles. This beautiful codex subsequently enraptured Napoleon III, who exhibited it at the Musée des Souverains in the Louvre from 1852 to 1872. It is now one of the most highly-prized treasures of the Bibliothèque nationale de France. Not in vain do art historians deem the Great Hours of Anne of Brittany to be one of the most outstanding books of hours in existence. Size: Quarto.…

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1794 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. Pages: 158 As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 158 Language: English.…

Softcover. Condición: New. Reprint. Language: English. Approximately 136 pages. English: Print-on-demand reprint. Original edition : 1794. Text in English. This volume presents the original correspondence between key military and political figures during the early years of the French Revolution. The letters exchanged between Generals Dumourier, Miranda, Pache, and Beurnonville provide critical insights into the strategic and political decisions of the period, particularly concerning the Ministry of War. The text is a valuable resource for historians and researchers interested in 18th-century military history and revolutionary France. Book images are non-contractual. This item is printed on demand and ships from our printing partners' facility nearest the destination. These facilities are located mainly in the United States, the United Kingdom and Canada.…

Leather Bound. Condición: New. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2025, utilizing the invaluable guidance of the original edition published many years ago in 1794. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages:- 158, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 158 158.…