Milano fulvio (7 resultados)

Encuadernación de tapa blanda. Condición: Bien. Plaqueta N° 3 VIGILIA, Febrero 1965. Poemas de Elvira Amado, Omar Rubén Aracama, Simón Kargieman, Fulvio Milano y Alberto Luis Ponzo. Con una ilustración de Batlle Planas Rústica. Buen estado (con un pliegue a la mitad).

Condición: good. Indice poetico boquense. Cuadernos de la boca del riachuelo - Bucich, Antonio J; Milano, Fulvio / usado, Buen estado.

Encuadernación de tapa blanda. Condición: Muy bueno. 1ª Edición. Librería Aves Del Paraíso. Descripción del libro. Título: Nevado De Silencio Autor: Fulvio Milano Editorial: Cuadernos De La Brújula Lugar: Buenos Aires Año: 1959 Encuadernación: Rustica Páginas: 55 Estado General: Muy Bueno Traducción: Ninguna Medidas: 21x14cm Peso: 110grs Idioma: Español Detalles: Ejemplar dedicado y firmado por el autor en la página de cortesía. Viñeta de Aurora de Prieto e ilustración de Hebe María Solves. Colección dirigida por Luis Ricardo Furlan. Todos nuestros artículos son revisados antes de ser publicados. LAS IMÁGENES DE NUESTRAS PUBLICACIONES SON ORIGINALES DE NUESTROS ARTÍCULOS. Dedicatoria autógrafa del autor.…

Condición: USADO. Rústica, 64 pp. Condición: muy bien. Ilustración de Hebe María Solves.

Encuadernación de tapa blanda. Condición: Muy bien. In-4. #1 Summer 1972/1973. (All Published). Wrappers. Collaborators : Antonio Pages Larraya, Edgar Bayley, Roberto Sanchez, Alejandra Pizarnik, Angel Leiva, Tomas Guido Lavalle, Among others. Layout by Salvador Galup. Photographic illustrations by Carlos Jaimes taken from Otto Klein's book La cerámica mochica; edited by the Federico Santa María University in Valparaíso, Chile, in 1967. Taking its name from one of the most famous poems by César Vallejo, this exquisite poetry magazine was published at the end of 1972. A great interview with Edgar Bayley, who at that time was already a continental reference, where he talks about poetry and politics, as well as the poet's attitude towards cultural, social and ideological problems, stands out in particular. Rare missing from all bibliographies. D1.…

paperback. Condición: Very Good. Catalogo della mostra presso Le stanze del vetro, Isola di San Giorgio Maggiore, Venezia. A cura di Marino Barovier con Carla Sonego. Con dentinaia di illustrazioni a colori e in bianco e nero . Cm 30x28. pp. 512. . Molto buono (Very Good). . . . Book.

Sin Encuadernar. Condición: Muy bien. Folio. #1 May/June 1962 - #8 June 1965. (Complete set). Wrappers. Collaboratos : Nicandro Pereyra, Luis Emilio Soto, Nélida Salvador, Rodolfo Alonso, Héctor Miguel Angeli, Omar Rubén Aracama, Roberto Juarroz, Antonio Porchia, Simón Kargieman, Elizabeth Azcona Cranwell, Saúl Ibargoyen Islas, Carlos González, César Fernández Moreno, Raúl Gustavo Aguirre. Illustrator : César Jaimes. Fulvio Milano and Alberto Ponzo lead Vigilia since May 1962. Without dogmatisms or exclusions include in their pages the most diverse of the current poetry, which is fulfilled shows the anthology that is part of the number 4-5 of the magazine (December 1963), which aims to "cover with all possible lucidity the helpless struggle of a sector of our poetry to objectify a poetic ideology entailed in the times we live. " Milano tries to specify the common thematic denominator that gives coherence to the dissimilar works of the thirty-two poets that are included, namely: militant Redemptorism; humanistic preaching; collective rejection of religious values; rethinking the origins and problems of the national community; the theme of Buenos Aires, focused from the double point of view of the frantic and hectic city and the man outside the walls, with its sequel to tango and lunfardía and, above all, the will to change, urgently required in the face of the reality of a unmerciful world. "Image of a new Argentine poetry", titled Fulvio Milano is as synthetic as medullar investigation of the poetic language of our contour and more immediate time. The determinant and discriminative factors that he points out and that we have written down, allow him to propose that "image" of a new poetry, of that poetry that "is oriented towards something else (used the expression with reference to the poetry made and historically assimilated from the founding fathers) "; the included poems prove, in some way, the final statement of Milano. Provenzano 310. A2.…